clean-sound

These titles are too clean sounding.

1812 Overture on Telarc

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for Recordings of the 1812 Overture

Sonic Grade: D

If you want an amazingly dynamic 1812 with huge amounts of deep bass reproduced for the cannon, you can’t do much better than this (or its UHQR brother). 

But if you want rich, sweet and tonally correct brass and strings, you had best look elsewhere. I’ve never liked the sound of this record and I’m guessing if I heard a copy today I would like it even less. 

Who in his right mind thinks live classical music actually sounds like this?

Telarc makes clean, modern sounding records. To these ears they sound pretty much like CDs.

If that’s your sound you can save yourself a lot of money avoiding vintage Golden Age recordings, especially the ones we sell. They’re much more expensive and rarely as quiet, but — again, to these ears — the colors and textures of real instruments seems to come to life in their grooves, and in practically no others.

We include in this modern group analog labels such as Reference, Sheffield, Chesky, Athena and the like. Having heard hundreds of amazing vintage pressings, at this stage of the game I find it hard to take any of them seriously.

Twenty years ago, maybe. But twenty years is a long time, especially in the world of audio.

We started a list of records that suffer from a lack of Tubey Magic like this one, and it can be found here.

(more…)

Today’s Heavy Vinyl Mediocrity Is… Fragile

Hot Stamper Pressings of the Music of Yes Available Now

The Analogue Productions 180g reissue shown here is mastered by Steve Hoffman and Kevin Gray, two guys with reputations for doing good work, but the results of their collaboration [can you believe this record came out in 2006!?] leave much to be desired.

The overall sound is too lean.

This is especially noticeable on the too-thin-sounding guitars and vocals.

Believe me, it’s no fun to play a Yes album with thin guitars and vocals.

Also, there’s a noticeable lack of ambience throughout the record. What comes to mind when I hear a record that sounds like this is the dreaded D word: dubby.

I find it hard to believe they had the actual two-track original master tape to work with. The sound is just too anemic to have come from the real tape. If they did have the real tape, then they really botched the job.
(more…)