- With superb sound from start to finish, the orchestral power on display here is positively breathtaking
- Wilkie’s Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
- Performances and sound like no other – Maag’s Rossini Overtures is in a league of its own
- “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”
- When you hear how good this record sounds, you may have a hard time believing that it’s a budget reissue from the late-’60s, but that’s precisely what it is.
- Even more extraordinary, the right copies are the ones that win shootouts
Maag breathes life into these works as only he can and the Decca engineering team led by Kenneth Wilkinson do him proud.
Everyone needs a good Rossini Overtures – the music is exciting and fun, not to mention Demonstration Quality on a pressing such as this. The combination of sound and performance on the best of the Maag-led Londons could not be equaled.
Gamba on London was much too sleepy for our tastes, and the famous Reiner on RCA left a lot to be desired. It’s mid-hall perspective and dynamic compression took all the fun out of this music.
After hearing the killer Maag pressings, nothing else would do!
Note that the orchestra is none other than the Paris Conservatoire, whose playing of the famously demanding Stravinsky Rite of Spring, under Monteux (LSC 2085), is absolutely stunning as well. (more…)
