Hot Stamper Pressings of Elvis’s Albums Available Now
There’s not a lot of top end on this recording. The mistake the American mastering engineers made when Columbia released their version was to brighten up the sound, which does nothing but make it aggressive and transistory.
This is the way Get Happy is supposed to sound and trying to change it only makes it worse.
Most of the copies we played were veiled, smeary, and thick, but this one presents the music with the kind of clarity and energy these songs need to work their under-three-minute magic.