- This outstanding pressing boasts solid Double Plus (A++) sound from start to finish
- Fans of Linda Ronstadt’s ’70s music are going to find a lot of Tubey Magical sound to like here – spending some time with Rita and getting reacquainted with her albums is just the kind of thing that makes record collecting fun
- John Haeny, the principal engineer for Rita and hubby Kris Kristofferson during the ’70s, in fact worked on some of Linda’s albums, as well as those by Judy Collins, Bonnie Raitt, Jackson Browne, Little Feat and many others
- If you’re a fan of Rita’s, this 1975 release is one of her best and surely belongs in your collection
*NOTE: On side one, a noisy edge clears up during the intro to Track 1, Born To Love Me.
This vintage A&M pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What the Best Sides of It’s Only Love Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For on It’s Only Love
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Born To Love Me
I Wanted It All
Keep The Candle Burning
Don’t Let Love Pass You By
It’s Only Love
My Rock And Roll Man
Mean To Me
Am I Blue
About Rita Coolidge
After singing around Memphis (including a stint singing jingles), Coolidge was discovered by Delaney & Bonnie, who worked with her in Los Angeles. There, she became a background singer for artists including Leon Russell, Joe Cocker, Harry Chapin, Bob Dylan, Jimi Hendrix, Eric Clapton, Dave Mason, Graham Nash, and Stephen Stills. She was featured in Joe Cocker’s Mad Dogs and Englishmen tour and album, singing Russell’s and Bonnie Bramlett’s song “Superstar.” Coolidge did not receive songwriting credits for “Superstar” which later became a hit for The Carpenters.
She became known as “The Delta Lady” and inspired Russell to write a song of the same name for her.
In November 1970, she met Kris Kristofferson at the Los Angeles airport when they were both catching the same flight to Tennessee. He got off in Memphis with her, rather than continue to his intended destination in Nashville. The two married in 1973 and recorded several duet albums, which sold well and earned the duo a Grammy Award for Best Country Performance by a Duo or Group with Vocal in 1974 for “From the Bottle to the Bottom”, and in 1976 for “Lover Please.”
It’s Only Love was recorded while she was married to Kris Kristofferson.