More of the music of Sergei Prokofiev (1891-1953)
Reviews and Commentaries for the Music of Sergei Prokofiev
This is a London Whiteback LP with SUPERB SOUND on both sides. It’s immediate, dynamic, very low distortion, spacious, and relatively sweet.
The bass deserves special mention here. You rarely hear recordings from the ’50s and early ’60s, the kind of LPs that were mastered with tubes of course, having this kind of truly deep punchy bass.
As this album was recorded in ’67 and mastered relatively soon thereafter, the cutting equipment capable of inscribing deep bass onto a slab of vinyl was widely available. For this piece of music it’s almost mandatory to get good solid low end.
Side two is even sweeter than side one. The strings are tonally Right On The Money (ROTM). The lower strings are especially rich and textured.
This is an Older Classical/Orchestral Review
Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.
We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)
We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.
Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.
As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.
The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.
The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.
Basic Concepts and Realities Explained
Important Lessons We Learned from Record Experiments
More Classical and Orchestral Commentaries and Reviews