A distinguished member of the Better Records Orchestral Music Hall of Fame.
This is a London Whiteback LP with SUPERB SOUND on both sides. It’s immediate, dynamic, very low distortion, spacious, and relatively sweet.
The bass deserves special mention here. You rarely hear recordings from the ’50s and early ’60s, the kind of LPs that were mastered with tubes of course, having this kind of truly deep punchy bass. As this album was recorded in ’67 and mastered relatively soon thereafter, the cutting equipment capable of inscribing deep bass onto a slab of vinyl was widely available. For this piece of music it’s almost mandatory to get good solid low end.
Side two is even sweeter than side one although it’s slightly ticky. The strings are tonally Right On The Money (ROTM). The lower strings are especially rich and textured.