More Frank Sinatra
More Nelson Riddle
- This superb compilation of Sinatra’s two 1954 releases makes its Hot Stamper debut here with a Shootout Winning Triple Plus (A+++) sound on side one mated with outstanding Double Plus (A++) sound on side two, and the vinyl is about as quiet as we can find it
- Drop the needle at the start of side one and you will soon find a living, breathing Frank Sinatra standing between your speakers
- Exceptionally lovely All Tube sound from 1954, with a huge, rich orchestra conducted by the legendary Nelson Riddle
- 4 1/2 stars: “Sinatra plays around with the melodies without leaving them behind, delivering each line with precision. It ranks as one of his most jazzy performances, as well as one of his most fun and carefree records.”
We love doing the work that it takes to find Sinatra albums from his prime recording days that actually sound the way we want them to — lively and fun. This means slogging through lots of bad pressings in order to find gems like this one. But hey, that’s what we do. We love it when a record with music this good can be found with sound like this.
This vintage Capitol Mono pressing has the kind of Tubey Magical Midrange that modern records rarely begin to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.
Having done this for so long, we understand and appreciate that rich, full, solid, Tubey Magical sound is key to the presentation of this primarily vocal music. We rate these qualities higher than others we might be listening for (e.g., bass definition, soundstage, depth, etc.).
Hot Stamper sound is rarely about the details of a given recording. In the case of this album, more than anything else a Hot Stamper must succeed at recreating a solid, palpable, real Frank Sinatra singing live in your listening room. The better copies have an uncanny way of doing just that.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but less than one out of 100 new records do, if our experience with the hundreds we’ve played over the years can serve as a guide.
What the Best Sides of Swing Easy! And Songs For Young Lovers Have to Offer Is Not Hard to Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1954
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Copies with rich lower mids and nice extension up top (to keep the strings from becoming shrill) did the best in our shootout, assuming they weren’t veiled or smeary of course. So many things can go wrong on a record! We know, we heard them all.
And we know a fair bit about the man’s recordings at this point. As of today, we’ve done commentaries for more than 21 different Sinatra shootouts, and that’s not counting at least another ten titles that either bombed or were sold off years ago.
We’ve searched high and low for his records and played them by the score over the years. We plan to keep a good supply on to the site in the coming years so watch for new arrivals in the Vocal section (linked to the left).
What We’re Listening For on Swing Easy! And Songs For Young Lovers
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Just One Of Those Things
I’m Gonna Sit Right Down And Write Myself A Letter
Wrap Your Troubles In Dreams
Taking A Chance On Love
All Of Me
My Funny Valentine
The Girl Next Door
A Foggy Day
Like Someone In Love
I Get A Kick Out Of You
Little Girl Blue
They Can’t Take That Away From Me
Violets For Your Furs
AMG 4 1/2 Star Review
As the title implies, the record concentrates on up-tempo swingers. Again, the songs were all standards — “Just One of Those Things,” “Wrap Your Troubles In Dreams,” “All of Me” — that benefitted from the new thematic setting, the new arrangements, and, of course, Sinatra’s increasingly playful and textured vocals. Sinatra plays around with the melodies without leaving them behind, delivering each line with precision. It ranks as one of his most jazzy performances, as well as one of his most fun and carefree records.