Richard Mohr, Producer – Reviews and Commentaries

12s Is Killer on Fiedler’s Gaite Parisienne from 1959

Hot Stamper Pressings of Living Stereo Recordings Available Now

UPDATE 2026

This listing for a 12s/12s pressing is from 2008. In 2004, we liked 11s/10s quite a bit.

Our favorite performance of Gaite Parisienne is the one from Readers Digest. (Don’t bother to look for it on our site. We never have any stock as it is too hard to find and usually too noisy for most audiophiles.)


12s Hot stampers. The best sounding copy I’ve ever heard.

Jim Mitchell is famous for pointing out that many of the RCA’s that were re-recorded a few years later are inferior to their earlier counterparts.

This record is no exception.

LSC 1817 is an amazing record.

This record is merely good, with depth, soundstaging, nice string tone, etc., but not the kind of sonic fireworks to be found on the 1954 2-track recording that RCA first did of the work.

A very good Sabre Dance as a bonus, check it out. It’s the lead off track on Destination Stereo (LSC 2307) for good reason: it sounds great.

Click on this link to read more reviews and commentaries for Gaite Parisienne.

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TAS List Thoughts about Festival – Harry, This One Is Out of Polarity, Man!

Hot Stamper Pressings of Living Stereo Titles Available Now

Harry Pearson put this on his list of the best Classic Records RCAs. It may be. I don’t recall ever playing one.

If you can reverse your absolute phase, this original pressings of this record actually sound fairly decent. Do you think Harry knew to do that, or even how to do it? I have my doubts.

He’s gone now so the point is moot, but I maintain it’s the rare reviewer who grasps these kinds of issues with anything approaching the depth and understanding that are required in order to be informative and accurate.


This is an older classical/orchestral review

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we started developing in the early 2000s and have since turned into a veritable science.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

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