More Classical and Orchestral Recordings
- An original UK Decca pressing of this wonderful sounding record boasting STUNNING Shootout Winning Triple Plus (A+++) grades from first note to last
- Tonally correct from top to bottom and full of Tubey Magic, it’s unbelievably spacious and three-dimensional, with depth to rival any recording you may own
- The violin (played by Boskovsky himself) is immediate, real and lively here – there is a transparency and ease to the sound that is not often heard in recordings from any era, making this a very special record indeed
- Gordon Parry and James Lock handled the engineering duties for Decca and their work here is hard to fault
Wow, what a find! This is a WONDERFUL sounding record with vintage Decca/London sound. There is not a trace of hyped-up sound to be found on this record.
So spacious! This is a fairly small ensemble, not a huge orchestra, playing in a lively hall, exactly the kind of hall in which this music was meant to be heard. The reason everything on this disc sounds right is that the venue, the sound and the music are authentic to these works in practically every detail.
This vintage UK import pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Dances of Old Vienna Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1968
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We’re Listening For On Dances of Old Vienna
- Energy for starters. What could be more important than the life of the music?
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.
Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.
And most of the time those very special pressings are just plain more involving. When you hear a copy that does all that — a copy like this one — it’s an entirely different listening experience.
Side One
Jugendfeuer (Strauss)
Liebeslieder (Strauss)
Four Waltzes & Four Ecossaises (Schubert)
Die Guten Alten Zeiten (Strauss)
Side Two
Indianer (Strauss)
Tivoli-Rutsch (Strauss)
Exeter (Strauss)
Pesther (Lanner)
Four Waltzes & Two Ecossaises (Schubert)
Jagers Lust (Lanner)
