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Billy Joel – The Nylon Curtain

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We completed a shootout for The Nylon Curtain a while back and this turned out to be one of the better copies we heard. After playing a stack of mediocre copes, we are completely confident in saying that you’ll have a very hard time finding one that sounds this good.

What excellent sides such as these have to offer is not hard to hear:

Best Practices

If you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what’s right and what’s wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.

The process is simple enough. First, you go deep into the sound. There you find something special, something you can’t find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way

TRACK LISTING

Side One

Allentown
Laura
Pressure
Goodnight Saigon

Side Two

She’s Right On Time
A Room Of Our Own
Surprises
Scandinavian Skies
Where’s The Orchestra?

AMG 4 1/2 Star Rave Review

… The Nylon Curtain is where Billy Joel went serious, consciously crafting a song cycle about Baby Boomers in the Reagan era. Since this was an album about Baby Boomers, he chose to base his music almost entirely on the Beatles, the pivotal rock band for his generation. Joel is naturally inclined to write big melodies like McCartney, but he idolizes Lennon, which makes The Nylon Curtain a fascinating cross between ear candy and social commentary.

…the first half of the song suite — “Allentown,” “Laura,” “Pressure,” “Goodnight Saigon,” “She’s Right on Time” — is layered, successful, mature pop that brings Joel tantalizingly close to his ultimate goal of sophisticated pop/rock for mature audiences.

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