More Duran Duran
- An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound or close to it on both sides – exceptionally quiet vinyl too
- Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly for Duran Duran
- Exceptionally quiet vinyl throughout, Mint Minus to Mint Minus to Minus – we had to go through about ten copies to find one this quiet
- “Duran Duran put three of the album’s singles in the Top Ten, taking it to number one in the U.K… it’s bright, energetic, and effectual. Duran Duran’s new direction eventually gave Seven and the Ragged Tiger double platinum status.”
This vintage EMI pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What amazing sides such as these have to offer is not hard to hear:
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- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1983
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
What We Listen For on Seven and the Ragged Tiger
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Vinyl Condition
Mint Minus Minus and maybe a bit better is about as quiet as any vintage pressing will play, and since only the right vintage pressings have any hope of sounding good on this album, that will most often be the playing condition of the copies we sell. (The copies that are even a bit noisier get listed on the site are seriously reduced prices or traded back in to the local record stores we shop at.)
Those of you looking for quiet vinyl will have to settle for the sound of other pressings and Heavy Vinyl reissues, purchased elsewhere of course as we have no interest in selling records that don’t have the vintage analog magic of these wonderful originals.
If you want to make the trade-off between bad sound and quiet surfaces with whatever Heavy Vinyl pressing might be available, well, that’s certainly your prerogative, but we can’t imagine losing what’s good about this music — the size, the energy, the presence, the clarity, the weight — just to hear it with less background noise.
TRACK LISTING
Side One
The Reflex
New Moon On Monday
(I’m Looking For) Cracks In The Pavement
I Take The Dice
Of Crime And Passion
Side Two
Union Of The Snake
Shadows On Your Side
Tiger Tiger
The Seventh Stranger
AMG Review
Despite the fact that Seven and the Ragged Tiger couldn’t match the unrestrained pop/rock ebullience of 1982’s Rio, Duran Duran put three of the album’s singles in the Top Ten, taking it to number one in the U.K.
Even though “The Reflex” gave the band their first number one hit, there’s an overabundance of fancy glitz and dancefloor flamboyancy running through it, unlike “New Moon on Monday’s straight-ahead appeal or “Union of the Snake’s mysterious, almost taboo flair.
It’s apparent that Seven and the Ragged Tiger’s content has the band moving ever so slightly into a danceclub arena, with the songs leaning more toward their ability to produce a sexier sound through electronics and instrumentation… Although they may have turned their songwriting down a notch in order to succumb to the pabulum of synthesized pop, they didn’t relinquish every aspect of their genius, and when they do deliver, it’s bright, energetic, and effectual. Duran Duran’s new direction eventually gave Seven and the Ragged Tiger double platinum status.