More of the Music of Roberta Flack
- Incredible sound throughout this vintage Atlantic pressing, with both sides earning Shootout Winning Triple Plus (A+++) grades or close to them
- We guarantee there is dramatically more space, richness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
- This is a lot of money for a somewhat noisy copy, but the sound is so awesome and quiet pressings of the album so hard to come by that we hope someone will take a chance on it and get the thrill we did from hearing it sound right for once
- “Capping off a string of early-70s hits with this album’s title track, Roberta Flack would soon take a sabbatical from the spotlight in 1975. And while she would return to the stage and studio, Flack never quite hit the heights of this and the handful of other MOR soul releases from the first half of the decade… Feel Like Making Love will still please the singer’s dedicated fans.”
This vintage Atlantic pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.
If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.
What The Best Sides Of Feel Like Makin’ Love Have To Offer Is Not Hard To Hear
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1975
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.
Best Practices
Recently we did one of our regular shootouts for Feel Like Makin’ Love, using early domestic pressings we’ve learned from experience have the potential for Hot Stamper sound. We cleaned them as carefully as we always do. Then we unplugged everything in the house we could get away with, carefully warmed up the system, Talisman’d it, found the right VTA for our Triplanar arm (by ear of course) and proceeded to spend the next couple of hours playing copy after copy on side one, after which we repeated the process for side two.
If you have five or ten copies of a record and play them over and over against each other, the process itself teaches you what’s right and what’s wrong with the sound of the album. Once your ears are completely tuned to what the best pressings do well that the others do not do as well, using a few specific passages of music, it will quickly become obvious how well any given pressing reproduces those passages.
The process could not be more simple. The first step is to go deep into the sound. There you find something special, something you can’t find on most copies. Now, with the hard-won knowledge of precisely what to listen for, you are perfectly positioned to critique any and all pressings that come your way.
What We’re Listening For On Feel Like Makin’ Love
- Energy for starters. What could be more important than the life of the music?
- Then: presence and immediacy. The vocals aren’t “back there” somewhere, lost in the mix. They’re front and center where any recording engineer worth his salt would put them.
- The Big Sound comes next — wall to wall, lots of depth, huge space, three-dimensionality, all that sort of thing.
- Then transient information — fast, clear, sharp attacks, not the smear and thickness so common to these LPs.
- Tight punchy bass — which ties in with good transient information, also the issue of frequency extension further down.
- Next: transparency — the quality that allows you to hear deep into the soundfield, showing you the space and air around all the instruments.
- Extend the top and bottom and voila, you have The Real Thing — an honest to goodness Hot Stamper.
Side One
Feelin’ That Glow
I Wanted It Too
I Can See The Sun In Late December
Some Gospel According To Matthew
Side Two
Feel Like Makin’ Love
Mr. Magic
Early Ev’ry Midnite
Old Heartbreak Top Ten
She’s Not Blind
AMG Review
Capping off a string of early-’70s hits with this album’s title track, Roberta Flack would soon take a sabbatical from the spotlight in 1975. And while she would return to the stage and studio, Flack never quite hit the heights of this and the handful of other MOR soul releases from the first half of the decade. Her Carole King-meets-Gladys Knight sound is particularly impressive on highlights like “Mr. Magic” and “Feelin’ That Glow.”
Helping out with the stellar backing are such luminaries as vocalist Patti Austin, drummer Alphonze Mouzon, keyboardist Bob James, and guitarist Hugh McCracken. Maybe not as fine an album as 1971’s Quiet Fire, Feel Like Making Love will still please the singer’s dedicated fans.