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Gene Ammons – Angel Eyes

This vintage Prestige stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.

If you exclusively play modern repressings of vintage recordings, I can say without fear of contradiction that you have never heard this kind of sound on vinyl. Old records have it — not often, and certainly not always — but maybe one out of a hundred new records do, and those are some pretty long odds.

What amazing sides such as these have to offer is not hard to hear:

No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the qualities we discuss above, and playing the best pressings against a pile of other copies under rigorously controlled conditions is the only way to find a pressing that sounds as good as this one does.

What We Listen For on Angel Eyes

TRACK LISTING

Side One

Gettin´ Around
Blue Room
You Go To My Head

Side Two

Angel Eyes
Water Jug
It´s The Talk Of The Town

AMG  Review

The four songs from 1960 match the great tenor Gene Ammons with Frank Wess (doubling on flute and tenor), organist Johnny “Hammond” Smith, bassist Doug Watkins, and drummer Art Taylor. Wess, one of jazz’s great flutists, battles Ammons on tenor to a draw on “Water Jug,” while the leader takes “Angel Eyes” as his memorable feature. In addition, Ammons is heard in 1962 with pianist Mal Waldron, bassist Wendell Marshall, and drummer Ed Thigpen playing with great warmth on the ballads “You Go to My Head” and “It’s the Talk of the Town.” The latter set was one of Ammons’ final ones before serving a long prison sentence (drug-related), yet his interpretations are full of optimism. Recommended.

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