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Born Under a Bad Sign – Where Are All the Clean Copies?

Hot Stamper Pressings of Electric Blues Albums Available Now

UPDATE 2020

This is a very old review, probably from close to twenty years ago. Like I say, we have trouble finding clean copies to shootout. We expect to be doing the record soon, however.

In 2025 we finally made it happen, and this is the copy that blew our minds.


Our Review from 20 Years Ago

This original Stax LP has AMAZING sound. You could not make this record sound any better. We really liked the Sundazed copy of this record until we heard this bad boy.

It MURDERS the Sundazed! It has more life, energy and natural presence.

We always suspected that a good original pressing would be better than the Sundazed but we had no way of knowing since all the copies we ever saw were beat to death. This is the first clean copy of this record I’ve seen in 20 years.

The sound is RICH and FULL with lots of texture to the guitars. It’s very natural sounding and full-bodied.

One of the all time great electric blues albums — a Must Own for fans of the genre


This is an Older Review.

Most of the older reviews you see are for records that did not go through the shootout process, the revolutionary approach to finding better sounding pressings we developed in the early 2000s and have since turned into a fine art.

We found the records you see in these older listings by cleaning and playing a pressing or two of the album, which we then described and priced based on how good the sound and surfaces were. (For out Hot Stamper listings, the Sonic Grades and Vinyl Playgrades are listed separately.)

We were often wrong back in those days, something we have no reason to hide. Audio equipment and record cleaning technologies have come a long way since those darker days, a subject we discuss here.

Currently, 99% (or more!) of the records we sell are cleaned, then auditioned under rigorously controlled conditions, up against a number of other pressings. We award them sonic grades, and then condition check them for surface noise.

As you may imagine, this approach requires a great deal of time, effort and skill, which is why we currently have a highly trained staff of about ten. No individual or business without the aid of such a committed group could possibly dig as deep into the sound of records as we have, and it is unlikely that anyone besides us could ever come along to do the kind of work we do.

The term “Hot Stampers” gets thrown around a lot these days, but to us it means only one thing: a record that has been through the shootout process and found to be of exceptionally high quality.

The result of our labor is the hundreds of titles seen here, every one of which is unique and guaranteed to be the best sounding copy of the album you have ever heard or you get your money back.

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