Top-200

The Beatles – Revolver

More of The Beatles

More Revolver

  • Here is the space, energy, presence clarity and massive bottom end you had no idea were even possible on Revolver
  • 14 amazing tracks including Taxman; Eleanor Rigby; Here, There and Everywhere; Yellow Submarine; Good Day Sunshine; Got To Get You Into My Life and Tomorrow Never Knows (!)
  • 5 stars: “Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it’s still as emulated as it was upon its original release.”
  • If you’re a fan of the Fab Four, and even if you’re not, this groundbreaking album from 1966 belongs in your collection
  • The complete list of titles from 1966 that we’ve reviewed to date can be found here

Want to be blown away by Beatles sound you never imagined you would ever have the chance to experience for yourself? Drop the needle on Taxman on this very side one — that’s your ticket to ride, baby! We were knocked out by it and we guarantee you will be too. (more…)

The Beatles – Abbey Road

More of The Beatles

More Top 100 Rock and Pop Albums

  • An Out-Of-This-World UK pressing of The Beatles’ last and arguably greatest album, with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • The “medley” on side two in Triple Plus sound? On today’s modern systems, this copy can take you on a trip with The Beatles you could not have imagined was even possible when the record was released
  • The stereo to play it didn’t exist back then, but it does now!
  • This pressing might just give you a new appreciation for one of the Greatest Rock Albums of All Time, The Beatles’ Final Musical Statement, their Magnum Opus (along with Sgt. Pepper, of course)
  • 5 stars, a permanent member of the Better Records Top 100, and a true rock and pop Demo Disc

(more…)

10cc – Deceptive Bends

More 10cc

Reviews and Commentaries for 10cc

  • With seriously good Double Plus (A++) sound throughout, this copy of Deceptive Bends will be hard to beat
  • These sides are bigger, with even greater immediacy in the vocals, as well as more bass and dynamics, all qualities that are much less audible when playing the average copy
  • A longstanding member of our Top 100, this is one of the most dynamic, energetic, well recorded pop albums we know of, right up there with the band’s Masterpiece, The Original Soundtrack.
  • 4 stars: “Eric Stewart and Graham Gouldman kept the group alive and turned in a surprisingly solid album with 1977’s Deceptive Bends. It may lack the devil-may-care wackiness that popped up on previous 10cc albums, but it makes up for it by crafting a series of lush, catchy pop songs that are witty in their own right. All in all, Deceptive Bends is the finest achievement of 10cc’s post-Godley and Creme lineup…”
  • Deceptive Bends is a Demo Disc for Bass, a Demo Disc for Dynamics, and a Demo Disc for Energy all rolled into one.

This is an AMAZINGLY WELL RECORDED album, a record I would have no problem ranking in the Top Rock Recordings of All Time. We’re tough graders on this album because we know how good it can sound, which is SHOCKINGLY GOOD. (more…)

Elton John – Self-Titled

More Elton John

Reviews and Commentaries for Elton John’s Second Album

  • This is an original UK pressing with superb sound — it’s a Must Own album for all right thinking audiophile record lovers, not just Elton John fans
  • No modern record has ever sounded like this – these sides are HUGE, with sound that positively jumps out of the speakers
  • Some of the most remarkable string arrangements (and Tubey Magical string sound) ever recorded for a pop album
  • 4 1/2 stars: “Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. …Elton John remains one of his best records.”

Folks, if you’re looking for Classic Popular Music that still appeals to sophisticated adults fifty-plus years after it came out, this is the album for you. It’s one of the four Classic Elton John records (five if you count GYBR) that belong in every right-thinking audiophile’s collection.

(The others are, in order of quality: #1) Tumbleweed Connection, #2) Honky Chateau, #3) Goodbye Yellow Brick Road , and #4) Madman Across the Water.)

It’s full of analog Tubey Magic — the richness, sweetness, and warmth are nothing short of stunning. The transparency, clarity, texture, dynamics, energy, spaciousness, and three-dimensionality of this recording are really something to be heard.

The piano has real weight, the vocals are breathy and full, and the string tone is some of the best we have ever heard on a pop album.

Drop the needle on Border Song. When it hits the big “Holy Moses” chorus, you can pick out and follow all the different voices. What sounds like a harp on Sixty Years On is actually a Spanish Guitar. Whatever it is, it’s positively sublime on the best pressings.

(more…)

Jeff Beck – Truth

More Jeff Beck

More Rod Stewart

  • An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
  • This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

Led Zeppelin / Self-Titled

More Led Zeppelin

Reviews and Commentaries for Led Zeppelin I

  • A truly excellent import of Zep’s amazing debut with outstanding sound from first note to last – quiet vinyl too
  • Arguably the biggest, clearest and most Tubey Magical Zeppelin album ever recorded, thanks to the engineering genius of Glyn Johns (and production genius of Jimmy Page, who paid for the whole thing out of his own pocket)
  • Just look at the track list – the lucky owner of this LP will be hearing those songs come to life like never before
  • The band’s first album is a permanent member of our Top 100 and a Big Speaker Demo Disc like you will not believe
  • 5 stars: “Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme… But the key to the group’s attack was subtlety: it wasn’t just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos.”

For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of “Good Times Bad Times” to the wild ending of “How Many More Times” (“times” start the album and end it, too, it seems) this copy will have you rockin’ out!

Both sides have THE BIG ZEP SOUND. Right from the start we noticed how clean the cymbals sounded and how well-defined the bass was, after hearing way too many copies with smeared cymbals and blubbery bass.

When you have a tight, punchy copy like this one, “Good Times Bad Times” does what it is supposed to do — it REALLY ROCKS! With this much life, it’s lightyears ahead of the typically dull, dead, boring copy. The drum sound is PERFECTION.

Drop the needle on “Babe I’m Gonna Leave You” to hear how amazing Robert Plant’s voice sounds. It’s breathy and full-bodied with in-the-room presence. The overall sound is warm, rich, sweet, and very analog, with energy to spare. “Dazed and Confused” sounds JUST RIGHT — you’re gonna flip out over all the ambience!

Communication Breakdown is crazy good — the sound of Jimmy Page’s guitar during the solo is so good.

(more…)

James Taylor – JT

More James Taylor

More of Our Favorite Artists’ Best Sounding Albums

  • This STUNNING copy of Taylor’s breakthrough album from 1977 boasts Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • It’s a superb recording – a member of our Top 100, in fact – but it takes a pressing like this to show you just how BIG and LIVELY it can sound
  • The big hits “Your Smiling Face” and “Handy Man” both sound great here – thanks Val Garay!
  • This and Sweet Baby James are the man’s best recordings, and his best albums too, but he has so many great albums that it almost seems unfair to him to point that out
  • 4 stars: “JT was James Taylor’s best album since Mud Slide Slim and the Blue Horizon because it acknowledged the darkness of his earlier work while explaining the deliberate lightness of his current viewpoint, and because it was his most consistent collection in years.”

(more…)

Paul McCartney – McCartney

More Paul McCartney

More Beatles

  • This copy of McCartney’s Apple debut boasts killer sound  from first note to last
  • Both sides are big and rich, with plenty of low end, strong midrange presence and the kind of spatiality that will fill your entire listening room
  • Record Collector highlighted “Every Night”, “Junk,” and “Maybe I’m Amazed” as songs that “still sound absolutely effortless and demonstrate the man’s natural genius with a melody.”
  • A Top 100 pick and Paul McCartney’s One and Only Masterpiece – a Must Own when it sounds this good!

The best tracks here have the quality of LIVE MUSIC in a way that not one out of a hundred rock records do. The music jumps right out of the speakers and fills up the room. (more…)

Simon & Garfunkel / Bookends

More Simon and Garfunkel

Reviews and Commentaries for Bookends

  • Our hottest copies have lovely midrange magic on the guitars and voices as well as plenty of studio ambience on most tracks, especially the simpler, more folky ones
  • An album that has become much tougher to come by, especially copies that play as well as this one does
  • Top 100, 5 stars – side two alone has four all time classics: Fakin’ It, Mrs. Robinson, A Hazy Shade of Winter and At the Zoo
  • If you’re a fan of this phenomenal folk duo, this early domestic pressing of their 1968 classic belongs in your collection.
  • The complete list of titles from 1968 that we’ve reviewed to date can be found here.

The best copies of Bookends and Parsley, Sage, Rosemary and Thyme are a sonic step up in class from anything else these two guys ever released. If you’re looking for the Ultimate Audiophile Simon & Garfunkel record, you just can’t do better than a killer Hot Stamper pressing of either title.

This album has exceptional bass as well as lovely midrange magic on the guitars and voices. There’s plenty of studio ambience on most tracks, especially the simpler, more folky ones.

Do you know how hard it is to find a clean copy of this record? I’ll bet we look at 50 every year and probably buy no more than a few, which, after cleaning and going into a shootout may or may not sound good or have audiophile quality surfaces. (more…)

The Beatles – Let It Be

More of The Beatles

More Let It Be

  • An outstanding UK pressing with solid sound from first note to last 
  • There’s no studio wizardry, no heavy-handed mastering, no phony EQ – here is the most realistic, natural Beatles sound you can get outside of the first album
  • Copies like this one make good on the promise that Let It Be captures the greatest rock band of all time playing and singing their hearts out
  • 4 1/2 stars: “The album is on the whole underrated… it’s an album well worth having, as when the Beatles were in top form here, they were as good as ever.”

At its best, Let It Be has the power of live music, but it takes a special pressing such as this one to show you that sound. It’s a bit trickier trying to find good sound for this album than it is for some of the other albums in the Beatles’ catalog.

(more…)