tom port

Dean Martin – This Time I’m Swingin’

More Dean Martin

This Time I’m Swingin’

xxxxx
xxxxx

  • A wonderful copy that lets this music swing the way it’s supposed to! Triple Plus (A+++) sound throughout
  • Classic Capitol big, full-bodied, Tubey Magical sound — Deano’s vocals are present and natural in the best tradition of rat-mate Frank Sinatra in the early ’60s
  • With Nelson Riddle arranging, you can be sure the album has plenty of swing all right — and the brass sounds amazing here
  • 4 1/2 Stars in the All Music Guide: “…an easy swinging collection…”

If you’re a fan of the Capitol Sinatra sound you’ll love this record. It’s an exceptionally difficult title to find in anything but trashed condition. I’ve been a fan of this record for many years but this is the first copy we’ve been able to find that’s clean enough to go up on the site with White Hot Stamper grades.  (more…)

Phil Collins – Face Value – Our Shootout Winner from 2007

More Phil Collins and Genesis

Face Value

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

This Minty British LP has two AMAZING SIDES! Song after song, Collins’ songwriting and musicianship shine with this breakout record. The sound on these Hot Stampers is VIBRANT! Side one has SUPERB extention on the top, PUNCHY BASS and excellent texture on the drums and percussion. Side two has BIG SOUND with really spacious strings and vocals. (more…)

Dexter Gordon – One Flight Up – Our Shootout Winner from 2009

More Dexter Gordon

One Flight Up

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Blue Note LP is without a doubt ONE OF THE BEST SOUNDING JAZZ RECORDS WE’VE EVER HEARD! We were auditioning a bunch of jazz records today (4/25/07), and when the needle hit the grooves on this one we were ABSOLUTELY BLOWN AWAY!

I can’t think of one jazz record we’ve ever played here at Better Records with this kind of WHOMP! Everything here is so rich and full — nothing like a typical Blue Note album. (more…)

British Band Classics Vol. 2 – The First Classical Record I Bought as an Audiophile

More the music of Gustav Holst (1874-1934)

More British Band Classics Vol. 2

xxxxx

British Band Classics Volume Two was the first Mercury classical LP I ever bought. After hearing it at an audiophile friend’s house I went down to Tower Records and found one in the bin. I think the price was $3.99 for the Golden Import pressing, which of course was the only one available. That was what I had heard, so I had no idea that the original even existed, let alone sounded better and would one day sell for many hundreds of dollars. This was the ’70s, when you could walk into a record store and buy new records, and long before HP created a feeding frenzy for vintage Mercs.

As I’m writing this, I can picture myself in the store. I can still remember that the clerk who helped me find the record commented that I should have come in the week before when the record was on sale for $1 off. I certainly feel like I got my money’s worth that day. This album went on to become one of my personal treasures. I used to marvel at the way the wind instruments actually sounded like the pipes of an organ. (I wasn’t really sure at first that there wasn’t an organ playing somewhere on the record. I didn’t know much about classical music then. ) (more…)

Nat King Cole – Sings Hymns and Spirituals

More Nat “King” Cole

More Sings Hymns and Spirituals

xxxxx
xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing, particularly on side one.

We want to give a special shoutout here to conductor/arranger Gordon Jenkins, who also handled the same duties on Nilsson’s Must Own classic A Little Touch Of Schmillson in The Night.

Jenkins worked with Nat King Cole on four albums for Capitol: Love Is the Thing (1957), The Very Thought of You (1958), Every Time I Feel the Spirit (1959) and Where Did Everyone Go? (1963). (more…)

Ella Fitzgerald – Let No Man Write My Epitaph – Reviewed in 2006

More Ella Fitzgerald

Let No Man Write My Epitaph

xxx

A distinguished member of the Better Records Jazz Hall of Fame.

This very nice looking Verve T Label original Mono LP with the early pink cover has lovely sound. Ella’s voice is present, smooth and sweet. Since this recording only involves voice and piano, the loss of stereo information presents no problem for the listener. Ella and her accompanist are dead center and tonally correct. Many Verve Ella records are a disaster sonically – this is one of the exceptions.

Leonard Cohen – Live Songs

More Leonard Cohen

Live Songs

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a big shootout for this live album, compiled from different shows Cohen performed in 1970 and 1972, and we’re pleased to report that the sound was killer on both sides of this copy.

Drop the needle anywhere and you’ll notice the impressive immediacy to the vocals, the clear transients on the guitars and the deep, note-like bass. Cohen’s voice sounds just right here — deep and gravely — and the overall sound is rich, warm and full. (more…)

Dvorak / Symphony No. 9 / Kertesz / Vienna Philharmonic

More Antonin Dvorak

Symphony No. 9 / Kertesz / Vienna Phil.

xxxxx
xxxxx

  • Insanely good sound throughout with Shootout Winning Triple Plus (A+++) grades on the second side and solid Double Plus (A++) grades on the first
  • The hall is huge, so wide and deep, spacious and open; the perspective is above all natural; solid, powerful tympani whacks — listen for them, sweet woodwinds too
  • Dvorak’s greatest, most melodic symphony with the best balance of sound and performance on record
  • The New York critic W. J. Henderson raved: “It is a great symphony and must take its place among the finest works in the form produced since the death of Beethoven.”

Presenting yet another remarkable pressing from the Golden Age of Vacuum Tube Recording Technology, in this case 1961, with the added benefit of mastering courtesy of the more modern equipment of the ’70s, in this case 1970. (We are of course here referring to the good modern equipment of 40 years ago, not the bad modern mastering equipment of today.)

This combination of old and new works wonders on this title as you will surely hear for yourself on these amazing sides. (more…)

Brewer & Shipley – Tarkio – Our Four Plus Shootout Winner from 2012

More Brewer and Shipley

More Tarkio

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

This White Hot Stamper side one of our beloved Tarkio, Brewer and Shipley’s Folk Rock Masterpiece, is without a doubt the BEST SOUND we have ever heard on any pressing bar none. This side sets a standard that no other copy on any side could touch. True, we awarded a Triple Plus grade to an amazing side two copy, but this side one is still the better of the two. We could easily have called it Four Pluses but chose to go with the simpler A+++ and this explanation.

However you frame it, this side is OFF THE CHARTS in a big way. It’s amazingly rich, yet clear and transparent as any we played — what a combination!

This, like Dark Side and so many other White Hot Stamper records we offer to the discriminating audiophile, is ANALOG at its finest. To our knowledge there hasn’t been a single record mastered in the last thirty years with this kind of sound, and we know whereof we speak: we’ve played them by the hundreds.

A Desert Island Disc for me with wonderfully NATURAL sound. This copy had the ULTIMATE Side One (A+++) and a very competitive Side Two (A++), making it the King of our Shootout. If you love this record as much as you should, this is the copy to own. I would love to keep it for my desert island, but we know there is surely a deserving soul out there who will treasure it as much as I do, and probably play it a lot more often, so if you know the album at all this is your chance at greatness. (And I still haven’t found a desert island I’m all that partial to anyway.)

Not Really One Toke Over the Line

Please don’t assume that this album has much in the way of uptempo country rockers like One Toke Over the Line, Flying Burrito Brothers style. Nothing could be further from the truth. Practically every other song on the album is better, almost all of them are taken at a slower pace, with none of them having the “poppy” arrangement of that carefully calculated Top Forty hit. The rest of the music on the album, the music you probably don’t know, is much better than the music that you do know if what you know is that song. (more…)

Milt Jackson – Plenty, Plenty Soul

More Milt Jackson

More Plenty, Plenty Soul

xxxxx

  • An outstanding vintage stereo pressing with Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful session from 1957, this is the way to go
  • 4 1/2 stars: “The first side of Plenty, Plenty Soul, which features a nine-piece group, is highlighted by the contributions of the exuberant altoist Cannonball Adderley, while the flip side has a sextet that is not hurt by the solos of tenor-saxophonist Lucky Thompson. With pianist Horace Silver helping out on both sessions, these all-star dates still sound fresh and enthusiastic decades later.”

This vintage Atlantic stereo pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)