Our good customer Joel not only loved our slightly noisy but amazing sounding Mona Bone Hot Stamper, he found it to be pretty darn quiet to boot! He says it’s the Best $180 he’s ever spent on an LP. Seems like a lot of money for one record, but when the music and sound are this good who wants to argue with a happy man?
I just spun the bargain tics and pops A+++ Mona Bone Jakon. I listened to this record hundreds of times growing up, but never like this! Silky smooth voices and guitars, so lifelike! Nice bass extension also… I have to laugh, because I think that the condition of this record is excellent!
Now I know how the other half lives! Listening to this hot stamper reminds me of my image of the rich man, eating only the center of the watermelon. These hot stampers are amazing, I wouldn’t believe it if I weren’t hearing it! Best $180 I’ve ever spent on an LP…
Joel, like it says in our commentary, We Love Cat too! Thanks so much for your letter. Enjoy one of the Greatest Folk Rock Records of All Time, finally sounding the way it should.
We Was Wrong
When we said this album was not the sonic equal of Teaser and the Firecat or Tea for the Tillerman, boy, We Was Wrong and then some. Read all about it in this White Hot Stamper copy review below.
It’s been about a year since we last found Hot Stampers of this album, and having made a number of improvements to the stereo over that time, I’m here to report that this album got a WHOLE LOT BETTER, better than I ever imagined it could get. Mona Bone Jakon now ranks as a DEMO DISC of the highest order, every bit the equal of Teaser and Tea. To think that all three of these records came out in one fifteen month period is astonishing. The only other artists to have produced music of this caliber in so short a time would have to be The Beatles, and it took four of them to do it.
Which is not what we used to think, as evidenced by this paragraph from a previous Hot Stamper listing.
This album is one of Cat’s top four titles both musically and sonically. Tea and Teaser are obviously in a league of their own, but this album and Catch Bull At Four are close behind. The music is WONDERFUL — the best tracks (including I Wish I Wish and I Think I See The Light) rank right up there with anything from his catalog. Sonically it’s not an epic recording on the scale of Tea or Teaser, but with Paul Samwell-Smith at the helm, you can be sure it’s an excellent sounding album — on the right pressing.
That last line is dead wrong. It IS an epic recording on the scale of Tea and Teaser. This copy proves it! Now that we know just how good this record can sound, I hope you will allow me to borrow some commentary from another classic Cat Stevens album listing, to wit:
Right off the bat I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of folk-pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other recordings that are as good but there are no other recordings that are better.
When you hear I Wish I Wish and I Think I See The Light on a Hot Stamper copy you will be convinced, as I am, that this is one of the greatest popular recordings in the history of the world. I don’t know of ANY other album that has more LIFE and MUSICAL ENERGY than this one.
We used to have the worst luck trying to find quiet copies of this album. We naturally blamed the vinyl for the noise we heard, but in this latest shootout so many copies were so quiet that we now know better. It’s the CLEANING that makes the difference. This is of course one of the most important Revolutions in Audio of the last decade, along with too many others to mention here. Check out the link above to take advantage of the newest discoveries that can make your stereo sound better and your records quieter.