Clearly this is one of Linda’s best albums, and I would have to say, based on my fairly extensive experience with her recorded output, that it is in fact THE BEST SOUNDING record she ever made. I love Heart Like a Wheel, but it sure doesn’t sound like this, not even on the Triple Plus copies that win our shootouts.
Kudos once again must go to VAL GARAY, the man behind so many of our favorite recordings: James Taylor’s JT (a Top 100 title), Andrew Gold, Prisoner In Disguise, etc.(more…)
Clarity and resolution are the key to getting the most out of this album. The subtle harmonics of the gently strummed acoustic guitar at the opening of My God. The air in Anderson’s flute throughout the album. The snap to Dammond’s snare. And how about all the fuzz on Barre’s fuzzed out guitar on the song Aqualung? Sure, there’s guitar fuzz on the typical pressing but there’s SO MUCH MORE on the truly elite copies. When you hear it right, the sound of that guitar makes you really sit up and take notice of how amazing Barre’s solos are. (The guy is criminally underrated as both an innovator and technically accomplished guitarist.) The distortion is perfection and so is the playing.
Highlights from an Interview with Premiere Guitar in 2011
The first copy to ever hit the site and boy is it KILLER — Triple Plus (A+++) on both sides
“Repeating the formula of Low’s half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound.” – All Music
It has taken us years to get this shootout going. The reason for the long delay is simple. The domestic pressings we had on hand to play were not exactly thrilling us and even the best of them are no better than acceptable, and not likely to win a shootout.
Even worse, our intuition that the British originals would sound the best also turned out to be incorrect. (In the audiophile record collecting world intuitions have a bad track record, but more than a few audiophiles — many of whom seem to be addicted to sharing their “record knowledge” on audiophile forums — seem to be unaware of this unassailably true fact.) The original UK Orange Label pressings did not sound especially good to us, so we kept looking.(more…)
We haven’t had any copies of this album at all up since 2013, and no White Hot copies since 2008 – it’s that tough to find
Guaranteed to MURDER any Pink Label Island original you have ever heard – these are the Hot Stampers
Melody Maker thoroughly recommended the album in 1968 for being “full of excitement and emotion” and described the band as a blues ensemble “influenced by jazz music” capable of setting “the audience on fire”. Wikipedia
Folks, this is the best copy we are going to have on the site for a very long time. It took years and hundreds upon hundreds of dollars to get this shootout going and this killer copy is the result. (more…)
The original Large Tulip early pressings are the best on this record, right?
Nope. It’s just another Record Myth, as explained in the commentary for our recent Hot Stamper 2-pack. That pair of pressings was all the proof we required to back up our contention that either label can be the best on this classic DG recording. Original is better? Again, not so much. Original can be better fits more with our experience.
To pull off this kind of Mind Boggling sound from start to finish we combined an amazing side one on the Large Tulips label with an amazing side two on the Small Tulips label. And what a finish — side two earned a grade of A+++, being a full step above even our hottest other side two, and we played a lot of copies, more than a dozen in fact. (more…)
Speakers Corner remastered this title back in the ’90s and did a decent enough job; I would guess my grade would be about a “C.” We carried it and recommended it at the time. I doubt if I would have very many kind things to say about it now. We’ve played an enormous number of superb classical records in the last ten years or so, raising the bar dramatically higher than it used to be. (more…)
This superb 2 LP set boasts excellent Double Plus (A++) sound or BETTER on all four sides!
Truly one of the greatest live albums of all time, recorded late at night in the big room at the Sands Hotel in Vegas
This is Basie and Sinatra in their natural habitat and in their prime, putting on the show of a lifetime – quiet vinyl too
“Basie and the orchestra are swinging and dynamic, inspiring a textured, dramatic, and thoroughly enjoyable performance from Sinatra … the definitive portrait of Frank Sinatra in the ’60s.” – AMG
This double album presents Sinatra and Basie at the height of their powers, in a setting especially conducive to both men’s music, the big room at the Sands Hotel in Vegas. If you missed it — and I’m sure most all of us did — here’s your chance to go back in time and be seated with the beautiful people front row center. This two disc all tube-mastered analog set is practically the only way you’ll ever be able to hear the greatest vocalist of his generation — in his prime no less — fronting one of the swingingest big bands of the time.
You Are There
The presence and immediacy here are staggering. Turn it up and Frank is right between your speakers, putting on the performance of a lifetime.(more…)
Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. When such records are clearly inferior to their mass-produced counterparts (Heavy Vinyl pressings are mass-produced too by the way), we put them in our Hall of Shame.
Reasonably good bass, we’ll give it that, but no top end and no Tubey Magic. More of Ron McMaster’s handiwork and the result is a record that simply has no reason to exist. The AVERAGE original pressing sitting in your local record store bin right now for probably all of five bucks will MURDER this piece of crap. (more…)
Ambrosia’s first album does exactly what a Test Disc should do. It shows you what’s wrong, and once you’ve fixed it, it shows you that it’s now right.
We audiophiles need records like this. They make us better listeners, and they force us to become better tweakers. You cannot buy equipment that will give you the best sound. You can only tweak the right equipment to get it.
At most 20% of the sound of your stereo is what you bought. At least 80% is what you’ve done with it. Based on my experience I would put the number closer to 90%.(more…)