This very nice looking London Phase 4 LP has SUPERB SOUND for some of these pieces. Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here. Written purely for string orchestra, the tonality is Right On The Money (ROTM), with cellos that growl like the real thing.
In fact, so much of this sounds so good, and is such a brilliant showcase for one of the great orchestral colorists, Bernard Herrmann, that you’ll be asking yourself why more classical music doesn’t sound like this.(more…)
This Super Hot Stamper has DEMO QUALITY SOUND. Just listen to Heath’s arrangement of My Funny Valentine on side one, or Big Ben, the second track on side two, for audiophile Big Band sound. Many consider Ted Heath’s early London recordings to be some of the best big band ever recorded. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree.”
Unlike some of the American big band leaders who were well past their prime by the advent of the LP era, Heath is able to play with all the energy and verve required for this music. He really does swing in high stereo. (more…)
While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them.
Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.
The Obsession soundtrack is a dog as well; audiophiles looking for good sound are best advised to avoid them both.
This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER.
When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that.(more…)
An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind!
Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?
The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List.(more…)
Deep bass; rich, smooth strings, lots of lovely hall space – this copy was right up there with the best we heard, and clearly won the shootout for side two. You will hear immediately why this side two could not be beat – it’s wonderful.(more…)
We went wild recently over a marvelous copy of the Ted Heath record you see pictured. Talk about Tubey Magic, the liquidity of the sound was positively uncanny. This was vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve upon it.
This is our kind of sound. It’s also important to keep in mind that our stereo seemed to love the record. (Stereos do that.) Let’s talk about why that might be the case. (more…)
Speakers Corner remastered this title back in the ’90s and did a decent enough job; I would guess my grade would be about a “C.” We carried it and recommended it at the time. I doubt if I would have very many kind things to say about it now. We’ve played an enormous number of superb classical records in the last ten years or so, raising the bar dramatically higher than it used to be. (more…)
This London Whiteback LP has DEMO DISC sound like you will not believe, especially on side two, which earned our coveted A Triple Plus rating. The sound is warm, sweet and transparent; in short, absolutely GORGEOUS. We call it AGAIG — As Good As It Gets!
As this is one of the Greatest Violin Showpiece Albums of All Time, it is certainly a record that belongs in every right-thinking audiophle’s collection. (If you’re on our site and taking the time to read this, that probably means you.) Ruggiero Ricci is superb throughout. (more…)