Top Producers – Teo Macero

Miles Davis – Kind of Blue – Our A++++ Shootout Winner from 2013

More Miles Davis

More Kind of Blue

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

This Shootout Champion and Hall Of Fame pressing has TWO AMAZING SIDES. Side one was so mindblowingly good that we awarded it our extra-special Four Plus (A++++)rating, and side two was almost as good, earning our standard top grade of A+++! This is one of the very best copies we’ve ever heard, and we have literally played more than a HUNDRED copies of this album over just the last five years.

If you want to hear what a top pressing of Kind Of Blue can do on an audiophile system, this baby right here is your ticket to ride. (more…)

Miles Davis – Filles de Kilimanjaro

More Miles Davis

Filles de Kilimanjaro

xxxxx

  • A KILLER sounding stereo pressing with nearly Triple Plus (A++ to A+++) sound from start to finish, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • This Columbia 360 Label LP boasts rich, full-bodied, clear sound with the space and three-dimensionality that was difficult to find on the later pressings we played
  • 4 1/2 stars: “… this middle ground between the adventurous bop of the mid-’60s and the fusion of the late ’60s is rewarding in its own right, since it’s possible to hear great musicians find the foundation of a new form. For that alone, Filles de Kilimanjaro is necessary listening.” 

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This is one of the all-time classic progressive jazz albums, and a copy like this allows you to appreciate the contributions of Miles and his top-notch band (Herbie Hancock, Wayne Shorter, Tony Williams and the great Ron Carter on most of the songs). This one’s not as “out there” as Bitches Brew, but it gives you a taste of the various directions these guys would take in the years to come. (more…)

Miles Davis – My Funny Valentine

More Miles Davis

More My Funny Valentine

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

1965 Live Analog at its best. Present and lively with solid, full-bodied tonality, thanks to the engineering of the legendary Fred Plaut. A wonderful live performance, showcasing the more lyrical side of Miles.

Superb sound for this Columbia pressing. The bottom end is strong and full-bodied, there’s plenty of space and presence, and the tonality of the horns is right on.

The lineup on this record is fantastic, featuring George Coleman, Herbie Hancock, Ron Carter and Tony Williams. (more…)

Miles Davis – Porgy and Bess – Our Shootout Winner from 2012

More Miles Davis

More Porgy and Bess

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield. (more…)

Dave Brubeck – Tonight Only!

More Dave Brubeck

Tonight Only!

xxxxx

  • This superb Brubeck recording, with Carmen McRae on vocals, finally returns to the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • This Six-Eye Stereo pressing was richer and tubier and just plain more musical than every other copy we played (which is exactly why it won the shootout)
  • The first of three collaborations between Brubeck and McRae in the early ’60s
  • Billboard notes that “Brubeck teams up with canary Carmen McRae on this package and the results are eminently tasteful and listenable”.
  • Every reviewer on Amazon for this album (on CD of course) gave it Five Stars – how often does that happen? 

(more…)

Miles Davis – Bitches Brew – Our Shootout Winner from 2009

More Miles Davis

Bitches Brew

xxxxx

 

A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING MASTER TAPE A+++ SOUND ON SIDES ONE AND FOUR. We had no idea this music could sound anywhere near this good; every Hot Stamper shootout we had tried before this week was a complete bust. It’s not an easy album to find in clean condition, let alone a copy that sounds like this and plays quietly throughout! If jazz-fusion is your bag, sides one and four of this copy will take you on a trip like few other records could. You can hear right in to the soundfield, and you can be sure that there’s a whole lot going on in there.

Our favorite track on this album, Miles Runs The Voodoo Down, is found on the A+++ side four, which means the sound for it is OFF THE CHARTS.

The incredible musicianship and Teo Macero’s innovative production each help take these jazz-fusion soundscapes to places most folks had never imagined before. And a copy like this one takes the entire production to a whole new level. I can’t begin to tell you how many crappy copies have hit our table over the years, but after finding this one I’m really glad we never gave up on this album. It’s the copy that finally made the music work for us. (more…)

Duke Ellington & Count Basie – The Count Meets the Duke

More Duke Ellington

More The Count Meets the Duke

xxxxx
xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Huge amounts of three-dimensional space and ambience, and rich Tubey Magic by the boatload – this 30th Street recording shows just how good Columbia’s engineers were back then. Quiet throughout – good luck finding a Six Eye Stereo pressing this nice on your own, they sure don’t grow on trees.

What the best sides of this wonderful collaboration between two jazz giants have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes back in 1961
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments of this large group of players having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space
  • No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above

Production and Engineering

Teo Macero was the producer, Fred Plaut or Ray Moore were probably the engineers for these sessions — we cannot find the credits to know one way or the other — in Columbia’s glorious sounding 30th Street Studio. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. (more…)

Miles Davis – Someday My Prince Will Come

More Miles Davis

More Someday My Prince Will Come

xxxxx

  • A KILLER copy of this Davis classic, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish. 
  • Our Hot Stamper Six Eye Stereo pressing here is Tubey Magical, full-bodied and high-rez, not to mention uncannily present – Miles is in the room with you
  • Another engineering triumph for Fred Plaut at Columbia’s legendary 30th Street Studios – the man is a genius
  • Musically this is one of our very favorite Miles Davis albums – the sound is Demo Disc Quality on the copies that sound the way this one does

We’ve found Red Label copies in the past that sound pretty darn good but this Six-Eye was a HUGE step up in class over the reissues this time around. It was not even close. This one is doing it all, with in-the-room presence, massive amounts of energy, clear, note-like bass and a rich, breathy quality to Miles’s horn that is simply not to be found on most pressings, be they originals, reissues, on Heavy Vinyl, at 45 RPM or what have you. (more…)

Dave Brubeck – Countdown – Time In Outer Space

More Dave Brubeck

More Countdown – Time In Outer Space

xxxxx

A distinguished member of the Better Records Jazz Hall of Fame.

Clean and Clear, Yet Rich and Sweet. This copy managed to find the perfect balance of these attributes.

You want that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of Jazz while managing to avoid the pitfalls so common to them: smear, lack of top end extension, opacity and blubber. To be sure, the fault is not with the recording (I guess; again, not having heard the master tape) but with the typically mediocre pressing. 

Bad vinyl, bad mastering, who knows why so many copies sound so thick, dull and veiled?

Full-bodied sound, open and spacious, bursting with life and energy — these are the hallmarks of our Truly Hot Stampers. If your stereo is cookin’ these days this record will be an unparalleled Sonic Treat. We guarantee that no heavy vinyl pressing, of this or any other album, has the kind of analog magic found here. (more…)

Charles Mingus – Mingus Dynasty

More Charles Mingus

More Mingus Dynasty

xxxxx

  • Superb sound on both sides, with each rating nearly Triple Plus (A++ to A+++), right up there with our shootout winner (!)  
  • The Six Eye original Stereo pressing is rich and solid, yet still clean, clear and spacious, with a rock-solid bottom end to capture the beauty of Mingus’s double bass
  • Bucketfuls of studio ambience, and Tubey Magic to die for – this 30th Street recording shows just how good Columbia’s engineers were back then
  • 4 1/2 Stars: “Mingus Dynasty is still an excellent album; in fact, it’s a testament to just how high a level Mingus was working on that an album of this caliber could have gotten lost in the shuffle

This is a wonderful example of the kind of record that makes record collecting FUN.

If innovative Large Group Jazz is your thing, you should get a big kick out of this one. If you like the sound of relaxed, tube-mastered jazz — and what red blooded audiophile doesn’t — you can’t do much better than the Mingus recordings on Columbia from this era. (We’ve now done shootouts for the album before this one and the one to follow. Both are amazing, musically and sonically.) The warmth and immediacy of the sound here are guaranteed to blow practically any record of this kind you own right out of the water.

Both sides of this very special pressing are huge, rich, tubey and clear. As soon as the band got going we knew that this was absolutely the right sound for this music. There was practically nothing that could beat it, in any area of reproduction. (more…)