Top Producers – Teo Macero

Miles Davis – Filles de Kilimanjaro – Our Shootout Winner from 2010

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A distinguished member of the Better Records Jazz Hall of Fame.

SURPRISINGLY GOOD SOUND on this ’70s Red Label pressing! This one even knocked out a handful of 360 Label Originals in a recent shootout. It’s richer and fuller with superior clarity compared to most of the copies we’ve heard. The overall sound on both sides is airy, open and spacious with excellent clarity. Most of the Red Label pressings we played were too dry and sterile to enjoy, but this one has some serious analog magic. (more…)

Miles Davis – Someday My Prince Will Come – Our Outstanding Reissue from 2014

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A distinguished member of the Better Records Jazz Hall of Fame.

The first Hot copy of this classic to hit the site in over five years! Side one rates A++ to A+++ — super open and transparent with amazing immediacy.

This Red Label reissue DESTROYED the similar copies we played it against, and was also surprisingly competitive with our Super Hot (and Super Noisy) Six Eye ref copy. Most of these later pressings have superior clarity (compared to the earlier ones) but lack nearly all of the tubey magic. This one’s amazingly clean and clear, but still delivers on the tubey qualities — it’s richer, warmer, and sweeter than any other Red Label pressing we played. (more…)

Miles Davis – Sketches of Spain – Mono Shootout Winner in 2008

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A distinguished member of the Better Records Jazz Hall of Fame.

This Mono Six Eye Columbia original pressing is the WINNER and [not-at-all] CURRENT CHAMPION of our Sketches of Spain shootouts. This record always sounded so thin and aggressive, with Miles’ horn always somewhat pinched and sour, but now it sounds wonderful. Who knew this record could sound so good?

Harry Pearson put this record on his TAS List of Super Discs.

Let’s talk about this mono copy. It is clearly more transparent, with less distortion, than any other copy we heard (and this means out of more than twenty!) There may be better sounding pressings out there, but I would be surprised to find one that would be more than a marginal improvement over what I’m hearing on this copy — and that goes for both sides. (more…)

Miles Davis – Sketches of Spain – Our Shootout Winner in 2016

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A distinguished member of the Better Records Jazz Hall of Fame.

The first White Hot copy to hit the site in nearly EIGHT years! Both sides were stunning, knocking us out and earning our top Triple Plus (A+++) grade.

When you get a Hot Stamper like this one the sound is truly MAGICAL. (AMG has that dead right in their review.) Tons of ambience, tubey magic all over the place; let’s face it, this is one of those famous Columbia recordings that shows just how good the Columbia engineers were back then. The sound is lively but never strained. Davis’s horn has breath and bite just like the real thing. What more can you ask for?

Harry Pearson added this record to his TAS List of Super Discs a few years back, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

Of course you can be quite sure that he would have been listening exclusively to the earliest pressings on the Six Eye label. Which simply means that he probably never heard a copy with the clarity, transparency and freedom from distortion that these later label pressings offer.

The Six Eyes are full of Tubey Magic, don’t get me wrong; Davis’s trumpet can be and usually is wonderful sounding. It’s everything else that tends to suffer, especially the strings, which are shrill and smeary on most copies: Six Eyes, 360s and Red Labels included. (more…)

Miles Davis – Kind of Blue – Our A++++ Shootout Winner from 2013

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A distinguished member of the Better Records Jazz Hall of Fame.

This Shootout Champion and Hall Of Fame pressing has TWO AMAZING SIDES. Side one was so mindblowingly good that we awarded it our extra-special Four Plus (A++++)rating, and side two was almost as good, earning our standard top grade of A+++! This is one of the very best copies we’ve ever heard, and we have literally played more than a HUNDRED copies of this album over just the last five years.

If you want to hear what a top pressing of Kind Of Blue can do on an audiophile system, this baby right here is your ticket to ride. (more…)

Miles Davis – Filles de Kilimanjaro

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Filles de Kilimanjaro

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  • A KILLER sounding stereo pressing with nearly Triple Plus (A++ to A+++) sound from start to finish, just shy of our Shootout Winner – exceptionally quiet vinyl too
  • This Columbia 360 Label LP boasts rich, full-bodied, clear sound with the space and three-dimensionality that was difficult to find on the later pressings we played
  • 4 1/2 stars: “… this middle ground between the adventurous bop of the mid-’60s and the fusion of the late ’60s is rewarding in its own right, since it’s possible to hear great musicians find the foundation of a new form. For that alone, Filles de Kilimanjaro is necessary listening.” 

These Nearly White Hot Stamper pressings have top quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” being relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

This is one of the all-time classic progressive jazz albums, and a copy like this allows you to appreciate the contributions of Miles and his top-notch band (Herbie Hancock, Wayne Shorter, Tony Williams and the great Ron Carter on most of the songs). This one’s not as “out there” as Bitches Brew, but it gives you a taste of the various directions these guys would take in the years to come. (more…)

Miles Davis – My Funny Valentine

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A distinguished member of the Better Records Jazz Hall of Fame.

1965 Live Analog at its best. Present and lively with solid, full-bodied tonality, thanks to the engineering of the legendary Fred Plaut. A wonderful live performance, showcasing the more lyrical side of Miles.

Superb sound for this Columbia pressing. The bottom end is strong and full-bodied, there’s plenty of space and presence, and the tonality of the horns is right on.

The lineup on this record is fantastic, featuring George Coleman, Herbie Hancock, Ron Carter and Tony Williams. (more…)

Miles Davis – Porgy and Bess – Our Shootout Winner from 2012

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A distinguished member of the Better Records Jazz Hall of Fame.

WOW! This Original Six Eye Stereo pressing does EVERYTHING we ever hoped for from this great album! We’ve been searching for a killer copy of this one forever but without much luck. Here’s the first one to ever hit the site, and it is a MONSTER. Both sides have KILLER A+++ sound — super tubey magical and tonally balanced with real depth to the soundfield. (more…)

Dave Brubeck – Tonight Only!

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Tonight Only!

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  • This superb Brubeck recording, with Carmen McRae on vocals, finally returns to the site with Shootout Winning Triple Plus (A+++) sound from start to finish
  • This Six-Eye Stereo pressing was richer and tubier and just plain more musical than every other copy we played (which is exactly why it won the shootout)
  • The first of three collaborations between Brubeck and McRae in the early ’60s
  • Billboard notes that “Brubeck teams up with canary Carmen McRae on this package and the results are eminently tasteful and listenable”.
  • Every reviewer on Amazon for this album (on CD of course) gave it Five Stars – how often does that happen? 

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Miles Davis – Bitches Brew – Our Shootout Winner from 2009

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Bitches Brew

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A distinguished member of the Better Records Jazz Hall of Fame.

STUNNING MASTER TAPE A+++ SOUND ON SIDES ONE AND FOUR. We had no idea this music could sound anywhere near this good; every Hot Stamper shootout we had tried before this week was a complete bust. It’s not an easy album to find in clean condition, let alone a copy that sounds like this and plays quietly throughout! If jazz-fusion is your bag, sides one and four of this copy will take you on a trip like few other records could. You can hear right in to the soundfield, and you can be sure that there’s a whole lot going on in there.

Our favorite track on this album, Miles Runs The Voodoo Down, is found on the A+++ side four, which means the sound for it is OFF THE CHARTS.

The incredible musicianship and Teo Macero’s innovative production each help take these jazz-fusion soundscapes to places most folks had never imagined before. And a copy like this one takes the entire production to a whole new level. I can’t begin to tell you how many crappy copies have hit our table over the years, but after finding this one I’m really glad we never gave up on this album. It’s the copy that finally made the music work for us. (more…)