A distinguished member of the Better Records Jazz Hall of Fame.
Huge amounts of three-dimensional space and ambience, and rich Tubey Magic by the boatload – this 30th Street recording shows just how good Columbia’s engineers were back then. Quiet throughout – good luck finding a Six Eye Stereo pressing this nice on your own, they sure don’t grow on trees.
What the best sides of this wonderful collaboration between two jazz giants have to offer is not hard to hear:
- The biggest, most immediate staging in the largest acoustic space
- The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes back in 1961
- Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
- Natural tonality in the midrange — with all the instruments of this large group of players having the correct timbre
- Transparency and resolution, critical to hearing into the three-dimensional studio space
- No doubt there’s more but we hope that should do for now. Playing the record is the only way to hear all of the above
Production and Engineering
Teo Macero was the producer, Fred Plaut or Ray Moore were probably the engineers for these sessions — we cannot find the credits to know one way or the other — in Columbia’s glorious sounding 30th Street Studio. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. (more…)