Top Producers – Russ Titelman

James Taylor – Gorilla

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  • Two outstanding Double Plus (A++) sides, with excellent sound for one of James Taylor’s best softer rock albums
  • Soulful JT at his best, an underappreciated album by our man and one that belongs in your collection
  • Mexico, How Sweet It Is (To Be Loved By You) and I Was A Fool To Care are standouts – there are no weak tracks here
  • Rolling Stone notes, “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”

This is soft rock at its best, made up primarily of love songs, and helped immensely by the harmonically-gifted backing vocals of Graham Nash and David Crosby.

Rolling Stone notes that “With Gorilla, Taylor is well on his way to staking out new ground. What he’s hit upon is the unlikely mating of his familiar low-keyed, acoustic guitar-dominated style with L.A. harmony rock and the sweet, sexy school of rhythm and blues.”

To be honest, the recording of Gorilla itself cannot compete with the likes of Sweet Baby James or JT, both of which are Top 100 Titles. It can be a good sounding record, not a great one, certainly not in the same league as those two. (more…)

Steve Winwood – Back In The High Life

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  • One of the best copies to ever hit the site — Triple Plus (A+++) sound on the second side, Double Plus (A++) on the first
  • The sound of this early British pressing is guaranteed to be dramatically bigger, richer, fuller and smoother than anything you’ve heard
  • Higher Love sounds great here. You won’t believe it! And there’s really not a bad track on the album
  • “The first undeniably superb record of an almost decade-long solo career … the passion long smoldering in his finest work explodes in the album-opening duet with Chaka Khan, Higher Love…” — Rolling Stone

Rich, solid and Tubey Magical, this copy is a huge improvement over most of what we played (all imports of course; see below). The vocals are nice and breathy, and the presence and energy here are off the charts. 

On the best copies the sound is spacious and high-resolution. The bright, dry, grainy, analytical sound is replaced with something warmer, richer, fuller, sweeter, smoother — in other words, more ANALOG sounding. (more…)

Listening in Depth to Rickie Lee Jones

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Listening in Depth

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Presenting another entry in our extensive Listening in Depth series with plenty of advice on What to Listen For (WTLF) as you critically evaluate your copy of RLJ.

On the best of the Hot Stamper copies it becomes abundantly clear just how well the string bass was recorded — assuming you like the close-miked, maximum-presence quality they were after. You hear all the fingering, the wood of the body resonating; all the stuff you could never hear live unless you were ten feet from the guy. Natural it’s not, but natural is not what most hit records are all about anyway.

Credit — or blame — belongs squarely with LEE HERSCHBERG

There’s no question that he knew exactly what he was doing, he’s the pro’s pro, so let’s give him credit for making the sound of the record really POP. (more…)