Top Producers – Paul Samwell-Smith

Cat Stevens – Mona Bone Jakon

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  • With Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, this copy of Cat Stevens’ brilliant third album will be very hard to beat
  • So transparent, open, and spacious, nuances and subtleties that escaped you are now revealed as never before 
  • When you play I Wish I Wish and I Think I See The Light on this vintage pressing, we think you will agree with us that this is one of the greatest Folk Rock albums of them all
  • “A delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”

So many copies excel in some areas but fall flat in others. This one has it ALL going on — all the tubey magic, all the energy, all the presence and so on. The sound is high resolution yet so natural, free from the phony hi-fi-ish quality that you hear on many pressings. (more…)

Cat Stevens – Catch Bull At Four Magic Stampers

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  • With two shootout winning Triple Plus (A+++) sides, this early UK pressing is As Good As It Gets!
  • Bigger, more dynamic, more lively, more present and just plain more EXCITING than anything we heard – that’s why it won our shootout  
  • This one can show you the sweeter, tubier Midrange Magic that we is the hallmark of all the best Cat Stevens’ recordings
  • Many of Cat’s best songs are here – Can’t Keep It In, Angelsea, 18th Avenue, Freezing Steel and more
  • “Celebrated and adored for his sanguine lyrics and irresistible hooks, Cat Stevens was one of the rare singer-songwriters capable of composing genuinely optimistic songs that didn’t leave a sappy residue in listeners’ ears.”

The Magic Stampers

As is sometimes the case, there is one and only one set of stamper numbers that consistently wins our Catch Bull At Four shootouts. We stumbled upon an out-of-this-world copy of the right pressing about two years ago, a copy took the recording to a level we had no idea could even be possible. (We were going to give it Four Pluses, and probably should have, but cooler heads prevailed.)

Since then we have had many copies come in, but none that could compete with the Magic Stamper pressings. And the best part of this story is that, no, the best stampers are not 1U, or 2U, or even 3U. In other words they are far from the stampers found on the earliest pressings. That’s one reason it took us so long to discover them, because they are much less commonly found than pressings with the earlier stampers. By the time these later pressings were mastered, pressed and released, the album’s biggest selling days were over. For all we know this cutting may have been done just to keep the record in print, possibly undertaken many years after its initial release. (more…)

Tea for the Tillerman Is an Album We Are Clearly Obsessed With

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TEA FOR THE TILLERMAN is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries. 

TRACK LISTING

Side One

Where Do the Children Play? (more…)

Cat Stevens Albums – Lee Hulko Cut Them All – Good, Bad and Otherwise

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Is the Pink Label Island original pressing THE way to go? That’s what Harry Pearson — not to mention most audiophile record dealers — would have you believe.

But it’s just not true. And that’s good news for you, Dear (Record Loving Audiophile) Reader.

HOT STAMPER COMMENTARY FROM JOHN BARLEYCORN

Since that’s a Lee Hulko cutting just like Tea here, the same insights, if you can call them that, apply. Here’s what we wrote: (more…)

Mona Bone Jakon – A Forgotten Classic

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  • You’ll find outstanding Double Plus (A++) sound on this original copy of Cat Stevens’ brilliant third album 
  • The sound is so transparent, open, and spacious that nuances and subtleties that escaped you before are now front and center 
  • When you hear I Wish I Wish and I Think I See The Light here you will understand why we say that this is one of the greatest popular recordings in the history of the world 
  • The original A&M LPs we like are nearly impossible to find with good sound and quiet vinyl – this copy plays quieter than any we currently have in stock
  • “Mona Bone Jakon is a delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”

Right off the bat, I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of Folk Pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other Folk Pop recordings that are as good but we know of none that are better. (more…)

This Is Your Idea of Analog?

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Cat Stevens – 200 Grams of Tea for the Tillerman

Dear Record Loving Audiophiles of Earth,

I’m afraid we have some bad news. [This was written back in 2011 when the record came out so it’s hard to imagine that what I am about to say is news to anyone at this stage of the game.] Regrettably we must inform you that the 2011 edition of Tea for the Tillerman pressed by Analogue Productions on Heavy Vinyl doesn’t sound very good. We know you were all hoping for the best. We also know that you must be very disappointed to hear this unwelcome news.

But the record is what it is, and what it is is not very good. Its specific shortcomings are many and will be considered in at length in our review below.
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Cat Stevens Asks: Light, Medium or Heavy on the Congas?

Teaser and the Firecat

 

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During the shootout for this record a while back we made a very important discovery, a seemingly obvious one but one that nevertheless had eluded us for the past twenty plus years (so how obvious could it have been?). It became clear, for the first time, what accounts for the wide disparity in ENERGY and DRIVE from one copy to the next. We can sum it up for you in one five letter word, and that word is conga.

The congas are what drive the high-energy songs, songs like Tuesday’s Dead and Changes IV. Here is how we stumbled upon their critically important contribution.

We were listening to one of the better copies during a recent shootout. The first track on side one, The Wind, was especially gorgeous; Cat and his acoustic guitar were right there in the room with us. The transparency, tonal neutrality, presence and all the rest were just superb. Then came time to move to the other test track on side one, which is Changes IV, one of the higher energy songs we like to play.

But the energy we expected to hear was nowhere to be found. The powerful rhythmic drive of the best copies of the album just wasn’t happening. The more we listened the more it became clear that the congas were not doing what they normally do. The midbass to lower midrange area of the LP lacked energy, weight and power, and this prevented the song from coming to LIFE the way the truly Hot Stampers can and do.

Big Speakers

For twenty years Tuesday’s Dead has been one of my favorite tracks for demonstrating what The Big Speaker Sound is all about. Now I think I better understand why. Big speakers are the only way to reproduce the physical size and tremendous energy of the congas (and other drums of course) that play such a big part in driving the rhythmic energy of the song.
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