A distinguished member of the Better Records Orchestral Music Hall of Fame.
Once again, the right Decca reissue blows the doors off the original we played. This has lately become a pattern, but keep in mind it’s a pattern that’s reliable less than half the time, if memory is any guide. Many of the Decca reissues we’ve played over the last few years have failed badly in a head to head with their earlier-mastered and -pressed counterparts. But the ones that beat all comers are the ones that stick in our minds and show up on our site. Clearly a case of confirmation bias, but at least we know something about our own biases.
Record collectors and record collecting audiophiles will tell you it shouldn’t happen, but fools like us, who refuse to accept the prognostications of those supposedly “in the know,” have done the work and come up with the experimental data that’s proven them wrong again and again.
Sort of. We had one, and only one, pressing of the original London (CS 6185), and boy was it a mess — crude as crude can be. It sounded just like an “old record” — we’ve played them by the thousands, so we know that sound fairly well at this stage of the game — not the Decca engineered and mastered vintage collectible we know it to be. (more…)