The tonality here is rich, tubey and warm. It doesn’t get thick or murky as many copies have a tendency to do.
The amazing engineer KEN SCOTT (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the sound here.
The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s as well as here at a certain French country estate have never been equaled elsewhere in our opinion.(more…)
With three White Hot shootout winning sides and one Super Hot side, the four sides of these 2 LPs will show you a GYBR you never imagined could exist. We certainly never expected to hear it sound like this, I can tell you that. I’ve never begun to hear these songs have the energy, presence and rock and roll POWER that they do here.
The most obvious problems with the sound of this album are those common to most rock records of the era: lack of presence and top end, too much compression / congestion, smear, lack of weight from the lower mids on down — we hear tons of Classic Rock records with this litany of shortcomings.(more…)
An outstanding early British pressing with big, bold Double Plus (A++) sound from first note to last
There’s real Tubey Magic on this album, along with breathy vocals, in-your-listening-room midrange presence and no shortage of rock and roll energy
Overflowing with great songs, way too many to list – Candle In The Wind, Bennie And The Jets, and GYBR all sound killer here
A Top 100 Title: “…its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.”
NOTE: The two discs in this set have slightly different labels. We have learned from our research that this is actually the way some sets were produced, so even though the labels are mismatched, this is in fact an authentic early British release.
GYBR has the best rocker Elton and Bernie ever wrote: Saturday Night’s Alright for Fighting. Of course, it’s one of the tracks on side four we used to test with — if you’re going to listen to GYBR all day, why not play the songs that are the most fun to play? On the good pressings, the song just KILLS.(more…)
You’ll find superb Double Plus (A++) sound on both sides of this relatively quiet UK pressing
Includes two of our favorites: (Gotta Get A) Meal Ticket and the massive hit Someone Saved My Life Tonight
5 stars: “Elton John and Bernie Taupin recalled their rise to power in Captain Fantastic and the Brown Dirt Cowboy, their first explicitly conceptual effort since Tumbleweed Connection. It’s no coincidence that it’s their best album since then, showcasing each at the peak of his power, as John crafts supple, elastic, versatile pop and Taupin’s inscrutable wordplay is evocative, even moving.”
It isn’t easy to find clean early British copies of Captain Fantastic & the Brown Dirt Cowboy these days, let alone ones that actually sound very good, but this copy proves that it can be done. It’s killer on both sides.(more…)
A classic case of Live and Learn. Scroll down to read what we learned from our recent shootout. To illustrate how the game is played we’ve copied some of the previous commentary into this listing to show the change in our understanding from 2004 to today.
Folks, if you’re looking for Classic Rock that appeals to adults with sophisticated tastes forty plus years after it was made, this is the album for you.
What’s especially remarkable about this album is the quality of the string arrangements. I don’t know of another pop record that uses strings better or has better string tone. The strings are all over this record, not only adding uniquely interesting qualities to the backgrounds of the arrangements, but actually taking the foreground on some of the songs, most notably Sixty Years On. When the strings give in to a lovely harp just before Elton starts singing, the effect is positively glorious. It’s the nexus where amazing Tubey Mgical sound meets the best in popular music suffused with brilliant orchestral instrumentation. Who did it better than The Beatles and Elton John? They stand alone.(more…)
An outstanding copy of this classic album, rating exceptionally good Double Plus (A++) grades on both sides
Honky Chateau contains some of the most Tubey Magical High-Production-Value rock music ever recorded – thanks Ken Scott!
Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the better sounding
5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote … It’s one of the finest collections of mainstream singer/songwriter pop of the early ’70s.”
If you doubt that Elton John was a kind of Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should easily serve as all the proof you need. There’s not a dog in the bunch. Drop the needle on any track, you simply can’t go wrong.
We go years between shootouts for Honky Chateau. It’s beyond difficult to find clean British copies of this album with the right stampers, let alone copies that have Hot Stamper sound. Few albums are tougher for us to find with great sound and quiet vinyl. Most of the copies we buy from record dealers in England are noisy and only a fraction of them have the kind of sound that serious audiophiles are going to pay good money for.
Superb Music, Amazing Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be.(more…)
You’ll find outstanding Double Plus (A++) sound from first note to last on this Elton John classic
The overall sound here is incredibly big, rich, spacious and dynamic with plenty of presence and bottom end weight
An incredible recording and longtime member of our Top 100 — our pick for Elton’s very best music and sound
5 stars: “….their most ambitious record to date… A loose concept album about the American West… draws from country and blues in equal measures…”
Superb Music and Sound
This has to be one of the best sounding rock records of all time — certainly worthy of a Top Ten spot on our Top 100 list. Engineered by Robin Geoffrey Cable at Trident, there is no other Elton John recording that is as big and powerful as Tumbleweed.(more…)
Amazing Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second
Spacious, musical and lifelike, this is a truly superb pressing!
Thanks to Ken Scott’s brilliant engineering and Gus Dudgeon’s production savvy, every song here sounds better than you imagined
4 stars in the AMG: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”
It’s not easy to find great copies of this album, but this one absolutely nails it! It’s dynamic, energetic and full of tubey magic, and most importantly, the vocals and piano sound JUST RIGHT. The overall sound is rich, smooth, and sweet. (more…)
Hey, they really did a good job with this one. We are going to listen to it again at a later date to see if our initial impressions were correct [I guess by now it should be clear that we are never going to do that, sorry], but it sure sounded good to us when we played it recently during our big GYBR shootout.
I’m guessing no domestic copy can beat it, and certainly no audiophile half-speed mastered pressing can hold a candle to it; those records are pretty awful.(more…)