Top Producers – Brian Eno

Talking Heads – Remain In Light on Ridiculously Bad Rhino Vinyl

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More Remain In Light

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Sonic Grade: F

Hall of Shame pressing.

The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins. 

Talking Heads’ Masterpiece – More Songs About Buildings and Food

More Talking Heads / More Brian Eno

More Songs About Buildings and Food

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  • Take Me to the River rocks like you won’t believe
  • Eno produced, Rhett Davies engineered, every track is (psycho) killer – a Must Own from 1978
  • 5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”

If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong and rock your world doing it! The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock.

The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as most of the pressings we played were wont to do.

Top Notch ’70s Art Rock

I don’t think these guys ever put together a better group of songs. The ultimate pressings of Little Creatures go a step further sonically, but the best copies of this one can sound incredible, if not quite Demo Disc worthy. (more…)

U2 – The Joshua Tree


Our White Hot Shootout Winner for 2018

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  • A superb pressing with Triple Plus (A+++) sound on the second side and Double Plus (A++) on the first
  • Both sides here are outstanding — big, full and musical with a solid bottom end and lots of energy
  • One of the best copes from our most recent shootout, and this one is on fairly quiet vinyl too
  • 5 stars on Allmusic: “A powerful, uncompromising record that became a hit.”

See all U2 in stock

The soundstage is huge, and the overall quality of the recording is big and bold. Most copies of this album are either thin, shrill and agressive — like most U2 albums — or thick and veiled. This one is actually smooth and natural sounding, with the added benefit of some deep punchy bass! It conveys the ENERGY and POWER of the music, and that makes it a very unusual pressing indeed.

’80s vinyl is almost always tricky in terms of sound, and U2 is not a band we associate with audiophile-quality sonics. We’ve been through a number of their albums now, including this title, War and October, and while Demo Quality Sound may never be in the cards for these guys, we have at very least found pressings that do a better job communicating the music. I don’t want to throw on a record that just sounds like a CD when I have access to so much amazing sounding vinyl, but clean and play enough copies of this album and eventually you’ll find one like this copy that gives you something to enjoy.

Bottom line? While this may not be a record that’s going to blow anyone’s mind like a killer copy of Zuma or Deja Vu, it does a very good job of bringing this music to life in a way that most copies out there just won’t. If you’re a fan of U2, you won’t find a better sounding copy than this.

TRACK LISTING

Side One

Where the Streets Have No Name
I Still Haven’t Found What I’m Looking For
With or Without You
Bullet the Blue Sky
Running to Stand Still

Side Two

Red Hill Mining Town
In God’s Country
Trip Through Your Wires
One Tree Hill
Exit 4
Mothers of the Disappeared