Top Producers – Andrew Loog Oldham

The Rolling Stones – The Rolling Stones

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The Rolling Stones – The Rolling Stones

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  • You’ll find outstanding Shootout Winning Triple Plus (A+++) sound on this vintage pressing of The Stones’ 1964 release
  • Both sides of this Red Label British Decca Mono are doing it right – they’re big, rich and spacious with a huge bottom end
  • This is the real, honest sound of the early, early Stones – it is what it is, and trying to fix it will almost surely ruin what’s good about it
  • “Set against the dependency on covers and the inexperienced vocalist, however, is a truly cooking and imaginative band. Charlie Watts and Bill Wyman provide a brawny frame for the intermeshing guitars of Richards and Brian Jones as the ensemble lovingly deliver some of their favourite shots of rhythm ‘n’ blues.” – BBC

The best word I could use to sum up both the sound and the music on this record is HONEST. If you want to hear how early Rolling Stones records sound when they sound right, this is the ticket. This is the real sound of the early, early Stones.

Probably what any modern engineer would want to do to the album would only end up making it worse. It is what it is and that’s good enough for us. Since the tapes are now more than 60 years old, no modern reissue will sound remotely as good as this one.

The Stones wanted their stuff to sound like the old Blues albums they grew up on and revered, and with that sound in mind you can’t argue that they didn’t succeed here. (more…)

The Rolling Stones – No. 2

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No. 2

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  • This vintage Decca pressing has outstanding sound – both sides did very well in our recent shootout, earning Double Plus (A++) grades and playing fairly quietly
  • This Mono pressing (made from the mono tapes) will show you the real, honest sound of the early, early Stones 
  • 4 1/2 Stars: “…[No. 2 includes] one of the group’s best blues covers, their version of Muddy Waters’ “I Can’t Be Satisfied,” which wasn’t released in America until 1973 and features some killer slide playing by Brian Jones.”

This vintage UK Decca mono pressing has the kind of Tubey Magical Midrange that modern records barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)

The Rolling Stones – Between The Buttons on Decca

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More Between The Buttons

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  • An excellent copy with Double Plus (A++) sound from start to finish – one of the better copies from our recent shootout
  • This is classic ’60s Stones sound, courtesy of Dave Hassinger, working in L.A. (RCA) and London (Olympic + Pye) 
  • If you’re looking for the ideal combination of Tubey Magical richness and transparency, this copy is one of the few that will show it to you
  • 5 Stars: “… one of their strongest, most eclectic LPs, with many fine songs that remain unknown to all but Stones devotees.”

This LP has the British track listing, so don’t pick this one up if you’re looking for great sounding versions of Let’s Spend The Night Together or Ruby Tuesday. A bummer, but the domestic copies sound AWFUL, so what can you do? (more…)

The Rolling Stones – Out of Our Heads – Mono or Stereo?

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On this London LP, even though it says the record is electronically re-processed stereo, the songs we heard on side one were dead mono.

So much for believing what you read on album covers. (more…)

Listening in Depth to Aftermath – The First in a String of Must Own Stones Albums

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Listening in Depth

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Lady Jane, Under My Thumb and Mother’s Little Helper are three of the best sounding tracks on side one — all three are lively and solid here. On side two Out of Time and I Am Waiting are especially well recorded.

DAVE HASSINGER rightly deserves the credit for the best sounding early Stones album — this one.

Although some songs sound amazing, not every track is well recorded. We just have to accept that the Stones are not The Beatles when it comes to the consistent quality of the earliest recordings. That said, a strong copy like this one paired with the great music on this album will certainly deliver a lot of pleasure to audiophile Stones fans.

Although some songs sound amazing, not every track is well recorded. We just have to accept that the Stones are not The Beatles when it comes to the consistent quality of the earliest recordings. That said, a strong copy like this one paired with the great music on this album will certainly deliver a lot of pleasure to audiophile Stones fans.

In-Depth Track Commentary

Side One

Mothers Little Helper

Superb! On the best copies this track is so transparent you can feel the cool air of the studio.

Stupid Girl

Somewhat dark and compressed as a rule. (more…)