The best copy to ever hit the site! Triple Plus (A+++) sound on the second side, better than Double Plus (A++ to A+++) on the first
Carney as a recording is classic analog from 1972 – the best vintage copies are exceptionally rich, solid and smooth
Russell’s highest charting album, making it all the way to Number Two if you can believe that, no doubt on the strength of the hit single, “Tight Rope,’ but “This Masquerade” is on here too
“The music is good, the lyrics are entertaining, the album worthwhile. Leon Russell – the only man around that can pull it off when he’s not trying.” – Cameron Crowe (San Diego Door, Aug. 1972)
If you have full-range speakers (the bigger the better) some of the qualities you may recognize in the sound of the piano are weight and warmth. The piano is not hard, brittle or tinkly. Instead the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants.
In other words, like a real piano, not a recorded one. Bad mastering can ruin the sound, and often does, along with worn out stampers and bad vinyl and misaligned tonearms that scrape off the high frequencies. But some copies survive all such hazards. They manage to capture these wonderful musical performances on vinyl, revealing to us the kind of sound we would never expect from an old Leon Russell record.(more…)
A killer 2-pack, with Triple Plus (A+++) sound, or close to it, from first note to last – they don’t get much better than this!
Here it is – the energy, space, and full, rich, Tubey Magical sound this music needs to work
You get Triple Plus sound for some of his best tracks here: Dear Landlord, Bird on the Wire, She Came in Through the Bathroom Window, and Hitchcock Railway
“Cocker mixed elements of late-’60s English blues revival recordings (John Mayall, et al.) with the more contemporary sounds of soul and pop; a sound fused in no small part by producer and arranger Leon Russell, whose gumbo mix figures prominently on this eponymous release and the infamous Mad Dogs & Englishmen live set.” – 4 Stars
This is a surprisingly good recording. Cocker and his band — with more than a little help from Leon Russell — run through a collection of songs from the likes of Bob Dylan, Leonard Cohen and the Beatles, and when you hear it on a White Hot Stamper copy it’s hard to deny the appeal of this timeless music.(more…)
You’ll find excellent Double Plus (A++) from first note to last on this original British pressing
Engineered by Andy and Glyn Johns, this is his best sounding album, especially on a copy that sounds as good as this one does
No other Leon Russell album has the richness, the sweetness, and the Tubey Magic of this, his second album from 1971
“Russell practically invented what might as well be called Okie rock — with that shit-kicker Gospel sound, heavy on Baptist-revival piano and chorus [a template Elton John found more than a little useful for his first ten albums or so] – and it gets as good on this album as you’ll ever hear.”
Stranger in a Strange Land, which leads off side one, might just be the best song the man ever wrote. What a joy it is to hear it sound so big and powerful.
Domestic Vs. Import
The domestic pressings of Leon Russell and the Shelter People that we’d auditioned over the years always seemed flat, dry, and closed-in. We know that sound well; it’s the sound you hear on records that have been made from dubbed tapes (and it’s the hallmark of the modern Heavy Vinyl reissue, truth be told). It bores us to tears, and had us questioning what we could possibly have seen in the album in the first place. What happened to the glorious sound of early ’70s analog we were expecting to find?(more…)