Top Engineers – Tom Dowd

Ray Charles – The Best Of His Jazz Piano Performances

More Ray Charles

More The Best Of

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  • An excellent sounding copy with solid Double Plus (A++) sound on both sides
  • This compilation gives you a taste of Ray’s great instrumental tracks, all in surprisingly good sound

Like any compilation the sound varies from track to track, but most of the material here sounds WONDERFUL!

You may have noticed that Tom Dowd, the recording engineer for these tracks, receives a fair amount of criticism on our site. We’re not always fans of his work on rock albums, but on jazz music he usually managed to do a great job. The sound is open, sweet, transparent, rich — all the stuff we like here at Better Records. (more…)

Milt Jackson & John Coltrane on Killer ’70s Reissue Vinyl

More Milt Jackson / More John Coltrane

More Bags & Trane

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  • Stunning sound on this stereo pressing with both sides rating close to our Shootout Winner, just shy of Triple Plus (A++ to A+++)
  • One of Tom Dowd’s many outstanding recordings of John Coltrane at the height of his powers – the sound is to die for
  • Exceptionally quiet on both sides for a vintage jazz album such as this – it actually plays a true Mint Minus
  • 5 stars: “Vibraphonist Milt Jackson and tenor saxophonist John Coltrane make for a surprisingly complementary team on this 1959 studio session, their only joint recording.”

If all you have ever played is an original pressing or a modern reissue, you are in for a treat — this copy is going to murder them.

We found all of this out the hard way, by having some originals and some of the “wrong” reissues in our shootout. Of course, we didn’t know they were not going to be especially good sounding until we played them, but it didn’t take long to recognize there was one stamper and one stamper only that had the sonic goods. It was simply no contest. And it was not an original pressing.

Needless to say, this record has that stamper. (more…)

Wheels of Fire and its Glaring Lack of Bass

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It’s EXCEPTIONALLY difficult to find even decent sounding copies of this album. We’ve played SCORES of original domestic copies, original imports, and all kinds of reissues — trust me, most of them would make you cringe.

When you get a good copy, this music is AWESOME! For ’60s power trio hard rock, you just can’t do much better than the studio material.

White Room, Sitting On Top Of The World, Politician, Born Under A Bad Sign — this is the very essence of Classic Blues Rock. Unfortunately, the typical copy barely hints at the potential of this recording, and the audiophile pressings are even worse. (The DCC Gold CDs are especially bad in our opinion; they sound nothing like the good pressings we’ve played over the years.)

Where’s The Bass?

Most early pressings you find these days are thrashed beyond belief. We used to pick up every clean Plum & Gold label copy we’d find back in he day, but no more. We gave up. The Cream magic was just plain missing from the early domestic pressings. The problem is simple: a glaring lack of bass.

Let’s think about that. Cream is a power trio. The music absolutely demands a solid, weighty bottom end. Sacrifice the bass and the sound is just too lean to rock.

We can sum up the sound of the whomp-less copies in a word: fatiguing. As is always the case, some copies sound better than others, but none could give us the kind of bass that we were hoping for. (more…)