Top Engineers – Stephen Barncard

Crosby, Stills, Nash & Young’s Deja Vu – A Classic Records Ripoff of a True Classic

More Deja Vu

xxxxx

Sonic Grade: F

Hall of Shame pressing and another Classic Records LP badly mastered for the benefit of credulous audiophiles.

If you bought the Classic Record Heavy Vinyl pressing, you should know by now how badly Classic Records ripped you off.

On the other hand, if you’re not too picky about sound quality and just want to play new records, perhaps because old records are hard to find and often noisy, then fine, the Classic should get that job done for you. (more…)

Stephen Barncard Is One of Our Favorite Engineers

xxxxx

xxxxx
xxxxx

STEPHEN BARNCARD is one of our favorite producers and recording / mixing engineers. Click on his name to find our in-stock Stephen Barncard engineered albums, along with some of our commentaries for same.

Barncard is the recording engineer on Tarkio, one of our All Time Favorite Records. He’s also the man behind one of the ten best sounding rock recordings we have ever played, If I Could Only Remember My Name

Typical Notes for If I Could Only Remember My Name

A TRUE ROCK DEMO DISC! A Hot Stamper copy such as this will show you why we’ve long considered it one of the All Time Top Ten Rock Albums for Sound and Music. You will not believe how Tubey Magical and three-dimensional this album can be when you have the right pressing. The harmonic complexity and extension on the acoustic guitars are absolutely stunning!

Harry Pearson put this record on his TAS List of Super Discs, not exactly a tough call it seems to us. Who can’t hear that this is an amazing sounding recording?

You Don’t Have to Be High to Hear It

This side one is truly stunning — amazing transparency, breathtaking clarity, vanishingly low levels of distortion, breathy vocals, uncanny immediacy and lots of LIFE.

When you drop the needle on this record, all barriers between you and the musicians are removed. You’ll feel as though you’re sitting at the studio console while Crosby and his no-doubt-stoned-out-of-their-minds Bay Area pals (mostly Jefferson Airplaners and Grateful Deads) are laying down this emotionally powerful, heartfelt music.

The overall sound is warm, sweet, rich, and full-bodied… that’s some real ANALOG Tubey Magic, baby! And the best part is, you don’t have to be high to hear it. You just need a good stereo and the right pressing.

See more entries in our Favorite Engineers series

David Crosby – If I Could Only Remember My Name… A Classic Records Mediocrity

More David Crosby

More If I Could Only Remember My Name…

xxxxx

 

Sonic Grade: C-

Another Classic Records LP reviewed.

What do you get with Hot Stampers compared to the Classic Heavy Vinyl reissue? Dramatically more warmth, sweetness, delicacy, transparency, space, energy, size, naturalness (no boost on the top end or the bottom, a notable failing of the Classic); in other words, the kind of difference you almost ALWAYS get comparing the best vintage pressings with their modern remastered counterparts, in our experience anyway. The Classic is a nice record, a Hot Stamper is a MAGICAL one. 

Check out our Heavy Vinyl Scorecards to read all about the latest winners and losers.

We have two: one for Classical Music on Heavy Vinyl, and another for Rock and Jazz.

The Grateful Dead – American Beauty – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2018

xxx

  • Only the second Triple Triple (A+++) copy to hit the site in the last five years – you won’t believe how good this record sounds!
  • Man, are quiet copies of this album getting hard to find, and pricey too
  • This is one of Stephen Barncard’s greatest recording achievements – the richness and clarity are really something here
  • 5 Stars All Music Guide, a Top 100 album – “American Beauty remains the Dead’s studio masterpiece.”

See all of our Grateful Dead albums in stock

We managed to find enough clean early pressings to get this always fun shootout going once again, and this copy took top honors on both sides. This is an amazingly well-recorded album — and a member of our Top 100, of course — but it takes a special copy to let the recording’s qualities shine, and this copy is as special as they get – Triple Triple!

Drop the needle on any track — I guarantee you’ve never heard this band sound so good, or your money back.

If you’re looking for a mindblowingly good copy of the Grateful Dead’s masterpiece, you’re going to have to act quickly, because our supply is extremely limited. I understand if you want to write the Dead off based on their later output, but you just can’t deny the power of this album.

Both sides of this copy earned top honors — A+++ all the way.

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

The acoustic guitars sound magical on this one, and I can’t believe how wonderful these guys’ voices sound. The Tubey Magic and immediacy on this copy are going to STUN you.

You could choose any track you wanted to and find lovely sound here, but I’d recommend Ripple and Attics Of My Life for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here. (more…)