Top Engineers – Stephen Barncard

The Doobie Brothers – Toulouse Street – Templeman, Barncard and Landee Work Their Magic

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Two of our favorite engineers worked their magic on this one: STEPHEN BARNCARD and DONN LANDEE. This copy surely has all the Tubey Magic one could ask for, but it’s the size, space and clarity here that really shocked us.

After listening to one smeary, veiled mess after another it was a thrill to hear one rock like this.

The vocals have room to breathe, the acoustic guitars are big and up front with extended, correct harmonics, and the bass has more punch and definition than we had any right to expect.

The huge bass on the better copies of this album has to be the handiwork of STEPHEN BARNCARD (American Beauty, Tarkio), although DONN LANDEE (Little Feat, Van Halen), one of the other two engineers here, likes plenty of bass as well.

Back in the day I had no idea this record could sound so punchy in the bass, be this dynamic, yet still have smooth, silky, oh-so-analog vocals.

Some copies have wonky, bloated bass. Others have a bit of a boost at 10k, adding a sparkly unnatural quality to the vocals and cymbals, somewhat like a MoFi pressing.

The best copies have none of those problems. You have never heard ‘Listen To The Music’ sound better. It’s everything a good Ted Templeman produced rock record should be. (more…)

David Crosby – If I Could Only Remember My Name… – Our Shootout Winner from 2008

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

THE ULTIMATE PSYCH ROCK DEMO DISC! Both sides are shockingly transparent with tight bass, silky highs, full-bodied vocals and TONS of Tubey Magic. 

No CD ever made could compete with the amazing analog sound of a record like this, and after twenty five years of that technology failing to do its job I’m pretty sure no CD (or SACD, or any other digital media for that matter) ever will.

These stampers are different from the ones I used to think were the best about ten or twelve years ago. For a long time I didn’t play this record, and then a while back, when this whole Hot Stamper thing took off, I grabbed my personal hot copy and a bunch of others, cleaned them up and did a big shootout. (more…)

Crosby / Nash – Whistling Down The Wire

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A distinguished member of the Better Records Rock Hall of Fame.

TWO AMAZING SIDES RATING AT OR NEAR A+++! This is the pair’s third and best album, with better sound than Wind on the Water as well as their strongest songwriting. This is arguably a better CSN record than the album titled CSN from 1977. For one thing, the harmonies are superior, even without Stephen Stills. (Crosby and Nash were in big demand in the Rock and Pop world of the ’70s for their impressive background vocal skills.) For another it’s clearly a better recording. (more…)

David Crosby – If I Could Only Remember My Name…

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

BEYOND TRIPLE TRIPLE! This Top Copy had a side one that blew us away enough to earn FOUR Pluses!

Here it is, folks… a TRUE ROCK DEMO DISC! A White Hot Stamper copy such as this will show you why we’ve long considered it one of the All Time Top Ten Rock Albums for Sound and Music. You will not believe how Tubey Magical and three-dimensional this album can be when you have a pressing with this kind of sound. The harmonic complexity and extension on the acoustic guitars are absolutely stunning!

Please note that the grading scale pictured above only goes up to three pluses, as that is our standard top grade. Every now and then we’ll hear a side of an album we know well that goes beyond our expectations and our ref copies to earn a fourth plus. This side one did just that! (more…)

Crosby, Stills, Nash & Young – So Far in 2007

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So Far

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A distinguished member of the Better Records Rock Hall of Fame.

This Hot Stamper copy has SUPERB SOUND ON SIDE TWO — the best we’ve ever heard. It sounds like it was made from the MASTER TAPE, and believe me, not many of them do. This LP killed any and all of the competition during this shootout; no other copy earned Three Pluses on Side Two. The sound is BIG and BOLD as it gets — it practically LEAPS out of the speakers. That’s what we call Hot Stamper sound. No other copy did that, on side two anyway. Side one has the highly-coveted unreleased material, so this copy, with “only” an excellent side one, is being priced somewhat more competitively and represents real value for money. 

When you get these good copies, they sound SO correct, they really show up the phony EQ and just plain bad mastering of the so-called Audiophile versions. The MoFi pressing and the Classic 200g LP are both quite obviously wrong in important but different ways. This is the kind of record that makes it painfully clear exactly what’s wrong with them. (more…)

Crosby, Stills, Nash & Young – Deja Vu – An Album We Are Clearly Obsessed With

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DEJA VU is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

This link will take you to all of our other Crosby, Stills, Nash or Young albums.

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Deja Vu. (more…)

David Crosby’s Masterpiece: If I Could Only Remember My Name – What to Listen For

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate the album.

Note how Crosby’s voice is “chesty” — some copies make him sound like he’s all mouth and no diaphragm. When his voice is full-bodied and solid, that’s when he sounds more like a real person and less like a pop recording of a person. All credit must go to Stephen Barncard.

Harry Pearson put this record on his TAS List of Super Discs, not exactly a tough call if you ask us. Who can’t hear that this is an amazing sounding recording? (We do applaud his decision not to add the Classic pressing of this title to the list, the way he did with so many other Classic pressings that have no business on anything called a Super Disc list.)

Listening Test

One of our key test tracks for side one is Cowboy Movie, and one thing that separated the best pressings from the lesser ones was the sound of the hand claps. It’s a dense mix and they are not easy to hear, but on the best copies there is audible echo and ambience around them, with a richer “flesh on flesh” quality to their sound. Not many pressings had it, and the ones that did tended to do most other things well also. Which is what makes it a good test! (more…)

Deja Vu – A Classic Records Ripoff of a True Classic

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Sonic Grade: F

Hall of Shame pressing and another Classic Records LP badly mastered for the benefit of credulous audiophiles.

If you bought the Classic Record Heavy Vinyl pressing, you should know by now how badly Classic Records ripped you off.

On the other hand, if you’re not too picky about sound quality and just want to play new records, perhaps because old records are hard to find and often noisy, then fine, the Classic should get that job done for you. (more…)

Stephen Barncard Is One of Our Favorite Engineers

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STEPHEN BARNCARD is one of our favorite producers and recording / mixing engineers. Click on his name to find our in-stock Stephen Barncard engineered albums, along with some of our commentaries for same.

Barncard is the recording engineer on Tarkio, one of our All Time Favorite Records. He’s also the man behind one of the ten best sounding rock recordings we have ever played, If I Could Only Remember My Name

Typical Notes for If I Could Only Remember My Name (more…)

David Crosby – If I Could Only Remember My Name… A Classic Records Mediocrity

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Sonic Grade: C-

Another Classic Records LP reviewed.

What do you get with Hot Stampers compared to the Classic Heavy Vinyl reissue? Dramatically more warmth, sweetness, delicacy, transparency, space, energy, size, naturalness (no boost on the top end or the bottom, a notable failing of the Classic); in other words, the kind of difference you almost ALWAYS get comparing the best vintage pressings with their modern remastered counterparts, in our experience anyway. The Classic is a nice record, a Hot Stamper is a MAGICAL one. 

Check out our Heavy Vinyl Scorecards to read all about the latest winners and losers.

We have two: one for Classical Music on Heavy Vinyl, and another for Rock and Jazz.