Top Engineers – Roy Wallace

Chabrier / Orchestral Music / Ansermet – What to Listen For

More Emmanual Chabrier

More Orchestral Music / Ansermet

xxxxx

xxxxx

xxxxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

On many copies the strings are dry, lacking Tubey Magic. This is decidedly not our sound, although it can easily be heard on many London pressings, the kind we’ve played by the hundreds over the years. If you have a rich sounding cartridge, perhaps with that little dip in the upper midrange that so many moving coils have these days, you will not notice this tonality issue nearly as much as we do. Our 17D3 is ruler flat and quite unforgiving in this regard.  

It makes our shootouts much easier, but brings out the flaws in all but the best pressings, exactly the job we require it to do. (more…)

Roy Wallace – One of Our Favorite Engineers

More of Our Favorite Engineers

xxxxx

ROY WALLACE is one of our favorite recording engineers. Click on the link to find our in-stock Roy Wallace engineered or produced albums, along with plenty of our famous commentaries.

Roy Wallace was the engineer for many of our favorite sessions in Geneva’s glorious sounding Victoria Hall. 

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section. 

These are the kinds of records that will make you want to take all your heavy vinyl classical pressings and put them in storage.

Quality record production is a lost art, and it’s been lost for a very long time.

Roy Wallace Engineered Albums with Hot Stampers

Roy Wallace Engineered Albums We’ve Reviewed

Chabrier Orchestral Music – Our Four Plus Shootout Winner

More Emmanual Chabrier

xxxxx

xxxxx

xxxxx

A distinguished member of the Better Records Orchestral Music Hall of Fame.

The Espana side earned our rare and coveted Four Plus (A++++) Sonic Grade – Wow! Monstrous size and dynamic power thanks to the brilliant Decca engineering of Roy Wallace. Without a doubt the most spectacular sound we’ve ever heard from CS 6438.

This Beyond White Hot Stamper London pressing has some of the loveliest orchestral music reproduction we’ve ever heard. Man, this copy sure has it going on: it’s super clean and clear, tonally correct from top to bottom, with all of the weight of the orchestra down low on side one which is very, very hard to come by on this record!

And all that weight and energy down low is what really makes Espana magical. You won’t believe the sound!  (more…)

Diffuse, Washed Out, Veiled, and Just So Damn Vague

 

rimsktaleo_speakerscorner

Rimsky-Korsakov – The Tale of Tsar Saltan on Speakers Corner

Sonic Grade: C

We cracked open the Speakers Corner pressing shown here in order to see how it would fare up against a pair of wonderful sounding Londons we were in the process of shooting out a while ago. Here’s what we heard in our head to head comparison.

The soundstage, never much of a concern to us at here at Better Records but nevertheless instructive in this case, shrinks roughly 25% with the new pressing; depth and ambience are reduced about the same amount. But what really bothered me was this: The sound was just so VAGUE.

There was a cloud of musical instruments, some here, some there, but they were very hard to SEE. On the Londons we played they were clear. You could point to each and every one. On this pressing it was impossible.

Case in point: the snare drum, which on this recording is located toward the back of the stage, roughly halfway between dead center and the far left of the hall. As soon as I heard it on the reissue I recognized how blurry and smeary it was relative to the clarity and immediacy it had on the earlier London pressings. I’m not sure how else to describe it – diffuse, washed out, veiled. It’s just vague.
(more…)

Perhaps This Explains Why This Decca Reissue Sounds So Good

debuslamer_231_spa

This Decca reissue is spacious, open, transparent, rich and sweet. Roy Wallace was the engineer for these sessions from 1955 to 1961 in Geneva’s glorious sounding Victoria Hall.

It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording, with the added benefit of mastering using the more modern cutting equipment of the ’70s, 1972 to be exact. (We are of course here referring to the good modern mastering of 40+ years ago, not the mediocre-at-best modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these superb sides.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.
(more…)

Beethoven’s Symphony No. 6 with Ansermet – Our Favorite for Performance and Sound

More of the music of Ludwig van Beethoven (1770-1827)

beethsym6_6160_1610_fame

Beethoven / Symphony #6 (Pastoral) / Ansermet

 

  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is by the way an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl.

Other Pressings (more…)

Iberia from 1960 – Amazing on the Original and the Right Reissues Too

1960 – A Great Year for Top Quality Recordings of Timeless Music

When you look closely at all the great records that were released that year — some of which can even be purchased in Hot Stamper form on this very site — you may come to agree with us that 1960 was a wonderful year for recorded music.

Click HERE to see the records currently on the site that were recorded or released in 1960.

And HERE to see the records from 1960 that we’ve reviewed, a substantially larger group as you can imagine, with more than 90 entries at the time of this writing.

 

xxx.jpg
 A Top Quality Reissue

xxxx
 A Wonderful Original

More of the music of Isaac Albeniz (1860-1909)

James Walker was the producer, Roy Wallace the engineer for these sessions from May of 1960 in Geneva’s glorious sounding Victoria Hall. It’s yet another remarkable Demo Disc from the Golden Age of Vacuum Tube Recording Technology, with the added benefit of mastering using the more modern cutting equipment of the ’70s. (We are of course here referring to the good modern mastering of 30+ years ago, not the bad modern mastering of today.)

The combination of old and new works wonders on this title as you will surely hear for yourself on both of these better than Super Hot sides.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find! (more…)

The Tale of Tsar Saltan and Our Rare Four Plus Grade

xxx

See all of our Rimsky-Korsakov albums in stock

  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare Four Plus (A++++) grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

We award this copy’s side one our very special Four Plus (A++++) grade, which is strictly limited to pressings (really, individual sides of pressings) that take a recording to a level never experienced by us before, a level we had no idea even existed. We estimate that about one per cent of the Hot Stamper pressings we come across in our shootouts earn this grade.

This London pressing contains a stunningly BEAUTIFUL Tale of the Tsar Saltan Suite. It’s clearly one of the great Demo Disc Quality recordings from the Golden Age (or any age for that matter), with everything that a top Golden Age Orchestral recording should have: all the magic; all the timbral and harmonic subtlety; all the sweetness and warmth; all the Tubey Magical richness.

All that and more. Folks, this is the kind of record that makes you sit up and take notice. Finally, HERE is the kind of sound that can bring an orchestra to life in your very own listening room. (more…)

Our Favorite Recording of Scheherazade

deburgos

I attended this Dec. 2013 concert; it was a thrill like no other. (Well, maybe The Planets.)

“Guest conductor Rafael Frühbeck de Burgos’s attention to detail delivers the razzle dazzle and also discovers renewed radiance in ‘Scheherazade.'”

rimskscheh_6212_1610_1389793105

We did a monster shootout for this music in 2014, one we had been planning for more than two years. On hand were quite a few copies of the Reiner on RCA; the Ansermet on London (CS 6212, his second stereo recording, from 1961, not the earlier and noticeably poorer sounding recording from in 1959); the Ormandy on Columbia, and a few others we felt had shown potential.

The only recordings that held up all the way through — the fourth movement being THE Ball Breaker of all time, for both the engineers and musicians — were those by Reiner and Ansermet. This was disappointing considering how much time and money we spent finding, cleaning and playing those ten or so other pressings. (more…)

The Best Bolero on Vinyl

ravelboler_6367_1609_1345649669

More Recordings Made in Victoria Hall

Including this amazing Bolero, the best copy we’ve ever heard!

  • Both sides here earned our highest grade of Triple Plus, making this the best copy to ever hit the site
  • Full, rich, spacious, BIG and present, with energetic performances the likes of which you may have never heard
  • Side one has outstanding depth – the snare drum sounds like it’s located at least fifty feet behind the speakers
  • One of the best Ansermet recordings with the Suisse Romande from Victoria Hall – best performances too

Side two sounded so much better than any copy I have ever heard that I was sorely tempted to give it our coveted Four Plus grade, for the kind of sound that breaks all the rules. Cooler heads have since prevailed, but that doesn’t detract in the least from side two of this remarkable pressing, which has by far the best sound for The Sorcerer’s Apprentice I have yet to hear.

We are rarely able to find a quality recording or performance of Bolero or The Sorcerer’s Apprentice, so this pressing comes as a welcome addition to the classical offerings on the site. (more…)