This Super Hot Stamper Black Label Original Contemporary pressing has SUPERB sound on BOTH sides. All that stuff we tend to say about the original tube-mastered Contemporary pressings being fat and dull does not apply here whatsoever. This record is mastered beautifully, we real transient attacks to all the percussion. When Shelly bangs on the bass drum it goes Ka-Boom and really rattles the walls. As a Demo Disc this one is pretty hard to beat!
Remember the old Acoustic Sounds Analog Revival series mastered by Stan Ricker? This was one of the titles they did, and completely ruined of course. Ricker boosted the hell out of the top end, as is his wont, so all the percussion had the phony MoFi exaggerated spit and tizziness that we dislike so much around here at Better Records but that many if not most audiophiles never seem to notice.
The whole series was an audio disaster, but funnily enough, I cannot remember reading a single word of criticism anywhere discussing the shortcomings of that series of pressings. Outside of my own reviews of course. Has anything in audio really changed? (more…)
Leroy Vinnegar’s debut album finally arrives on the site with a KILLER Shootout Winning Triple Plus (A+++) side two and a truly oustanding Double Plus (A++) side one
The Contemporary LP stereo sound here is completely natural in every respect, yet still rich, warm and smooth
Roy DuNann and Howard Holzer engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio
4 stars: “…Vinnegar generously features his talented sidemen… A fine, straight-ahead session.”
For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good an 1958 All Tube Analog Contemporary recording can sound, this killer copy will do the trick.(more…)
This EXCEPTIONALLY QUIET Contemporary Recording has wonderful sound on both sides. It’s got SHOCKINGLY DYNAMIC VOCALS — just listen to Miss Humes really belting it out on a great reading of Stardust! The sound is really rich and full with a BIG punchy bottom end. The clarity and transparency are superb, and you can really hear the leading edge transients on the various horns (Carter on trumpet, Rosolino on trombone).(more…)
Four! finally makes its Hot Stamper debut with stellar Shootout Winning Triple Plus (A+++) sound or close to it from first note to last. The timbre of the instruments in this brilliant jazz quartet is so spot-on it makes all the hard work and money you’ve put into your stereo more than pay off. Roy DuNann engineered some of the best sounding records we have ever heard – here’s a textbook example of what the audiophiles at Contemporary were able to achieve in the studio.
This vintage Contemporary Stereo pressing has the kind of Tubey Magical Midrange that modern records rarely even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
SUPERB SOUND ON BOTH SIDES! This Contemporary Green Label LP has THE BIG SOUND — rich and so full-bodied with amazing presence and immediacy. The bass is PERFECTION — deep, rock solid, and note-like. There’s lots of extension on the top end, letting Shelley Manne’s fantastic work on the cymbals really come to life. The clarity on this copy is superb — just listen to those leading edge transients on Sonny’s sax. The guitar has the tubey qualities that we love here at Better Records — it’s warm, rich, and sweet with lots of ambience.
This copy has big time presence and immediacy that makes it seem as if this all-star quintet was swingin’ in your living room! Both sides have A++ sound — it’s transparent and dynamic with just the right amount of bite to the sax. I don’t think there’s anything you could do to this music to make it sound any better than this.
Sonny is backed here by a heavy-hitting lineup of Barney Kessel, Shelley Manne, LeRoy Vinnegar and Hampton Hawes — all favorites here at Better Records.
This huge, rich and natural Contemporary pressing took top honors recently, with Shootout Winning Triple Plus (A+++) sound throughout
This is the last record Hawes made, and it’s one of the most deeply emotional and satisfying albums of his entire career – it may even be his best, and for a man of his talents, that’s really saying something
“Hampton Hawes’ final recording found him returning not only to the acoustic piano after having dabbled in electric keyboards from 1972-74, but to producer Lester Koenig and his Contemporary label, where Hawes recorded most of his classic gems of the 1950s… Teamed up with bassist Ray Brown and drummer Shelly Manne, Hawes shows that he was still in prime form.”
This is my favorite Hampton Hawes record of all time. He died less than a year after these sessions. Looking at the cover, you can almost see in his face his acceptance of the end he knew was coming. He plays with deep emotion here.
This very nice looking Contemporary Yellow Label LP has the BREATH OF LIFE! Both the sax and the trumpet sound superb – you can really hear the air moving through the instruments. The clarity and transparency are superb, and the tonality is Right On The Money. The generous extension up top lets the cymbals really come to life.
Jack Sheldon is absolutely amazing and completely original on trumpet here. Check out his stellar work on the first track, Landslide. Not only that, but the sound of his instrument is wonderful — you’ll never hear a trumpet sound so rich and full on a Rudy Van Gelder recording, that’s for sure!(more…)
This Contemporary Yellow Label Mono LP has DEMO DISC QUALITY SOUND! If you like the sound of Contemporary Records, you won’t find a better example than this! Midrange magic doesn’t get anymore magical. I don’t care who remasters this record, I don’t think they can do it as well as it was done in 1958.
I haven’t heard the new 45 RPM version, but I seriously doubt that it sounds like this.
STUNNING SOUND ON BOTH SIDES — we’ve never played a better copy! The immediacy and presence of this copy will BLOW YOU AWAY — it’ll put a swingin’ jazz quarter right in your living room. There’s plenty of extension on the top end anchored by some nice deep bass. The tonality is Right On The Money, and the overall sound is open and spacious with lots of room around the instruments.(more…)