[These are old notes from many years ago. Take them with a grain of salt.]
Wow! This Universal Heavy Vinyl pressing from circa 2000 (the turn of the century!) is superb, not all that far from a good Track original, and quieter for sure.
Side One rocks incredibly hard from start to finish. What a great album. It has to rank right up there with the best rock of the ’70s, right behind Who’s Next and probably on a par with Tommy, good company indeed, since we LOVE all three of those albums here at Better Records. (Both Tommy and Who’s Next are Top 100 Titles, but Quadrophenia is not far behind either of them for sound or music.(more…)
The sound was JUMPING out of the speakers and filling the room.
Sometimes a copy is just BIGGER than the others – it’s somehow physically wider and taller than other pressings, how we haven’t a clue — and that’s exactly what this copy had more of than any other: SIZE. If you’ve never heard a rock record like this — and knowing how rare they are it’s more than possible — you are in for a treat here.
If you’re a fan of this kind of stuff (as we definitely are) you aren’t going to want to let this one get away. Movin’ On and the title track are going to absolutely blow your mind. The best sounding tracks have MASTER TAPE QUALITY SOUND. (more…)
Tonally correct, which is one thing you can’t say for most of the Zeps in this series, that’s for sure. Those of you with crappy domestic copies, crappy imported reissues and crappy CDs, which is pretty much all there is of this recording, will not know what you’re missing.
Compare this title to some of the better Classic Zep releases and I expect you will notice that hearing into the midrange is a more difficult proposition on these songs, with reduced ambience and space around the voices and instruments.
In other words, like most Heavy Vinyl, it’s OPAQUE and AIRLESS.
Incredible sound on both sides with each rating a Triple Plus (A+++) or close to it – size, clarity, balance, energy; it’s all here
If you’re playing this one good and loud you’ll feel like you’re in the room with the boys as they kick out the jams
This is the right sound for this album – take it from us, it is not easy to find a copy that’s this right
“Vocalist and songwriter Paul Rodgers wrote two acoustic-based rock ballads that would live on forever in the annals of great rock history: “Shooting Star” and the Grammy-winning “Feel Like Makin’ Love” 4 stars
The sophomore jinx is nowhere to be found on this album. In fact, you could make a pretty good case that this is actually a better album than their debut. The best pressings of Straight Shooter have ROCK ENERGY that cannot be beat!
What You Want
It’s got exactly what you want from this brand of straight ahead rock and roll: presence in the vocals; solid, note-like bass; big punchy drums, and the kind of live-in-the-studio energetic, clean and clear sound that Bad Company (and Free before them) practically invented. (AC/DC is another band with that kind of live studio sound. With big speakers and the power to drive them YOU ARE THERE.)(more…)
They just plain ROCKED HARDER than the other copies we played. Yes, they’re bigger. Yes, they have more weight and whomp down low. Yes, they are smoother and more natural up top.
But what really sets them apart is their tremendous energy. The music EXPLODES out of the speakers and comes to life on the best copies of Quadrophenia like few records you have ever heard. When we find that power and energy on a record, all other things being equal, we have a name for them: White Hot Stampers.(more…)