A stunning sounding copy with Triple Plus (A+++) sound from start to finish
Both sides have that rare combination of silky highs and deep low end that make any record magical
5 stars: “Ranks alongside the most essential Eno material.”
Side one, the rock side, strongly relies on its deep punchy bass to make its material come to life and rock (or should we say art rock?). Eno’s vocals are clear and present with virtually no strain. Phil Collins’ drumming is energetic and transparent and perfectly complemented by Percy Jones’ simultaneously acrobatic and hard-driving bass work.
This album typically suffers from a severe case of rolled-off highs, compounding the problems in the midrange: veiled and smeary vocals. The average copy is thick, muddy and congested, lacking the kind of transparency and clarity that makes it possible for the listener to hear into Eno’s dense mixes and make musical sense of them.
Partly this is Eno’s fault. He overloads his recordings. Played The Joshua Tree lately? It has some of the same sonic shortcomings, (exacerbated by Direct Metal Mastering).(more…)
The Rhino Heavy Vinyl reissue of this album was Dead On Arrival the minute it hit my turntable. No top, way too much bottom, dramatically less ambience than the average copy — this one is a disaster on every level.
Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.
Eno produced, Rhett Davies engineered, every track is (psycho) killer – a Must Own from 1978
5 stars: “Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing.”
If you thought you’d never hear a truly great pressing of this album, here’s the copy that will prove you wrong and rock your world doing it! The top end is extended and sweet, the bottom end is big and punchy, and the overall sound is as rich and full-bodied as you could expect from this zany art-rock.
The vocals have the kind of presence that put David Byrne right there in your living room, and not under a blanket or behind the speakers as most of the pressings we played were wont to do.
Top Notch ’70s Art Rock
I don’t think these guys ever put together a better group of songs. The ultimate pressings of Little Creatures go a step further sonically, but the best copies of this one can sound incredible, if not quite Demo Disc worthy.(more…)
[These notes were written many years ago, which means that we ourselves may not agree with some or all of the commentary.]
This version just plain KILLS most domestic copies and probably quite a few Brit ones too. Simply Vinyl did a superb job here.
Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.(more…)