Top Engineers – Phil Ramone

Stan Getz Jazz Samba Encore

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A distinguished member of the Better Records Jazz Hall of Fame.

Yet another wonderful Getz Samba record, the third in the series. Some of our faourite music has this Samba syncopation: Sergio Mendes, first and foremost of course, but also Airto, and all the wonderful Getz albums from this period. Their enchanting Brazilian rhythms make their music fun. 

Thanks go to all the engineers involved in this recording:

VAL VALENTIN

BOB SIMPSON

PHIL RAMONE

RAY HALL (more…)

Gerry Mulligan Quartet – Spring Is Sprung

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  • With shootout-winning Triple Plus (A+++) grades on both sides, it just doesn’t get any better than this copy of Mulligan’s superb sounding and Hard To Find 1963 release on Philips
  • Quincy Jones directed, and Phil Ramone made sure the album would be exceptionally well-recorded, which it is!
  • Big, rich, and Tubey Magical, this pressing let us hear Mulligan’s quartet with the energy and clarity these classic jazz performances deserve
  • 4 Stars: “Mulligan and Brookmeyer always seem to stimulate one another’s playing to a high level, and this album is no exception. The group gets into a swinging groove right away with its updated treatment of a Count Basie favorite, “Jive at Five,” followed by Mulligan’s brisk yet intricate jazz waltz “Four for Three.””

Clean and Clear Yet Rich and Sweet

This copy managed to find the ideal balance of these attributes. You want to find that rare copy that keeps what is good about a Tubey Magical analog recording from The Golden Age of ’60s Jazz while managing to avoid the pitfalls so common to them: compression, opacity, and blubber. (more…)

Phil Ramone Is One of Our Favorite Producer-Engineers

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PHIL RAMONE is one of our favorite engineers and producers. Click on the links below to find our in-stock Phil Ramone engineered or produced albums, along with plenty of our famous commentaries. 

Phil Ramone Engineered or Produced Albums with Hot Stampers

Phil Ramone Engineered or Produced Albums We’ve Reviewed

Jobim and Ramone – Our Shootout Winner from 2008

jobimthecomposer

A distinguished member of the Better Records Rock and Pop Hall of Fame.

Credit engineer PHIL RAMONE for correctly capturing the sound of every instrument here: the guitars, piano, flutes, strings, drums, percussion instruments — everything has the natural timbre of the real thing. I used to think this recording erred on the bright side, but not the Hot Stamper copies. They are tonally Right On The Money.

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When the balance lacks lower midrange the sound gets lean, which causes the strings to seem brighter than they really are, a not uncommon problem with some of the pressings we heard.

We had quite a batch of these to play, including imports, originals, reissues (all stereo), and one lone mono, which was so ridiculously bad sounding we tossed it right out of the competition and into the trade pile.

For those of you playing along at home, we are not going to be much help to you here in finding your own Hot Stampers. Every version had strengths and weaknesses and all are represented in the three listings we are putting up today. (more…)

Billy Joel – The Stranger


Our White Hot Shootout Winner for 2018

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  • A Shootout Winning pressing – Triple Plus (A+++) on side two, a strong Double Plus (A++) on side one, and rockin’ from start to finish
  • The sound is huge, open and spacious with plenty of driving energy and a big punchy bottom end thanks to Phil Ramone’s engineering
  • The Stranger, Only the Good Die Young, Vienna, Just The Way You Are, Movin’ Out, She’s Always A Woman – some of Joel’s strongest songwriting is here
  • 4 1/2 stars in the AMG: “Joel rarely wrote a set of songs better than those on The Stranger, nor did he often deliver an album as consistently listenable.”

See all of our Billy Joel albums in stock

We recently completed a shootout for the album and this copy was absolutely KILLIN’ it. After playing a stack of mediocre Strangers, we are completely confident in saying that you’ll have a VERY hard time finding a copy that sounds this good.

The Stranger is chock full of some of Joel’s biggest hits, including Just The Way You Are, Movin’ Out, Scenes From An Italian Restaurant, Only The Good Die Young and She’s Always A Woman. AMG raves about this one (4 1/2 stars) and it’s easy to see why — this is the kind of pop music that still sounds fresh 40 years (!) after it was recorded and might just be good for another forty years. (more…)

Astrud Gilberto – The Shadow Of Your Smile

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Vocal Classics

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Astrud Gilberto – The Shadow Of Your Smile

A distinguished member of the Better Records Rock and Pop Hall of Fame .

The space is HUGE and the sound so rich. The vocals have dramatically less hardness and the orchestra sounds right for once. Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD.

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If you don’t like at least some reverb on your vocals, this album is probably not for you. The standard recording approach for Male and Female Vocals in the ’50s and ’60s was to add reverb to them. Sometimes it sounds right and sometimes it’s too much. For “too much” play some of Nat King Cole’s records from the era to hear what I mean. (Try “Those Lazy-Hazy-Crazy Days of Summer” from 1963 if you want a good place to start.)

Like any processing of the sound in the studio — compression, limiting, reverb, EQ, etc. — it can be used with taste and discretion and make the recording better, or it can be overdone and ruin everything. For our part we think Astrud Gilberto’s recordings use reverb more or less tastefully. And of course there sure aren’t going to be any versions of this music coming along any time soon without the added echo. Getting the reverb to sound right is one of the things a good Hot Stamper has to do on a record like this. (more…)