Top Engineers – Norman Smith

The Beatles – The Original A Hard Day’s Night on CD

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The Old CD – You Know, the Original Mono One that Everybody Used to Like…

I have the early generation mono CD of this album. Although my car has a very good stereo system, you would never know there was any magic to the sound of these recordings by playing that CD. The whole thing is hopelessly flat and gray.

It starts to perk up by the song Things We Said Today, the 10th(!) track. Before that it just sounds compressed, with all the voices and instruments mashed together. There’s no transparency to the sound. It reminds me of listening to this music on the radio. If that’s the effect George Martin was going for with the old mono mix, he succeeded brilliantly. I prefer the twin-track unapproved stereo mixes found on the LPs.

The Beatles Please Please Me – We Review the Mobile Fidelity Half-Speed

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Sonic Grade: C

If you own the MoFi LP, do yourself a favor and buy one of our Hot Stamper pressings. (Actually any good British import pressing will do.) What’s the first thing you will notice other than correct tonality, better bass and a lot more “life” overall?

No spit! As we’ve commented elsewhere, because of the wacky cutting system they used, MoFis are full of sibilance. 

As I was playing this record many years ago, maybe by about the fifth or sixth song it occurred to me that I hadn’t been hearing the spit that I was used to from my MoFi LP. You don’t notice it when it’s not there. But your MoFi sure has a bad case of spitty vocals. If you never noticed them before, you will now. (more…)

The Beatles – Hard Day’s Night – Track by Track

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Play it against your MoFi or Heavy Vinyl pressing and you will quickly see why those LPs bore us to tears. Who in his right mind would want to suffer through a boring Beatles record?

Drop the needle on any song on the first side to see why we went crazy over this one. The emotional quality of the boys’ performances really comes through on this copy. They aren’t just singing — they’re really BELTIN’ it out. Can you imagine what that sounds like on the title track? We didn’t have to imagine it, WE HEARD IT!

It’s (Almost) All About The Midrange

There are two important traits that all the best copies have in common. Tonally they aren’t bright and aggressive (which eliminates 80 percent of the AHDN pressings you find), and they have a wonderful midrange warmth and sweetness that brings out the unique quality of the Beatles’ individual voices and harmonies. (more…)

The Beatles on Vinyl – An Audiophile Wake Up Call

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The sound of the best pressings of The Beatles — when cleaned with the Walker Enzyme fluids on the Odyssey machine — are truly revelatory.

So much of what holds their records back is not bad mastering or poor pressing quality or problems with the recording itself. It’s getting the damn vinyl clean. (It’s also helpful to have high quality playback equipment that doesn’t add to the inherent limitations of the recordings.)

Know why you never hear Beatles vinyl playing in stereo stores or audio shows? (Love doesn’t count; give me a break.)

Because they’re TOO DAMN HARD to reproduce. You have to have seriously tweaked, top-quality, correct-sounding equipment — and just the right pressings, natch — to get The Beatles’ music to sound right, and that’s just not the kind of stuff they have at stereo stores and audio shows. (Don’t get me started.)
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The Beatles – Help – Our Shootout Winner from 2013

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Folks, you may have noticed that not many copies of Help with knockout sound make it to the site very often. They’re just not easy to find, but we’re happy to report that our last shootout produced some real knockouts! If you like your Beatles albums to sound rich, natural, lively and clear — and who doesn’t — you can’t go wrong here.

Both sides here are truly killer, and better than the typical pressing in almost every way. The soundstage is bigger and more three-dimensional, the overall tonality is fuller and richer, and there’s a level of presence here that just doesn’t exist on most copies. (more…)

The Beatles – Help – Germans Versus Brits

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Help. 

We’ve heard some excellent German pressings before, but this time [circa 2011] nothing could match up to our best Brit copies. What the best British copies have is more of the TUBEY MAGIC that can typically be heard on early pressings, due no doubt to the fact that they are mastered with tube equipment.

One reason we were so crazy about the German pressings is how amazingly clean and clear they can be. I can’t tell you how many distorted Brit copies we’ve played of this album over the years.

Some of the old cutting equipment clearly adds its own layer of distortion to the distortion that already exists on the tape for many of these Imports. A clean, clear, super low distortion Brit copy like this one is certainly the exception and NOT the rule. (more…)

The Beatles – Please Please Me – Listening in Depth

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Presenting another entry in our extensive Listening in Depth series, this time for The Beatles’ amazing debut from 1963, Please Please Me.

The first Beatles record is nothing short of amazing. It captures more of the live sound of these four guys playing together as a rock and roll band than any record they ever made afterwards. (Let It Be gets some of that live quality too and makes a great bookend for the group.)

In-Depth Track Commentary

Side One

I Saw Her Standing There

Like any of the boys’ most radio ready singles, this song tends to be a bit bright. If this track sounds at all dull, there’s probably no hope for the rest of this side.

Misery

This track should sound lively and punchy. The best copies have excellent bass definition and superb clarity, allowing you to appreciate how the wonderful bounce of the rhythm section really energizes the song.

Anna (Go to Him)

Does it get any better? This is the real Beatles magic baby!

Chains

Note that the vocals on this track are not as well recorded as they are on the track above. As a rule they’re a bit edgier and not as transparent.

Go back and forth between the two songs a number of times and we think you will hear exactly what we mean. Although this difference is more audible on the better copies, it should still be noticeable on any Hot Stamper pressing.

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The Beatles – Please Please Me – Which Is More 3-Dimensional, Mono or Twin Track?

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With all due respect to Sir George Martin, we’ve played a number of mono pressings of this album in the past twenty or so years and have never been particularly impressed with any of them. The monos jam all the voices and instruments together in the middle, stacking them one in front of the other, and lots of musical information gets mashed together and simply disappears in the congestion. 

But is Twin Track stereo any better? Yes, when you do it the way Norman Smith did on Please Please Me.

Twin Track stereo (which is actually not very much like two-track stereo, I’m sure Wikipedia must have a listing for it if you’re interested) is like two mono tracks running simultaneously. It allows the completely separate voices to occupy one channel and the completely separate instruments to occupy another with no leakage between them.

On some stereos it may seem as though the musicians and the singers are not playing together the way they would if one were hearing them in mono. They are in fact recorded on two separate mono tracks, the instruments appearing in the left channel and the singers in the right, separated as much as is physically possible.

Stuck in their individual stereo speakers, so far apart from one another, the members of the band don’t even seem to be playing together in the same room.

That’s on some stereos, and by some stereos I mean stereos that need improvement. Here’s why. (more…)

The Beatles Rubber Soul – Listening in Depth

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy (or our copy) of Rubber Soul. (If you have the MoFi pressing please click on the Track Listing tab below to read about its most glaring shortcoming.)

After playing so many copies of this record over the last few years, all of us here at Better Records have come to appreciate just how wonderful an album Rubber Soul really is. It has 14 fairly compact, well-structured, well-arranged pop songs, each of which is a gem in its own right. It reminds me a bit of the second album (With The Beatles) in that respect — short and to the point, get in and get out.  (more…)

The Beatles For Sale – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of For Sale. We note that Words of Love is a tough track to get right: 

There are some lively, jangly guitars behind the smooth voices. Many copies seem to sacrifice one for the other, leaving you with either irritating guitars or dull voices. The better copies get them both right.

In-Depth Track Commentary

Side One

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I’m a Loser
Baby’s in Black

This song tends to be a bit dull on most pressings of the album, but on a superb copy you’ll get wonderful Tubey Magic, warmth and life.

Rock & Roll Music
I’ll Follow the Sun

It seems to us that I’ll Follow the Sun would have to be on any list of The Beatles’ very best. On a good copy the vocals are rich, sweet and delicate beyond belief.

Paul pops the mic on one word in this song — if your system has reasonable resolution and bottom end speed, you should be able to pick it out. Drop us a line if you can tell us what word it is — we’re curious to know if you heard what we heard. (more…)