Top Engineers – Norman Smith

The Beatles Rubber Soul – Listening in Depth

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Another in our series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy (or our copy) of Rubber Soul. (If you have the MoFi pressing please click on the Track Listing tab below to read about its most glaring shortcoming.)

After playing so many copies of this record over the last few years, all of us here at Better Records have come to appreciate just how wonderful an album Rubber Soul really is. It has 14 fairly compact, well-structured, well-arranged pop songs, each of which is a gem in its own right. It reminds me a bit of the second album (With The Beatles) in that respect — short and to the point, get in and get out.  (more…)

Beatles For Sale – Listening in Depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of For Sale. We note that Words of Love is a tough track to get right: 

There are some lively, jangly guitars behind the smooth voices. Many copies seem to sacrifice one for the other, leaving you with either irritating guitars or dull voices. The better copies get them both right.

In-Depth Track Commentary

Side One

No Reply
I’m a Loser
Baby’s in Black

This song tends to be a bit dull on most pressings of the album, but on a superb copy you’ll get wonderful Tubey Magic, warmth and life.

Rock & Roll Music
I’ll Follow the Sun

It seems to us that I’ll Follow the Sun would have to be on any list of The Beatles’ very best. On a good copy the vocals are rich, sweet and delicate beyond belief.

Paul pops the mic on one word in this song — if your system has reasonable resolution and bottom end speed, you should be able to pick it out. Drop us a line if you can tell us what word it is — we’re curious to know if you heard what we heard.

Mr. Moonlight
Kansas City/Hey-Hey-Hey-Hey! [Medley]

Side Two

Eight Days a Week
Words of Love

A tough track to get right. There are some lively, jangly guitars behind the smooth voices. Many copies seem to sacrifice one for the other, leaving you with either irritating guitars or dull voices. The better copies get them both right.

Honey Don’t
Every Little Thing
I Don’t Want to Spoil the Party
What You’re Doing

The transient information on this song is often just a bit smeared. On the more transparent copies you’ll be able to hear each time the piano’s hammer hits the strings. Listen for the space between the notes when the piano is playing briskly.

This track is also a good test for how punchy the bottom is. With that big drum in the intro it won’t take long for you to figure out if your copy has much deep low end.

Everybody’s Trying to Be My Baby


Further Reading

When it comes to The Beatles we make it quite clear that we have never been fans of the original Parlophone pressings, at least for their records up through The White Album. To support our case we have a number of entries in our original equals better? series. Here we debunk the conventional wisdom regarding what are the best sounding pressings for specific artists and titles.

We have a large number of entries in our Listening in Depth series.

We have a section foAudio Advice of all kinds.

You can find your very own Hot Stamper pressings by using the techniques we lay out in Hot Stamper Shootouts — The Four Pillars of Success.

And finally we’ll throw in this old warhorse discussing How to Become an Expert Listener, subtitled Hard Work and Challenges Can Really Pay Off.

Because in audio, much like the rest of life, hard work and challenges really do pay off.

AMG Review

There are some important changes on Beatles for Sale, most notably Lennon’s discovery of Bob Dylan and folk-rock. The opening three songs, along with “I Don’t Want to Spoil the Party,” are implicitly confessional and all quite bleak, which is a new development… Its best moments find them moving from Merseybeat to the sophisticated pop/rock they developed in mid-career.

The Beatles – A Collection of Beatles Oldies

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A Collection of Beatles Oldies

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  • Triple Plus (A+++) Demo Disc quality sound or very close to it on both sides; only the second copy to hit the site in many years! 
  • The overall sound here is incredibly full, rich, spacious, big and present, with zero smear
  • Amazing sound for From Me to You, We Can Work It Out, Yesterday and I Feel Fine
  • Fairly quiet vinyl throughout with both sides playing Mint Minus to Mint Minus Minus

Incredible Triple Plus (A+++) sound or close to it on both sides of this collection of singles left off the the Beatles’ British albums. As is usually the case with compilations like this, there is some variation between tracks — what works well for a track from 1963 may not quite suit a song from 1966 — but from start to finish on both sides this record strikes a MUCH better balance than others! (more…)

The Beatles Please Please Me – We Review the Mobile Fidelity Half-Speed

 

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Sonic Grade: C

Another Half Speed reviewed.

If you own the MoFi LP, do yourself a favor and buy one of our Hot Stamper pressings. (Actually any good British import pressing will do.) What’s the first thing you will notice other than correct tonality, better bass and a lot more “life” overall?

No spit! As we’ve commented elsewhere, because of the wacky cutting system they used, MoFis are full of sibilance. 

As I was playing this record many years ago, maybe by about the fifth or sixth song it occurred to me that I hadn’t been hearing the spit that I was used to from my MoFi LP. You don’t notice it when it’s not there. But your MoFi sure has a bad case of spitty vocals. If you never noticed them before, you will now. (more…)

The Beatles – Beatles ’65 – Reversed Polarity

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This is one of the pressings we’ve discovered with Reversed Polarity.

This is a Capitol Records Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP (as of 7/5/06). But there’s a catch. It only sounds good if you reverse your absolute phase. If you don’t, or can’t, forget it. 

I wrote the rave review you see below without realizing that I had reversed my headshell leads for the previous record I was playing and had forgotten to change them back. So all the nice things I said about Capitol really aren’t true: they got the phase backwards, which positively ruins the sound unless you can correct for it. I did, and was astonished at how musical the album sounded.

Do you want an AMAZING example of how phase can affect the sound of a recording? Switch back and forth on Honey Don’t, especially if you are the skeptical type like me. You will become a believer on the spot, all doubt forever banished.

I wonder how many other bad Beatle albums are phase reversed? We will report our findings as time goes on so watch for them.

This is what I initially said about the record:

This is a Minty Capitol Purple Label LP with THE BEST SOUND I have ever heard for a Capitol Beatles LP. If more of them sounded like this we wouldn’t have said all those mean and nasty things about Capitol Records for the past forty years. Yes, they still “butchered” For Sale to create this “album”, but that’s not the point. The point is this record sounds like a good Parlophone pressing — rich and sweet, with dead-on tonality. Whatever tapes Capitol may have used had plenty of that famous Beatles Analog Magic in them — you won’t hear any Beatles CDs sound like this, that I can assure you. That sound is gone and it ain’t comin’ back.

The late Capitol mastering here is Right On The Money. I don’t think they ever cut a record better. You can be sure the original Rainbow Label pressings sound as bad as you remember. I have never heard ANY original Capitol pressing that sounded like this — not even close.

The two singles mentioned below both have DREADFUL SOUND, the kind we have come to expect from Capitol. Everything else is wonderful.

“Dave Dexter, Jr. (a name which will live in infamy) “assisted” the Beatles by pulling eight tracks from Beatles for Sale, one from A Hard Day’s Night [I’ll Be Back], and both sides of the latest Beatles single (“I Feel Fine”/”She’s a Woman”) for the creation of this album.” – AMG

The Original Pressings of Beatles Albums Are the Best, Right?

beatles help label

 

Nope. It’s just another Record Myth.

Back in 2005 we compared the MFSL pressing of Help to a British Parlophone LP and were — mistakenly, as you may have already surmised — impressed by the MoFi.

Mobile Fidelity did a GREAT JOB with Help!. Help! is a famously dull sounding record. I don’t know of a single original pressing that has the top end mastered properly. Mobile Fidelity restored the highs that are missing from most copies.

The source of the error in our commentary above is in this sentence, see if you can spot it:

I don’t know of a single original pressing that has the top end mastered properly.

Did you figure it out? If you’ve spent much time on our site of course you did.
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Twin Track Stereo on Rubber Soul

Rubber Soul

 

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Assembling the latest Beatles album. Can’t see the label so can’t tell if this is the original real Parlophone (which we have never been fans of) or the original Capitol pressing with different tracks (which is equally awful).

But here is the question of the day:

How is it that none of the critics of “twin track stereo” — the two-track recording approach used on the first two albums, with the elements hard-panned left and right — has ever come clean about the obvious twin track sound of Rubber Soul? We used tracks four, five and six to test side two with, and in all three the vocals are hard panned right with most of the instruments hard-panned left. Why is it wrong for Please Please Me to sound that way — the mono mix being the critic’s choice — but fine for Rubber Soul to be heard that way?
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Listening in Depth to The Beatles – Help

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Listening in Depth

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Presenting another entry in our extensive Listening in Depth series, this time for The Beatles’ amazing fifth album, released in 1965, Help.

Much like we said about the Please Please Me Hot Stampers, on the top copies the presence of the vocals and guitars is so real it’s positively startling at times. Drop the needle on You’ve Got To Hide Your Love Away and turn up the volume — on the best copies it will be as if John and Paul were right there in your living room!

The best import copies of this album sound AMAZING, but the typical one is pretty mediocre. Most tend to be dull, with not enough extension up top, as well as thin, lacking weight and body from the lower midrange on down.


 In-Depth Track Commentary (more…)

Spending More Time With The Beatles

With The Beatles

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To find the Hottest Stampers it helps to have piles and piles of minty British pressings. And lots of time on your hands. Fortunately we have both!

This is a tough album to get to sound right, as long-time readers of our site surely know, but on a good copy it can sound wonderful. This one really delivers, with plenty of presence and energy as well as natural, balanced tonality.

So, What’s Out There?

We’ve heard copies that were smeared, murky, muddy, grainy, or all of the above. Almost all of them had no real magic in the midrange. And of course, we heard tons of copies with the kind of gritty vocals that you’ll find all over the average Parlophone Beatles pressing. So when we dropped the needle on this copy, it was nothing short of a revelation! It has the energy and the life of the music in the grooves in a way I guarantee you have never heard before.
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Beatles For Sale – Our White Hot Shootout Winner


Our White Hot Shootout Winner for 2017

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  • Off the charts “Triple Triple” (A+++) sound for the band’s classic fourth album – both sides earned our top grade of A+++
  • Superb energy and presence – the band is RIGHT THERE and full of the LIFE the best Beatles pressings always have
  • An underrated Beatles album – Allmusic gives it Five Big Stars and we like it every bit as much as they do
  • I’m A Loser, Baby’s In Black, Rock And Roll Music, I’ll Follow The Sun. Eight Days A Week, Words Of Love, Every Little Thing, I Don’t Want To Spoil The Party, What You’re Doing and 4 more – 14 tracks in all (!)

See all of our Beatles albums in stock

 

Beatles For Sale is a criminally underappreciated album, and a killer copy like this will show you exactly why. The startling presence and immediacy allow the emotional qualities of these lovely songs to really work some Beatles magic. We play a ton of these every year, but there’s a good reason you don’t see too many top copies like this one hit the site — they are just too hard to find. (more…)