Top Engineers – Martin Birch

Deep Purple – Machine Head on Rhino 180 Gram Vinyl

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More Machine Head

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Sonic Grade: F

Hall of Shame pressing. 

I’m guessing that very few people have ever heard this record sound good. The average copy is nothing special, but this one is a boring, lifeless mess so save your money.

Rhino Records has really made a mockery of the analog medium. Rhino touts their releases as being pressed on “180 gram High Performance Vinyl.” However, if they are using performance to refer to sound quality, we have found the performance of their vinyl to be quite low, lower than the average copy one might stumble upon in the used record bins.

 

 

Listening in Depth to Bare Trees, a Classic Fleetwood Mac Album from 1972

 

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Listening in Depth

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This period of Fleetwood Mac, from Kiln House (1970) through Mystery to Me (1973) — both are records I would take to my Desert Island — has always been my favorite of the band. I grew up on this stuff, and I can tell you from personal experience, having played a dozen copies of Bare Trees practically all day at some pretty serious levels, it is a positive THRILL to hear it sound so good. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than rockin’ out to the song Bare Trees.

In-Depth Track Commentary

Side One

Child of Mine

A real rocker from Danny Kirwan. If the electric piano is rich on your copy and you have some top end and space you are probably off to a very good start.

The Ghost
Homeward Bound
Sunny Side of Heaven

A wonderfully poignant, even melancholy instrumental track by Bob Welch. Not sure if that’s him on guitar but the playing is beautiful. The high point of side one. (more…)

Martin Birch Knows How to Get The Big Rock Sound on Vinyl

Martin Birch Engineered Albums with Hot Stampers

Martin Birch Engineered Albums We’ve Reviewed

 

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When you get a Hot Stamper presssing like this one, Machine Head is a True Rock and Roll Demo Disc. Since our stereo is all about playing these kinds of records, and playing them at good loud levels as nature — and the artists — intended, we had a helluva time with Machine Head.

It had the kind of presence and energy that puts most copies of this album to shame. It’s also amazingly spacious, the result no doubt of it being recorded practically live in the studio. On the best copies you can really hear the sound bouncing off the studio walls, just as you can on the best Zep, AC/DC and Bad Co. albums. You can just tell they are all playing this one live: it’s so relaxed and natural and REAL sounding.

The vocalist is no doubt in a booth, but everyone else seems to be in a lively studio. With lovely extension up top this was a very sweet copy that cried out to be turned up good and loud. The louder we played it the better it sounded! (more…)