The best sounding side ones were rarely as good as the best sounding side twos.
Even the good side ones tended to have a trace of harmonic distortion and compression that is simply nowhere to be found on the good side twos. How and why this is we have no idea. Since every copy had the same sonic issues we discounted it in our grading. Only the better copies bring the hits on side one to life and give them the size and power we know they can have. (more…)