Top Engineers – Lee Herschberg

Listening in Depth to Rickie Lee Jones

More Rickie Lee Jones

Listening in Depth

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Presenting another entry in our extensive Listening in Depth series with plenty of advice on What to Listen For (WTLF) as you critically evaluate your copy of RLJ.

On the best of the Hot Stamper copies it becomes abundantly clear just how well the string bass was recorded — assuming you like the close-miked, maximum-presence quality they were after. You hear all the fingering, the wood of the body resonating; all the stuff you could never hear live unless you were ten feet from the guy. Natural it’s not, but natural is not what most hit records are all about anyway.

Credit — or blame — belongs squarely with LEE HERSCHBERG

There’s no question that he knew exactly what he was doing, he’s the pro’s pro, so let’s give him credit for making the sound of the record really POP. (more…)

The Three – The Three (33 RPM)

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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The Three – The Three

A distinguished member of the Better Records Jazz Hall of Fame.

This White Hot stamper side two was either the equal of, or BEAT, three out of the four 45 RPM Japanese pressings in our shootout, and all the Direct Disc pressings as well. There was a time when this Demonstration Quality sound would have easily have won our shootout. We know now that it’s possible for the sound to get even better, on 45, but at the cost of two out of the six tracks.

Which simply means that if you want to hear all six songs that recorded that day by The Three, this is the best way to go. The album as a whole is so good that I would not want to live with less than the complete album, that’s for sure.

Unless you have the 45 made from these same tapes, we guarantee you have never heard a better sounding jazz record than this side two or you get your money back. And it’s not the Direct Disc. It’s better than the direct to disc. It’s live to TAPE.

The Inner City LPs are exceptionally difficult to find in quiet condition on flat vinyl. I can’t tell you how many I run across that are noisy and warped. I used to buy them off eBay but I got so many bad ones I finally just gave up and threw in the towel.

This is that rare copy that actually has decent surfaces, is not noticeably warped, and, most importantly, sounds amazing. (more…)