Top Engineers – Larry Levine

Sergio Mendes + Psych + Your Mind Will Be Blown

Stillness

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Allow me to quote a length a wonderful review from Brasil66.com before we get into What to Listen For on Stillness.

A radical departure from anything that had gone before, Stillness remains the one album that Brasil ’66 fans either love or hate. Most complaints about it center on the fact that the familiar bossa sound of the earlier records was now mostly gone.

Nonetheless, Stillness is arguably one of the most fluid albums of Mendes’ career. It takes its cue from the work of many of the singer/songwriters of the day (Carole King, James Taylor, Joni Mitchell, etc.), with thoughtful lyrics and often delicate arrangements. It is a almost a concept album, with the theme expressed in the title song — the words of which are even printed on the front cover — and an outdoorsy, peaceful feeling running through many of the other lyrics. (This feeling is also reflected in the cover photos, which were shot in a rural setting.)

Stillness is also Lani Hall’s final album with Mendes; she left the group during these sessions and was replaced by Gracinha Leporace, who does lead vocals on several songs. Standout tracks include “Chelsea Morning” and “Viramundo,” both of which contain traces of the earlier Brasil ’66 sound; “Righteous Life” and Buffalo Springfield’s “For What It’s Worth,” both of which reflect the mood of late ’60s America through their lyrics; and the very pretty “Sometimes in Winter,” featuring an elegant orchestral arrangement by Dick Hazard.

If you are looking for DEMO DISC QUALITY SOUND with music every bit as wonderful, look no further — this is the record for you.

If I had one song to play to show what my stereo can really do, For What It’s Worth on a Hot Stamper copy would probably be my choice. I can’t think of any material that sounds better. It’s amazingly spacious and open, yet punchy and full bodied the way only vintage analog recordings ever are. (more…)

Herb Alpert – Whipped Cream & Other Delights

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  • Two excellent sounding early stereo sides, each rating Double Plus (A++) or better
  • Tubey Magical, big-bottomed, punchy, spacious sound – what we’ve come to expect from Larry Levine’s engineering
  • An excellent recording with a studio crew full of pros – this is a dynamite combo on a strong copy like this!
  • Alpert’s most famous album, 5 stars on Allmusic: “Three Grammy Awards alone for the update of the Bobby Scott and Ric Marlow-penned theme “A Taste of Honey.”

We finally pulled together enough clean copies of this classic album with which to do a serious shootout. We soon found out that the better pressings can give you the kind of Tubey Magical, big-bottomed, punchy, spacious sound that we’ve come to expect from Larry Levine’s engineering for A&M. If you have any Hot Stamper pressings of Sergio Mendes & Brasil ’66’s albums then you know exactly the kind of sound we’re talking about. (more…)

Botnick and Levine Knocked This One Out of the Park

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The music is of course wonderful, but what separates Sergio from practically all of his ’60s contemporaries is the AMAZING SOUND of his recordings. Like their debut, this one was engineered by the team of Bruce Botnick and Larry Levine. Botnick is of course the man behind the superb recordings of The Doors, Love and others too numerous to mention. 

Levine is no slouch either, having engineered one of the best sounding albums on the planet, Sergio Mendes’ Stillness.

Just play the group’s amazing versions of Watch What Happens, Night and Day, or Jobim’s Wave to hear the Mendes Magic that makes us swoon. For audiophiles it just doesn’t get any better. (Well, almost. Stillness is still the Ultimate, on the level of a Dark Side of the Moon or Tea for the Tillerman, but Equinox is right up there with it.) (more…)

Sergio Mendes & Brasil ’66 – Fool on the Hill

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  • Sergio’s unique rearrangement of two songs in particular here make this a Must Own album: Scarborough Fair and The Fool On The Hill
  • We rarely have had good copies on the site up in recent years – these are tough to come by in clean condition with this kind of sound
  • 4 1/2 Stars: “Even though he had become thoroughly embedded in the consciousness of mainstream America, Mendes still managed to have it three ways, exposing first-class tunes from little-known Brazilian talent, garnering commercial hits, and also making some fine records.

Two songs in particular make this a Must Own album: Scarborough Fair and The Fool On The Hill. Both of them are given wonderfully original treatments. These songs hold their own against the originals, and that’s saying something.

Sergio took on many of the heavyweights of his day, and most of the time he succeeded in producing a uniquely satisfying version of well-known material. Superb original tracks by The Beatles, Simon and Garfunkel, Buffalo Springfield, Joni Mitchell and others were given the Sergio Mendes latin pop treatment and came out much the better for it.

What do the best Hot Stamper pressings give you? (more…)

Sergio Mendes – Look Around – Speakers Corner Reviewed

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Sonic Grade: C

We were fairly impressed with the Speakers Corner pressing of this album when it came out on Heavy Vinyl years ago. Since then we have learned a lot. Their version is okay, not bad, but by no stretch of the imagination can it compete with any Hot Stamper pressing on our site. 

Audiophile Sound to Die For

As you may have noticed, we here at Better Records are HUGE Sergio Mendes fans. Nowhere else in the world of music can you find the wonderfully diverse thrills that this group offers. We go CRAZY for the breathy multi-tracked female vocals and their layers of harmonies, the brilliant percussion, and, let us never forget, the critically important piano work and arrangements of Sergio himself. (more…)