Top Engineers – Kenneth Wilkinson

Tchaikovsky / 1812 Overture – Alwyn – Speakers Corner Reviewed

More Peter Ilyich Tchaikovsky (1840-1893)

More 1812 Overture – Alwyn

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Sonic Grade: B

Excellent, one of the best of the Deccas. Better sound by far than the Classic with Reiner, although of course the original of that record is quite good. You may get better results if you reverse your absolute phase when playing this record. It’s been a while since I did it so better to check it yourself and see how you like it each way.

Our Favorite Tchaikovsky 1812 – Alwyn on Decca

More Peter llyich Tchaikovsky (1840-1893)

1812 / Marche Slave / Alwyn

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

A BEYOND White Hot Quadruple Plus side one – hear Tchaicovsky’s 1812 in Demo Disc sound. This is the most exciting and beautifully played 1812 we know of, with the best sound ever to boot on this copy. This is an exceptional Decca remastering of a superb Golden Age recording on very good vinyl.

The WHOMP FACTOR on this side one has to be heard to be believed. If you’ve got the woofers for it this record is going to rock your world!

Strings Are Key

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can make that sound clear to you. (more…)

Mozart Symphonies No. 40 & 41 with Giulini


More Amadeus Mozart (1756-1791)

More Symphonies No. 40 & 41 / Giulini

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Full brass; full, rich, tonally correct strings; smooth higher up, never screechy — what’s not to like? It was the best side one we heard all day.

  • Superb sound on both sides for two of Mozart’s greatest symphonies
  • Exceptionally quiet Mint Minus Decca vinyl doesn’t hurt either 
  • Giulini is masterful here, bringing both of these great works to life
  • The 1965 Wilkinson sound is rich and tubey yet clear (on this copy!)

Side Two (Symphony No. 41)

This side has wonderful space and clarity. The width of the stage is greater, depth is increased as well, and the sense of ease on this side is palpable.

Remarkably transparent and energetic, the performance and the sound are hard to fault.

On a side note, the recording of the 41st consistently sounded a bit better to us than that of the 40th.

Speakers Corner

They released this very title on Heavy Vinyl in 1998; it was one of the few Speakers Corner classical recordings we used to carry and recommend.

We knew it sounded good, but up until recently, when we started collecting and playing the better Deccas and Londons, we sure didn’t know it could sound like this! (more…)

My-Fi Versus Hi-Fi

heath

 

We went wild recently over a marvelous copy of the Ted Heath record you see pictured. Talk about Tubey Magic, the liquidity of the sound was positively uncanny. This was vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve upon it.

This is our kind of sound. It’s also important to keep in mind that our stereo seemed to love the record. (Stereos do that.) Let’s talk about why that might be the case.
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Azimuth, VTA, Anti-Skate and Tracking Weight – We Got to Live Together

Azimuth,

VTA,

Anti-Skate and

Tracking Weight 

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With a shout out to my man Sly!

In this listing you can find commentary and advice about tonearm azimuth adjustment, Ansermet’s recordings, Speakers Corner 180g pressings, and more.

More of the Best Recordings Made in Victoria Hall

The Borodin title you see pictured has DEMO QUALITY SOUND OF THE HIGHEST ORDER!

One of the great London records. The performance by Ansermet is definitive, IMHO, and this recording ranks in the Top Ten Decca/ Londons I’ve ever heard.

The powerful lower strings and brass are gorgeous. Ansermet and the Suisse Romande get that sound better than any performers I know. You will see my raves on record after record of theirs produced in this era. No doubt the wonderful hall they record in is the key. One can assume Decca engineers use similar techniques for their recordings regardless of the artists involved. The only real variable should be the hall. Ansermet’s recordings with the Suisse Romande have a richness in the lower registers that is unique in my experience. His Pictures At Exhibition has phenomenally powerful brass, the best I’ve ever heard. The same is true for his Night On Bald Mountain. Neither performance does much for me — they’re both too slow — but the sound is out of this world. Like it is here.

One of the reasons this record is sounding so good today (1/12/05) is that I spent last weekend adjusting my Triplanar tonearm. The sound was bothering me somewhat, so I decided to start experimenting again with the azimuth adjustment. I changed the azimuth in the smallest increments I could manage, which on this turnable are exceedingly small increments, until at some point the bass started to go deeper, dynamics improved, and the overall tonal balance became fuller and richer. Basically the cartridge was becoming perfectly vertical to the record. I don’t think this can be done any other way than by ear, although I don’t know that for a fact. (more…)

Bernard Herrmann’s Amazing Citizen Kane & Other Classic Film Scores Album


Our White Hot Shootout Winner for 2018

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  • Amazing Triple Plus (A+++) sound on the first side 0for the Citizen Kane Suite!) and Double Plus (A++) on the second; one of the best copies to hit the site in many years
  • The brass is huge on Citizen Kane, with accurate timbre – side two offers rich strings and a powerful, weighty piano for the Concerto Macabre
  • By far the single best Bernard Herrmann disc we know of – A Must Own for any serious audiophile
  • After playing records for 50+ years this is still some of the most emotionally moving music I’ve ever heard

See all of our Bernard Herrmann albums in stock

Presenting two insanely good sides back to back on this domestic RCA pressing. Both sides have tons of energy, loads of detail and texture, superb transparency and excellent clarity. This is the very definition of DEMO DISC sound.

The Citizen Kane Suite on this album is to die for — BIG, BOLD, DYNAMIC sound like few records you own. It’s real desert island disc for me. (The CD by the way is actually quite good. I have it in the car and play it often.) (more…)

Ted Heath – Shall We Dance – Absolutely Amazing Sound (and We Love the Music Too)

Some sections on our site are hard to find. Here’s one with lots of cool records in it:

Forgotten Jazz Classics

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Ted Heath – Shall We Dance

A distinguished member of the Better Records Jazz Hall of Fame.

One of the best sounding records we have ever played, the Gold Standard for Tubey Magical Big Band. Both sides are huge, rich, weighty and dynamic like few records you have ever heard. Three elements create the magic here: Kingsway Hall, Kenneth Wilkinson and the Decca “Tree” microphone setup.

More Big Band Jazz

Years ago we wrote in another listing “We had a copy of Heath’s Shall We Dance not long ago that had some of the biggest, richest, most powerful sound I have ever heard. Watch for Hot Stampers coming to the site soon.” Well, now they’re here, and this copy fulfills the promise of the album like no copy we have ever played.

DEMO DISC SOUND barely begins to do this one justice. This is Audiophile Quality Big Band sound to beat them all. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree” microphone setup.

Unlike some of the American big band leaders who were well past their prime by the advent of the two-channel era, Heath is able to play with all the energy and verve required for this style of music. He really does “swing in high stereo” on these big band dance tunes. (more…)

The Music of Peter Ilyich Tchaikovsky (1840-1893)

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Click HERE to see the records we currently have on the site with the music of Tchaikovsky.

Click HERE to see the records with Tchaikovsky’s music that we’ve done Hot Stamper shootouts for (a substantially larger group as you can imagine).


On the better copies of the album pictured above, the lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)