Top Engineers – Kenneth Wilkinson

Sibelius / Symphony #2 / Barbarolli

More of the music of Jean Sibelius (1865-1957)

Symphony #2 / Barbarolli

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiesecece (if I can get by with that ten cent word).

The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages.

My notes mention that it’s rich and tubey but clear and lively; big, with great energy, and lastly, superbly spacious and never harsh or shrill. (It can be a bit dark in places; as you know this is much preferable to the alternative.)

About as close to live music as I think this piece can sound in my listening room. (more…)

Elgar / Enigma Variations / Monteux / LSO – Reviewed in 2005

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More Enigma Variations / Monteux / LSO – 2005

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Near Demo quality. Outstanding sound. One of the best Enigma Variations around. The Brahms on the second side is also a treat. Better than the LSC if my experience from many years ago still holds up. 

See more recordings engineered by Kenneth Wilkinson
See more recordings made in Kingsway Hall

Our Favorite Tchaikovsky 1812 – The Alwyn Performance on Decca

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1812 / Marche Slave / Alwyn

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

A BEYOND White Hot Quadruple Plus side one – hear Tchaikovsky’s 1812 in Demo Disc sound. This is the most exciting and beautifully played 1812 we know of, with the best sound ever to boot on this copy. This is an exceptional Decca remastering of a superb Golden Age recording on very good vinyl.

The WHOMP FACTOR on this side one has to be heard to be believed. If you’ve got the woofers for it this record is going to rock your world!

Strings Are Key

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can make that sound clear to you. (more…)

Ted Heath – Swings In High Stereo

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More Swings In High Stereo

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A distinguished member of the Better Records Jazz Hall of Fame.

This Super Hot Stamper has DEMO QUALITY SOUND. Just listen to Heath’s arrangement of My Funny Valentine on side one, or Big Ben, the second track on side two, for audiophile Big Band sound. Many consider Ted Heath’s early London recordings to be some of the best big band ever recorded. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree.”

Unlike some of the American big band leaders who were well past their prime by the advent of the LP era, Heath is able to play with all the energy and verve required for this music. He really does swing in high stereo.  (more…)

One of Our Favorite Engineers – Kenneth Wilkinson

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More Our Favorite Engineers

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KENNETH WILKINSON is one of our favorite engineers. Click on the link to find our in-stock Kenneth Wilkinson engineered albums, along with plenty of our famous commentaries. 

Recordings made in Kingsway Hall

Mahler’s Symphony No. 4 with Solti on Decca/London

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More Symphony No. 4 – Solti

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Deep bass; rich, smooth strings, lots of lovely hall space – this copy was right up there with the best we heard, and clearly won the shootout for side two. You will hear immediately why this side two could not be beat – it’s wonderful. (more…)

Tchaikovsky / 1812 Overture – Alwyn – Speakers Corner Reviewed

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More 1812 Overture – Alwyn

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Sonic Grade: B

Excellent, one of the best of the Deccas. Better sound by far than the Classic with Reiner, although of course the original of that record is quite good. You may get better results if you reverse your absolute phase when playing this record. It’s been a while since I did it so better to check it yourself and see how you like it each way.

Mozart Symphonies No. 40 & 41 with Giulini


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More Symphonies No. 40 & 41 / Giulini

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

Full brass; full, rich, tonally correct strings; smooth higher up, never screechy — what’s not to like? It was the best side one we heard all day.

  • Superb sound on both sides for two of Mozart’s greatest symphonies
  • Exceptionally quiet Mint Minus Decca vinyl doesn’t hurt either 
  • Giulini is masterful here, bringing both of these great works to life
  • The 1965 Wilkinson sound is rich and tubey yet clear (on this copy!)

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My-Fi Versus Hi-Fi

heath

 

We went wild recently over a marvelous copy of the Ted Heath record you see pictured. Talk about Tubey Magic, the liquidity of the sound was positively uncanny. This was vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve upon it.

This is our kind of sound. It’s also important to keep in mind that our stereo seemed to love the record. (Stereos do that.) Let’s talk about why that might be the case.
(more…)

Azimuth, VTA, Anti-Skate and Tracking Weight – We Got to Live Together

Azimuth,

VTA,

Anti-Skate and

Tracking Weight 

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With a shout out to my man Sly!

In this listing you can find commentary and advice about tonearm azimuth adjustment, Ansermet’s recordings, Speakers Corner 180g pressings, and more.

More of the Best Recordings Made in Victoria Hall

The Borodin title you see pictured has DEMO QUALITY SOUND OF THE HIGHEST ORDER!

One of the great London records. The performance by Ansermet is definitive, IMHO, and this recording ranks in the Top Ten Decca/ Londons I’ve ever heard.

The powerful lower strings and brass are gorgeous. Ansermet and the Suisse Romande get that sound better than any performers I know. You will see my raves on record after record of theirs produced in this era. No doubt the wonderful hall they record in is the key. One can assume Decca engineers use similar techniques for their recordings regardless of the artists involved. The only real variable should be the hall. Ansermet’s recordings with the Suisse Romande have a richness in the lower registers that is unique in my experience. His Pictures At Exhibition has phenomenally powerful brass, the best I’ve ever heard. The same is true for his Night On Bald Mountain. Neither performance does much for me — they’re both too slow — but the sound is out of this world. Like it is here.

One of the reasons this record is sounding so good today (1/12/05) is that I spent last weekend adjusting my Triplanar tonearm. The sound was bothering me somewhat, so I decided to start experimenting again with the azimuth adjustment. I changed the azimuth in the smallest increments I could manage, which on this turnable are exceedingly small increments, until at some point the bass started to go deeper, dynamics improved, and the overall tonal balance became fuller and richer. Basically the cartridge was becoming perfectly vertical to the record. I don’t think this can be done any other way than by ear, although I don’t know that for a fact. (more…)