Top Engineers – Ken Scott

Supertramp – Crime of the Century – Ken Scott’s Producing / Engineering Masterpiece

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Yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

AMAZING White Hot Stampers for the greatest KEN SCOTT production in history. This is his (and the band’s) MASTERPIECE, and now we have a pressing that allows us to revel in the GLORY that is Crime of the Century! 

This killer copy rates A+++ on BOTH sides. Wow is the only word I can think of to describe it. (more…)

David Bowie – Pin-Ups – Forget the Original British Pressings

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We just finished our biggest-ever shootout for this fun Bowie album and this one was DRAMATICALLY better than most other copies. We played copies from all over the world — England, Germany, France, Canada, and the good ol’ USA — and heard all kinds of bad sound.

So what were the worst copies we heard? Hands down it was the British Originals, believe it or not. They tend to be dull, thick, and lifeless — not a good match for this punky, energetic material. [We have since found some very good sounding Brit originals but, that said, to date they have never won a shootout.]

On the other side, many of the other copies we heard were bright and grainy. It’s very tough to find a copy that strikes a balance, but we finally managed to dig up a handful that did the job. (more…)

Harry Nilsson – Son of Schmilsson – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We had a great time shooting out a big stack of these, as we’re just wild about Harry here at Better Records. Unfortunately, most copies out there are too dark and grainy to get all that excited about. Here’s a copy that tells a much different story —both sides have good energy, smooth and sweet vocals, and nice extension up top. Drop the needle on Turn On Your Radio or The Lottery Song and we bet you fall in love with this one!

What Shootout Winning sides such as these have to offer is not hard to hear:

  • The biggest, most immediate staging in the largest acoustic space
  • The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1971
  • Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
  • Natural tonality in the midrange — with all the instruments having the correct timbre
  • Transparency and resolution, critical to hearing into the three-dimensional studio space

No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above

Ken Is The Man

It’s yet another triumph from one of our favorite engineers, KEN SCOTT (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century and many more).

This is one of Nilsson’s best albums, sonically and musically. (With Ken Scott at the board at Trident Studios the sound has to be good, doesn’t it?) Side one is amazingly good from start to finish. On the two CD set of Nilsson’s greatest hits (which is excellent, by the way) almost all of side one from this album is used, as well as the best material on side two here, which includes Spaceman and The Most Beautiful World In The World. In other words, this album has more than half a dozen of the best songs Nilsson ever wrote.

Nilsson Schmilsson and the album simply titled Harry are the other two superb Nilsson records that I highly recommend. Harry is my favorite of all his albums, maybe because it was so different from anything that I’d ever heard up to that point. A Little Touch… is also a personal favorite — standards done in the Nilsson style — is wonderful.

By the way, if the documentary Who Is Harry Nilsson (and Why Is Everybody Talkin’ About Him?) is on the box, you should definitely check it out. Most of us here have seen it by now and it’s a ton of fun. (more…)

Elton John – Honky Chateau – Our Shootout Winner from 2007

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This British Import Honky Chateau is THE BEST SOUNDING COPY WE’VE EVER HEARD — BY FAR! We just finished a big shootout for this wonderful album, and this copy took top honors with MASTER TAPE SOUND!

This has to be one of the best sounding rock records of all time — certainly worthy of a spot on our Top Rock LPs List. A Hot Stamper copy like this really tells you why. The highs are silky sweet, the vocals are full-bodied and breathy, and the tonal balance is perfection from top to bottom. (more…)

Supertramp – Crime of the Century – Loud Levels and Big Woofers

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Yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

The bass on the best copies is AWESOME. Playing a Hot Stamper copy at loud levels with big woofers will have your house quaking. Add to that the kind of ENERGY that the better pressings have in their grooves and the result is an album guaranteed to bring most audiophile systems to their knees, begging for mercy. 

This is The Audio Challenge that awaits you. If you don’t have a system designed to play records with this kind of SONIC POWER, don’t expect to hear Crime of the Century the way Ken and the boys wanted you to. The album wants to rock your world, and that’s exactly what our Hot Stamper pressings are capable of doing.

The typical Brit copy is dull, and that quality just takes all the magic out of the recording. The three dimensional space and clarity of the recording rely heavily on the quality of the top end. The MoFi, on the best copies, shows you what is missing from the typical Brit, domestic or other import LP. This is what impressed me back in the ’70s when I bought my MoFi. It was only years later that I realized what was missing and what was wrong. (more…)

Mary Hopkin – Post Card

Mary Hopkin – Post Card

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

This British original pressing has a White Hot side two and a nearly White Hot side one. Side two is unbelievably huge and open in a way that no other side of any copy could touch. It’s taken us close to ten years to find enough clean copies with which to do this shootout. Engineered by Ken Scott, Donovan’s “Lord of the Reedy River” is simply amazing on this copy.    (more…)

Elton John – Don’t Shoot Me, I’m Only The Piano Player

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

The tonality here is rich, tubey and warm. It doesn’t get thick or murky as many copies have a tendency to do.

The amazing engineer KEN SCOTT (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the sound here.

The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s as well as here at a certain French country estate have never been equaled elsewhere in our opinion. (more…)

George Harrison – All Things Must Pass

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All Things Must Pass

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

To say that this one has been a long time coming would be an understatement! FINALLY, an incredible sounding copy of All Things Must Pass. Stunning shootout winning Triple Plus (A+++) sound on all six sides (!).  

It’s also worth mentioning that this is one of the nicer boxes we’ve come across for this title. It’s the thicker box which has stood the test of time a little better than the narrower version. Those are usually in pretty poor shape and we should know because we have a bunch of problematical boxes sitting right here. (more…)

America’s Debut – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame

TUBEY MAGICAL practically MASTER TAPE SOUND on side one! A good sounding copy of this album is a real treat; a superb sounding copy like this one is an EXPERIENCE! We’ve been playing this album for years but I cannot recall a copy with a more extended top end than the ones here. The transparency is off the charts. Side one is natural, relaxed, musical, sweet, tonally correct from top to bottom and overflowing with Tubey Magic.

These green label Warner Brothers originals — like most records — are sonically all over the map. The biggest problem these pressings suffer from is a lack of extreme top to provide harmonics for the guitars. On the average copy the guitars are veiled and dull.

Equally problematic is smear, the loss of transient information. The best copies have guitars that are being played by fingers, with the subtle plucking of same naturally followed by the note produced. So many copies just present you with the note. You don’t really notice what’s missing until you hear a good pressing and suddenly you are aware of the players and their fingers making these sounds. This is one of the main qualities that we listened for to separate the winners from the also-rans. (more…)

Listening for Harmonically Correct Acoustic Guitars on America’s Debut

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Another in our series of Home Audio Exercises.

The guitars on this record are a true test of stereo fidelity. As it says below, most of the pressings of this record do not get the guitars to sound right. They often sound veiled and dull, and on a copy with a bit too much top end they will have an unnatural hi-fi-ish sparkle.

(This kind of sparkle can be heard on practically every record Mobile Fidelity made in the ’70s and ’80s. Tea for the Tillerman, Sundown, Year of the Cat, Finger Paintings, Byrd at the Gate, Quarter Moon in a 10 Cent Town — the list would be very long indeed, and these are just the records with prominent acoustic guitars!) 

The key song on side one that we use to test is Three Roses. There are three sonically-separated individuals each playing six string acoustic guitars, and when this side is cut right the guitars sound just gorgeous: sweet, with all their harmonic structures intact. (It’s also my favorite song on side one.) (more…)