Top Engineers – Ken Scott

Lou Reed – Transformer

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  • Excellent sound for Lou Reed’s Glam Rock Classic, Transformer — Double Plus (A++) or BETTER on both sides
  • Here is an import pressing with the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce
  • Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock
  • “… Bowie and Ronson gave their hero a new lease on life — and a solid album in the bargain.” – All Music

Transformer is an absolute tour de force of ’70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair!), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott. (more…)

America’s Phenomenal Debut on a Phenomenally Good Sounding Pressing

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  • An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it on both sides
  • One of our favorite Hippie Folk Rock albums – the instruments and voices seem to be right in your listening room
  • The Tubey Magical acoustic guitars on this record are a true test of stereo reproduction – thanks Ken Scott!
  • “America’s debut album is a folk-pop classic, a stellar collection of memorable songs that would prove influential on such acts as the Eagles and Dan Fogelberg…”

This is clearly America’s best album, and on the better pressings like this one the sound is worthy of Demo Disc status. You’ll find the kind of immediacy, richness and harmonic texture that not many records (and even fewer CDs) are capable of reproducing.

The version we are offering here has the song A Horse With No Name. Some copies without that song can sound very good as well, but with grades these good this copy is going to be very hard to beat.

Interestingly A Horse With No Name never sounds quite as good as the rest of the album. It was recorded after the album came out in 1971 and added to later pressings starting in 1972. Unlike the rest of the album, it was not engineered by Ken Scott at Trident, but by a different engineer at Morgan Studios. (more…)

Ken Scott Is One of Our Top Five Favorite Engineers

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KEN SCOTT is one of our favorite record engineers and producers. Click on the link to find the albums on our site that Ken worked on, along with plenty of our commentaries about the sound of his recordings. 

Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the sound of many of our All Time Favorite Albums here at Better Records.

The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s has never been equaled elsewhere in our opinion.

In 2008 I had the opportunity to hear Ken speak at an AES meeting here in Los Angeles. I won’t bore you by trying to recap his talk, but if it ever comes out on youtube or the like, you should definitely check it out. The Behind-The-Scenes discussion of these artists and their recordings was a thrill for someone like me who has been playing and enjoying the hell out of most of his albums for more than thirty years.

Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts).

The Beatles White Album – Listening in Depth

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Another in our series of Home Audio Exercises with plenty of What to Listen For (WTLF) tips. 

It’s exceedingly difficult to find audiophile quality sound on The White Album. The Beatles were breaking apart, often recording independently of each other, with their own favorite engineers as enablers, and George Martin nowhere to be found most of the time. They were also experimenting more and more with sound itself, which resulted in wonderful songs and interesting effects. However, these new approaches and added complexity often result in a loss of sonic “purity.”

Let’s face it, most audiophiles like simplicity: A female vocal, a solo guitar — these things are easy to reproduce and often result in pleasing sound, the kind of sound that doesn’t take a lot of expensive equipment or much effort to reproduce.

Dense mixes with wacky EQ are hard to reproduce (our famous Difficulty of Reproduction Scale (DORS) comes into play here), and the White Album is full of that sound, taking a break for songs like Blackbird and Julia.

Some of the Tubey Magic that you hear on Pepper is gone for good. (Play With a Little Help from My Friends on a seriously good Hot Stamper to see what has been lost forever.)

TRACK LISTING

Side One

Looks at the lineup for side one. Is there a rock album on the planet with a better batch of songs?

Having done shootouts for the White Album by the score, we can also say with some certainty that side one is the most difficult side to find White Hot stamper sound for. It’s somewhat rare to find a side one that earns our top Triple Plus (A+++) sonic grade, even when all the other sides do. (Actually what happens more often than not is that we take the best second discs and mate them with the best first discs to make the grades consistent for the whole album. But don’t tell anybody.) (more…)

Honky Chateau – A Classic from Elton John

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  • An outstanding copy of this classic album, rating exceptionally good Double Plus (A++) grades on both sides
  • Honky Chateau contains some of the most Tubey Magical High-Production-Value rock music ever recorded – thanks Ken Scott!
  • Not the quietest copy we’ve ever played – Mint Minus Minus to EX++ on both sides – but obviously one of the better sounding
  • 5 stars: “The most focused and accomplished set of songs Elton John and Bernie Taupin ever wrote … It’s one of the finest collections of mainstream singer/songwriter pop of the early ’70s.” 

If you doubt that Elton John was a kind of Pop Music Genius for much of the ’70s, just play this record. These eleven tracks should easily serve as all the proof you need. There’s not a dog in the bunch. Drop the needle on any track, you simply can’t go wrong.

We go years between shootouts for Honky Chateau. It’s beyond difficult to find clean British copies of this album with the right stampers, let alone copies that have Hot Stamper sound. Few albums are tougher for us to find with great sound and quiet vinyl. Most of the copies we buy from record dealers in England are noisy and only a fraction of them have the kind of sound that serious audiophiles are going to pay good money for.

Superb Music, Amazing Sound

This has to be one of the best sounding rock records of all time — certainly worthy of a prized spot on our Rock and Pop Top 100 List. It’s a shining example of just how good High-Production-Value rock music of the ’70s can be. (more…)

Ken Scott Is One of Our Favorite Engineers

More of Our Favorite Engineers

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KEN SCOTT is one of our favorite record engineers and producers. Click on the link to find the albums on our site that Ken worked on, along with plenty of our commentaries about the sound of his recordings. 

Ken Scott (Ziggy Stardust, Magical Mystery Tour, Honky Chateau, Crime of the Century, Truth, Birds of Fire) is the man responsible for the sound of many of our All Time Favorite Albums here at Better Records.

The kind of Tubey Magical richness, smoothness and fullness he achieved at Trident in the early ’70s has never been equaled elsewhere in our opinion.

In 2008 I had the opportunity to hear Ken speak at an AES meeting here in Los Angeles. I won’t bore you by trying to recap his talk, but if it ever comes out on youtube or the like, you should definitely check it out. The Behind-The-Scenes discussion of these artists and their recordings was a thrill for someone like me who has been playing and enjoying the hell out of most of his albums for more than thirty years.

Many can be found in our Rock and Pop Top 100 List of Best Sounding Albums with the Best Music (limited to titles that we can actually find sufficient copies of with which to do our Hot Stamper shootouts).

See more entries in our Favorite Engineers series

Elton John – Don’t Shoot Me, I’m Only The Piano Player

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  • Amazing Triple Plus (A+++) sound on the first side and Double Plus (A++) on the second
  • Spacious, musical and lifelike, this is a truly superb pressing!
  • Thanks to Ken Scott’s brilliant engineering and Gus Dudgeon’s production savvy, every song here sounds better than you imagined
  • 4 stars in the AMG: “His most direct, pop-oriented album… a very enjoyable piece of well-crafted pop/rock.”

It’s not easy to find great copies of this album, but this one absolutely nails it! It’s dynamic, energetic and full of tubey magic, and most importantly, the vocals and piano sound JUST RIGHT. The overall sound is rich, smooth, and sweet.  (more…)

Another Harry Nilsson Must Own Album (Which Makes Four for Those of You Keeping Score at Home)

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  • Amazing Shootout Winning Triple Plus (A+++) As Good As It Gets sound on both sides – maybe the best copy to ever hit the site
  • You can thank Ken Scott for his Tubey Magical engineering and Richard Perry for his Big As Life production approach – this is our kind of sound!
  • It’s one of Harry Nilsson’s four Must Own albums – for both sonics and music this copy is going to be very hard to beat
  • “… a fantastic set of songs that illustrate what a skilled, versatile songsmith Nilsson was… if you appreciate Nilsson’s musicality and weirdo humor, he never got any better.” – All Music

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Truth – Jeff Beck’s Amazingly Well Recorded Masterpiece

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A distinguished member of the Better Records Rock Hall of Fame.

One of the most surprising things we learned during this shootout was how well recorded the album is. It’s yet another triumph from one of our favorite engineers, KEN SCOTT.

An interesting bit of trivia: most side twos earned a sonic grade that was a full plus higher than any given copy’s grade for side one. Side two most of the time just plain sounds better than side one, so when evaluating your copy be sure to check side two first to hear what is probably going to be the best sound on the album. 

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album. (more…)

Crisis? What Crisis? The Exception that Probes the Rule

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[This is an old commentary from about ten years ago so take it with a grain of salt. The best domestic pressings kill this audiophile record. That said, the better half-speed copies are actually surprisingly good.

This Hot Stamper A&M Half Speed of Supertramp – Crisis? What Crisis? today joins a VERY ELITE GROUP: Half-Speeds that hold their own in a head to head shootout against some of the BEST Hot Stamper Non-Audiophile pressings we can find. There are presently a total of three titles that fit the description: Dark Side of the Moon on MoFi, Crime of the Century on MoFi, and this title on A&M.

Most half-speed mastered records we throw on our table have us scratching our heads and asking, What the hell were they thinking? They SUCK! Tubby bass, recessed mids, phony highs, compression — the list of bad qualities they almost all have in common is a long one. Playing these kinds of records on a properly set-up modern system is positively painful.
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