Top Engineers – Eddie Kramer

Listening in Depth to Led Zeppelin – Houses of the Holy

More Led Zeppelin

More Houses of the Holy

Listening in Depth

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You really get an understanding of just how much of a production genius Jimmy Page was when you listen to a copy of Houses with the kind of resolution and transparency found on our best copies. To take just one example, just listen to how clearly the multi-tracked guitars can be heard in the different layers and areas of the soundstage. On some songs you will have no trouble picking out three, four and even more guitars playing, each with its own unique character.

This clarity allows you to recognize — perhaps for the first time — the special contribution each makes to the finished song.

In-Depth Track Commentary

Side One

The Song Remains the Same
The Rain Song

Check out the guitars — the sound should be warm, sweet and delicate. There are some dead quiet passages in this song that are almost always going to have some surface noise. Most copies start out a bit noisy but almost always get quieter as the music goes along.

Over the Hills and Far Away

This is a great test track for side one. It starts with lovely acoustic guitars before the Monster Zep Rock Chords come crashing in. If both parts of the song sound correct and balanced, you more than likely have a winner. And the bigger the dynamic contrast between the parts the better.

Turn your volume up good and high in order to get the full effect, then stand back and let the boys have at it.

The Crunge (more…)

The Dirty Little Secret of the Record Biz Part 3

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Hits That Are Made from Dub Tapes

The sound of some songs on some greatest hits albums can be BETTER than the sound of those very same songs on the best original pressings.

How can that be you ask, dumbfounded by the sheer ridiculousness of such a statement? Well, dear reader, I’ll tell you. It’s a dirty little secret in the record biz that sometimes the master for the presumptive Hit Single (or singles) is pulled from the album’s final two track master mix tape and used to make the 45 single, the idea being that the single is what people are going to hear on the radio and want to buy, or, having heard it sound so good on the radio, go out and buy the album. One way or another, it’s the single that will do the selling of the band’s music. This is clearly the case with the albums of Traffic.
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