- An excellent sounding copy of Basie’s 1983 release, with outstanding Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful session from 1983, this is the only way to go
- This is the Basie Big Band album that came out right after 88 Basie Street, a hard act to follow – top engineering by Dennis Sands
- “… recorded only a little more than a year before his death. However, the spirit of this music (helped out by some Ernie Wilkins) arrangements) make Count Basie seem ageless.”
- This outstanding pressing, only the second copy to EVER hit the site, boasts outstanding Double Plus (A++) sound from first note to last
- Huge and powerful, Basie’s horns are really blastin’ on this copy
- Sassy’s remarkable vocal range and flexibility are on full display here, singing favorites including “I Got A Right To Sing The Blues,” “When Your Lover Has Gone,” and, of course, the title track
- “Sarah Vaughan is accompanied by her regular rhythm section of the early ’80s, guitarist Freddie Green, and the Count Basie horn sections on this enjoyable date… Sassy is in superb form…” – Allmusic
A wonderful recording by one of our favorite engineers, Dennis Sands, the man behind the amazing Basie album, Farmers Market Barbecue. (more…)
Musically FMB is a Top Basie Big Band title in every way. This should not be surprising: many of his recordings for Pablo in the ’70s and early ’80s display the talents of The Count and his band of veterans at their best.
Sonically it’s another story. Based on our recent shootout for this title, in comparison to the other Basie titles we’ve done lately we would have to say that FMB is the best Basie big band title we’ve ever played. Since so many Basie big band recordings are so good, we don’t want to get ahead of ourselves; after all, we haven’t done shootouts for all of his Pablo large group recordings. To be safe we’ll just call this one First Among Equals.
The following are some general guidelines as to What to Listen For (WTLF) while you critically evaluate any of the Basie Big Band Pablo recordings (or any other big band recordings for that matter).
Simply put, we offer here a short list of qualities that we’ve come to appreciate on the best of the Basie Big Band pressings, qualities that we find are often in short supply on lesser LPs (and, as a rule, those that have been remastered onto Heavy Vinyl). (more…)