GENESIS AT LAST! Here’s an amazing Trick Of the Tail that absolutely blows the typical pressing out of the water! The sound is BIG, BOLD and OPEN, breaking free from the grainy and cloudly qualities that screw up the average copy.
It was a thrill to finally hear this album sound great after all these years. The cymbals are clean and silky, the vocals are present, the bass has real weight and the overall sound is balanced and natural! You’ve got to clean and play a TON of copies to have any hope of finding one that’d come anywhere near this one.
At the end of the second track on side one, Entangled, there is a wonderful sounding choral effect which Alan Parsons liked so much he decided to use it liberally on his own recordings. He’s famous for having admitted to analyzing classic rock records, then taking the best bits and pieces, cobbling them together and producing the “music” that he is known for. I prefer the original bits and pieces myself. (more…)
With three White Hot shootout winning sides and one Super Hot side, the four sides of these 2 LPs will show you a GYBR you never imagined could exist. We certainly never expected to hear it sound like this, I can tell you that. I’ve never begun to hear these songs have the energy, presence and rock and roll POWER that they do here.
The most obvious problems with the sound of this album are those common to most rock records of the era: lack of presence and top end, too much compression / congestion, smear, lack of weight from the lower mids on down — we hear tons of Classic Rock records with this litany of shortcomings.(more…)
To say that this one has been a long time coming would be an understatement! FINALLY, an incredible sounding copy of All Things Must Pass. Stunning shootout winning Triple Plus (A+++) sound on all six sides (!).
It’s also worth mentioning that this is one of the nicer boxes we’ve come across for this title. It’s the thicker box which has stood the test of time a little better than the narrower version. Those are usually in pretty poor shape and we should know because we have a bunch of problematical boxes sitting right here.(more…)
We had a White Hot stamper listing a while back with these comments featured prominently in the description:
This is BY FAR the best sounding Goodbye Yellow Brick Road to ever hit the site, and BY FAR the best sounding copy we have ever played here at Better Records. And for those of you who think that the early stampers must be the best, note that this killer copy had no side with a stamper under three. How about them apples? As we like to say, screw all that Platonic thinking; we find the empirical approach of playing the records works a whole lot better, thank you very much.
We certainly never expected to hear it sound like this, I can tell you that. I’ve never begun to hear these songs have the energy, presence and rock and roll POWER that they do here.(more…)
An outstanding early British pressing with big, bold Double Plus (A++) sound from first note to last
There’s real Tubey Magic on this album, along with breathy vocals, in-your-listening-room midrange presence and no shortage of rock and roll energy
Overflowing with great songs, way too many to list – Candle In The Wind, Bennie And The Jets, and GYBR all sound killer here
A Top 100 Title: “…its individual moments are spectacular and the glitzy, crowd-pleasing showmanship that fuels the album pretty much defines what made Elton John a superstar in the early ’70s.”
NOTE: The two discs in this set have slightly different labels. We have learned from our research that this is actually the way some sets were produced, so even though the labels are mismatched, this is in fact an authentic early British release.
GYBR has the best rocker Elton and Bernie ever wrote: Saturday Night’s Alright for Fighting. Of course, it’s one of the tracks on side four we used to test with — if you’re going to listen to GYBR all day, why not play the songs that are the most fun to play? On the good pressings, the song just KILLS.(more…)
The last time I played the MoFiI could not believe how ridiculously COMPRESSED it was. On top of that, the midrange is badly sucked out (as is the case with most MoFi’s) making the sound as dead as dead can be. You think 180 gram records are lifeless? Play this piece of crap and see just how bad an audiophile record can sound.
And to think I used to like this version! I hope I had a better copy back in the ’80s than the one I played a few years ago. I’ll never know of course. If you have one in your collection give it a spin. See if it sounds as bad as we predict it will.
To say that this one has been a long time coming would be an understatement! FINALLY, an incredible sounding copy of All Things Must Pass
Superb Double to Triple Plus (A++ to A+++) sound on the fifth side and Double Plus (A++) sound on the remaining five sides — wonderfully big, full and Tubey Magical yet still clean and clear with tons of space and a lovely bottom end
“Without a doubt, Harrison’s first solo recording, originally issued as a triple album, is his best.” – All Music
Tubey Magic Is Key
This original British pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
If you have the Direct Disc Labs half-speed you have one truly awful record in your collection, so sucked out in the midrange, so compressed everywhere, what the hell were they thinking making this rockin’ album sound like that? It’s positively disgraceful. It makes MoFi look like they knew what they doing, and we know that sure isn’t true.
In truth we did not actually have a copy of the MoFi handy for this shootout, but in our defense let us just say that we’ve heard their pressing many times over the course of the last twenty years. It’s better than the DD Labs version but not good enough for me to want to play it — compressed and sucked-out like practically every record they ever made, just not as badly as the DD Labs version.(more…)
Hey, they really did a good job with this one. We are going to listen to it again at a later date to see if our initial impressions were correct [I guess by now it should be clear that we are never going to do that, sorry], but it sure sounded good to us when we played it recently during our big GYBR shootout.
I’m guessing no domestic copy can beat it, and certainly no audiophile half-speed mastered pressing can hold a candle to it; those records are pretty awful.(more…)