A distinguished member of the Better Records Rock and Pop Hall of Fame.
WONDERFUL JAZZ / FUNK / SOUL SOUND from start to finish! We just finished our first big shootout for this fun album — the All Music Guide calls it “a magical ride with plenty of surprises to keep the listener on his or her toes” and we couldn’t agree more! This copy gives you punchy bass, airy flutes, hard-hitting percussion and loads of Tubey Magic. Most copies we played had too much hardness, edge, and honk, but this one is smooth, sweet and rich.
Engineered by the brilliant Chris Huston, this recording displays all his trademark gifts. His mixes feature lots of bass; huge, room-filling choruses that get loud without straining or becoming congested; and rhythmic energy that few pop recordings could lay claim to in 1972.
As for the choruses, allow me to paraphrase our listing from Commoner’s Crown.
This is one of the rare pop/rock albums that actually has actual, measurable, serious dynamic contrasts in its levels as it moves from the verses to the choruses of many songs. The first track on side two, Four Cornered Room, is a perfect example. Not only are the choruses noticeably louder than the verses, but later on in the song the choruses get REALLY LOUD, louder than the choruses of 99 out of 100 rock/pop records we audition. It sometimes takes a record like this to open your ears to how compressed practically everything else you own is.