A distinguished member of the Better Records Rock and Pop Hall of Fame.
TWO AMAZING SIDES, both clocking in at or just shy of our top grade of A+++! The typical pressing doesn’t sound anywhere near this good — which is a shame, because when you get a White Hot Stamper copy like this, the music is a lot of fun.
A+++, absolutely As Good As It Gets! The bottom end is solid and punchy, the top is open and transparent, and there’s plenty of fullness and presence in the mids. Nothing else in our shootout could compare to this one!
A++ to A+++, very nearly as good as side one! The life and energy here are off-the-charts. Pay particular attention to the drums — it’s a rare copy that reproduces them with this kind of snap and punch!
The average copy is way too compressed, which kills the highs (by making the cymbals aggressive) and the vocals too midrangy. When you’ve got a copy of Eddie Money’s debut album that’s doing what it’s supposed to, you know it quickly. The highs are sweet and extended, the vocals are present, but without any spit or strain, and there is solid bass and low end propelling everything else forward.
Eddie Money don’t get no respect, and for the most part he doesn’t deserve any. He’s only made one good record: this one. Fortunately, it’s a GREAT one and we don’t have to play his other crappy ones. Thank God. This guy had so much promise, based soley on his debut here, and he turned into just another mainstream rock hack.
He lost his brilliant guitarist and arranger, Jimmy Lyon, soon after this first album was made, and that may account for his slide into mediocrity. But this record is outstanding from first note to last. If at the end of the second track — a cover of You Really Got A Hold On Me — you are not rockin’ out, then Eddie Money is not for you. I love this album and I have played it scores of times. (more…)