Incredible Shootout Winning Triple Plus (A+++) sound from the first note to the last
Both sides are wonderfully big, rich and LIVELY, with boatloads of Tubey Magic and the kind of three-dimendional space that’s a hallmark of Bob Simpson’s engineering
“Smith bubbles and bounces through all of it at the B-3 while Nelson proceeds to fill every available corner with huge, sweeping orchestral washes and crescendos. The clear highlight, though, is the lead and title track, “Hobo Flats,” which moves at a languid but wonderfully funky pace and establishes a groove as wide as the Mississippi River.”
Both sides of this very special early stereo pressing are huge, rich, tubey and clear. As soon as the band got going we knew that this was absolutely the right sound for this music. There was practically nothing that could beat it, in any area of reproduction.
In the past we’ve complained about “echo-drenched brass” on some of these Oliver Nelson / Jimmy Smith collaborations, but on a killer copy such as this there is nothing to complain about. If you have a top quality front end (and the kind of system that goes with it), this recording will be amazingly spacious, three-dimensional, transparent, dynamic, and open.(more…)
Yet another wonderful Getz Samba record, the third in the series. Some of our faourite music has this Samba syncopation: Sergio Mendes, first and foremost of course, but also Airto, and all the wonderful Getz albums from this period. Their enchanting Brazilian rhythms make their music fun.
Thanks go to all the engineers involved in this recording:
A vintage Living Stereo recording that’s rarely available on the site, this Sam Cooke LP boasts excellent Double Plus (A++) sound throughout
If you want to hear one of the great vocalists from the ’50s, in his prime, with top quality audiophile sound, this is the album that will do the trick!
This is the way it must have sounded in 1960, in the New York studios where it was recorded, with legendary RCA engineer BOB SIMPSON behind the board
This is not the typically radio-EQ’d singing-out-of-tin-can sound of so many male vocal albums from the era – Cooke’s voice is warm and rich here
This early pressing has the kind of Tubey Magical Midrange that modern records cannot begin to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing into a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.(more…)
Harry Pearson brought this record to the attention of audiophiles with his TAS list a long time ago, and rightfully so: it’s an amazing recording.
We happen to love the music too, which makes it one of the most recommendable records we have ever offered. If you can find a better combination of demo disc sound, with music worth the hassle and expense of reproducing it properly, more power to you. We sure can’t.
Because this is a live recording, because it has lots of natural instruments as well as a vocal, because it was recorded in the Golden Age by one of the greatest labels of all time, RCA, by Bob Simpson no less — for this and many other reasons, it has to be considered one of the most amazing recordings in the history of the world.
That said, it is our contention (and the basis of our business model) that the brilliant quality of the recording can only be appreciated if you have the pressing that captured the sound that the engineers recorded. In other words, a Hot Stamper.(more…)