Top Engineers – Bill Halverson

Graham Nash – Songs for Beginners – Greatest “Copy” Ever

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A distinguished member of the Better Records Rock Hall of Fame.

WHOA! We’ve paired up two FOUR PLUS sides to create this stunning 2-pack with mindblowing Demo Quality sound for the whole album. These A++++ sides will show you just how amazing it can sound: super full-bodied, rich, warm and natural. 

Please note that we award this very special grade so rarely that we don’t even have a graphic to represent it in our sonic grade box. The scale usually only goes to three pluses, but these two sides went up to four!

This is an incredible recording, and on a copy like this the sound is truly stunning. When you hear Chicago here you will not believe how CINEMATIC the sound is! It’s everything we love about ANALOG, and then some.

Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best. Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than this. (more…)

Crosby Stills & Nash – Crosby Stills & Nash – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Here’s a big one that we know many of you are waiting for: WHITE HOT STAMPERS for both sides of CSN’s amazing debut album. I’m pretty sure we get more emails about this album than any other; everyone wants a great sounding copy, but they’re oh-so-hard to find, especially in clean condition.

We’ve paired up a MONSTER side one with an equally amazing side two to create this White Hot Stamper 2-Pack. We’ve noticed many of you steer clear of the 2-Packs, but this one is a STUNNER.

If you’re waiting for a single copy to hit the site with two sides this good, we advise you to grab a comfortable chair and a cooler — you’re gonna be waiting a LONG TIME. (more…)

Stephen Stills – Bill Halverson’s Engineering Masterpiece?

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

When all the elements are working together as they do here, the music on Steve Stills’ first album is postively AMAZING. Until I hear something better, I’m going to have to call this BILL HALVERSON‘s Engineering Masterpiece.* Yes, on the best copies it’s that good.

*We have now heard something even better, an album from earlier in the same year in fact, Deja Vu.

We’ve had an unbelievably hard time finding copies that lived up to our expectations, prompting much of my crew to argue that it just could not be done. We didn’t find copies that sounded just as good as I remembered — no, we found copies that went BEYOND what I had hoped for.

What to Listen For (WTLF)

Both sides are rich and full-bodied, as well as transparent, with lots of separation between the parts. Most copies tend to be murky, thick, and veiled. The overall sound here is airy, open, and spacious, with TONS of ambience. (more…)

Eric Clapton – Eric Clapton – Good Horns, Probably Good Everything

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Another in our neverending series of Home Audio Exercises with specific advice on What to Listen For (WTLF) as you critically evaluate your copy. 

The sound of the horn arrangements backing practically every song on the album are key to the quality of the pressing and mastering. Blurry, smeary, leading-edge-challenged horns are the kiss of death on this album, as are grainy, gritty, transistory ones. When the horns have clarity, correct tonality, plenty of space around them and a solid, full-bodied sound, probably every other instrument in the soundscape will too.

This is not your usual Clapton album, and that’s a good thing, because most Clapton albums are full of filler. Not so here — almost every song is good, and many are superb.

Bill Halverson

BILL HALVERSON was the engineer on this album.

Cream – Goodbye – Some of the Best Live Rock Sound Ever Recorded

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

When you get a good side one of Goodbye you’ll hear exactly why we are calling it one of the Best Sounding Live Rock Albums of all time.

Goodbye has the Big Rock Sound that we go crazy for here at Better Records. The top copies just plain ROCK HARDER than all the others. Yes, they’re bigger. Yes, they have more weight and whomp down low. Yes, they are smoother and more natural up top. But what really sets them apart is the tremendous Energy they contain in their grooves. The music EXPLODES out of the speakers and comes to life on the best copies like practically nothing you have ever heard. (more…)

Graham Nash – Songs for Beginners – Listening in Depth

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More Songs for Beginners

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you go about critically evaluating your copies of Songs for Beginners.

This is one helluva well recorded album. Most of the credit must go to the team of recording engineers, led here by the esteemed Bill Halverson, the man behind all of the Crosby Stills Nash and Young albums. Nash was clearly influenced by his work with his gifted bandmates, proving with this album that he can hold his own with the best of the best.

Some songs (We Can Change The World, Be Yourself) are grandly scaled productions with the kind of studio polish that would make Supertramp envious. For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better.

Others (Sleep Song, Wounded Bird) are quiet and intimate. Their subtlely is highlighted by the big productions surrounding them. This is that rare album in which every aspect of the production, from the arrangements to the final mix, serves to bring out the best qualities in the songs, regardless of scale.

The recording is of course superb throughout, in the best tradition of Crosby Stills and Nash’s classic early albums: transparent, smooth and sweet vocals, with loads of midrange magic ; deep punchy bass; lovely extension on the top to capture the shimmer of the cymbals and harmonic trails of the acoustic guitars; with the whole balanced superbly by one of our all-time heroes, Glyn Johns. (more…)

Crosby, Stills, Nash & Young – 4 Way Street

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of the album.

If you want to hear Crosby, Stills, Nash and Young rock out live in your listening room, this copy will let you do it. It’s not easy to find good sound on even one side of this album, let alone all four!

Three Shootout Winning White Hot Stamper sides out of four! These three sides handily blow other copies out of the water, with the size, space, presence and energy that only the finest pressings are capable of. If you want to hear Crosby, Stills, Nash and Young rock out live in your listening room, this is the only copy that will let you do it. No other copy we’ve ever played rocked the way this one rocked! For three quarters of the “concert”, YOU ARE THERE. (more…)

Crosby, Stills, Nash & Young – So Far in 2007

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So Far

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A distinguished member of the Better Records Rock Hall of Fame.

This Hot Stamper copy has SUPERB SOUND ON SIDE TWO — the best we’ve ever heard. It sounds like it was made from the MASTER TAPE, and believe me, not many of them do. This LP killed any and all of the competition during this shootout; no other copy earned Three Pluses on Side Two. The sound is BIG and BOLD as it gets — it practically LEAPS out of the speakers. That’s what we call Hot Stamper sound. No other copy did that, on side two anyway. Side one has the highly-coveted unreleased material, so this copy, with “only” an excellent side one, is being priced somewhat more competitively and represents real value for money. 

When you get these good copies, they sound SO correct, they really show up the phony EQ and just plain bad mastering of the so-called Audiophile versions. The MoFi pressing and the Classic 200g LP are both quite obviously wrong in important but different ways. This is the kind of record that makes it painfully clear exactly what’s wrong with them. (more…)

Crosby, Stills, Nash & Young – Deja Vu – An Album We Are Clearly Obsessed With

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DEJA VU is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.

This link will take you to all of our other Crosby, Stills, Nash or Young albums.

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Deja Vu. (more…)

Crosby, Stills and Nash Replay – Listening in Depth

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This is another very handy record for setting your VTA. The end of Shadow Captain has loud vocals and punchy bass, which are a bit difficult to reproduce. (Forget trying to get this song to sound good if you don’t have an exceptionally good copy.) 

The next song is To The Last Whale, which starts with Nash and Crosby’s multitracked voices in a big hall. With the correct VTA, their voices should sound silky and sweet. If your arm is too far down in the back, they will get a bit dull. Too high, and they will lose that breathy, “fluffy” quality. And once you get their voices to sound just right, make sure the ending of Shadow Captain is still punchy and dynamic.

TRACK LISTING

Side One

Carry On 

A crappy remix, with added guitar, ugh. (more…)