Top Engineers – Arthur Lilley

Bernard Herrmann – Conducts Jane Eyre And Other Film Scores

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More Conducts Jane Eyre And Other Film Scores

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER. 

When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that. (more…)

Bernard Herrmann – The Mysterious Film World Of..

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind! 

Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?

The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List. (more…)

Bernard Herrmann The Fantasy Film World of… on MoFi Anadisq

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Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

Obviously our customers know by now that a Hot Stamper London pressing is going to be far better than the Anadisq MoFi cut in the mid ’90s. How much better?

Words fail me.

That record was a complete disaster. Perhaps some of the MoFi collectors didn’t notice because they had nothing to compare to it. 

God forbid they would ever lower themselves to buy a common pressing such as a London. Had they done so, what they would have heard is huge amounts of musical information that is simply nowhere to be found on the MoFi.

There is a place on this album, I failed to note exactly where, in which a group of tubas play a descending scale that is somewhat buried in the mix. On the London, they can clearly be heard and recognized as tubas. On the MoFi, I don’t think they can be heard except as some general group of low notes, and anyone thinking that they were tubas would be guessing, the sound is that murky, muddy, and ill-defined.

Robert Pincus once left a Post-It note stuck to the MoFi jacket of a copy he was playgrading for me that rather pithily summed up our thoughts on the quality of their mastering: “Did MoFi bother to listen to this before they ruined it?”

It’s positively shameful. This music is so good! On top of that, it’s custom made for audiophiles. Audiophiles are the ones who can appreciate the new colors Herrmann created, using what a wise man once called the single greatest instrument ever invented: the symphony orchestra.

Edmundo Ros – Latin Hits I Missed – Our Shootout Winner from 2011

Latin Hits I Missed

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

It’s unfortunate that Edmundo Ros and his orchestra command so little respect these days from the general record buying public. As for audiophiles, it’s doubtful that many even know who he or they is/are. We at Better Records are doing our best to change all that, continuing with this, the second Ros title we’ve managed to find with amazing sound and music since the first one went up in 2013. It’s one of the liveliest, best sounding Phase 4 titles we have heard in quite a while. Stampers simply do not get much hotter than these.  

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From the perspective of a level playing field, I cannot think of too many rock records that sound as BIG and DYNAMIC as this very pressing, nor many that are as spacious and clear. As good as the best German pressings of Dark Side of the Moon may be, the White Hot eight hundred dollar killer copies we have from time to time, this recording is every bit as exciting and in most ways more lifelike, with uncannily accurate instrumental timbres. (more…)