This very nice looking London Phase 4 LP has SUPERB SOUND for some of these pieces. Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here. Written purely for string orchestra, the tonality is Right On The Money (ROTM), with cellos that growl like the real thing.
In fact, so much of this sounds so good, and is such a brilliant showcase for one of the great orchestral colorists, Bernard Herrmann, that you’ll be asking yourself why more classical music doesn’t sound like this.(more…)
While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them.
Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.
The Obsession soundtrack is a dog as well; audiophiles looking for good sound are best advised to avoid them both.
This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER.
When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that.(more…)
An OUTSTANDING RECORDING — with a huge three-dimensional stage, open, clear, extended up top and down low — the sound on this White Hot Side One is nothing short of AMAZING. And side two isn’t far behind!
Side one boasts some wonderful material from Mysterious Island and Jason and the Argonauts. Who else but Herrmann could have orchestrated such phantasmagorical goings on?
The Three Worlds Of Gulliver Suite takes up all of side two. The complete score from which the suite is taken can be found on the original Herrmann album The Three Worlds of Gulliver, a long-time and extremely rare member of the TAS Super Disc List.(more…)
It’s unfortunate that Edmundo Ros and his orchestra command so little respect these days from the general record buying public. As for audiophiles, it’s doubtful that many even know who he or they is/are. We at Better Records are doing our best to change all that, continuing with this, the second Ros title we’ve managed to find with amazing sound and music since the first one went up in 2013. It’s one of the liveliest, best sounding Phase 4 titles we have heard in quite a while. Stampers simply do not get much hotter than these.
From the perspective of a level playing field, I cannot think of too many rock records that sound as BIG and DYNAMIC as this very pressing, nor many that are as spacious and clear. As good as the best German pressings of Dark Side of the Moon may be, the White Hot eight hundred dollar killer copies we have from time to time, this recording is every bit as exciting and in most ways more lifelike, with uncannily accurate instrumental timbres.(more…)