A distinguished member of the Better Records Rock and Pop Hall of Fame.
Bread’s fourth album has wonderfully sweet and rich 1972 ANALOG sound. The acoustic guitars are to die for on the title track. Talk about Tubey Magic, this copy has got bucketfuls of it on the voices and guitars. Whatever happened to that sound I wonder?
Listen for the delicate space up high above the music on the title track. This copy has the extended top end that opens up the sound and lets the music breathe.
The average copy is dull, compressed, congested and squawky in the midrange, all good reasons that explain why we simply haven’t been able to do many of Bread’s albums outside of the Greatest Hits and the first album. Most copies are so bad sounding that it seems pointless to even try — pointless only until a copy like this comes along to make us (and other Bread fans) believers.
Pure Pop For Now People
When you hear music sound this good, it makes you appreciate the music even more than the sound. This is in fact the primary raison d’etre of this audiophile hobby, or at least it’s supposed to be. To hear the vocal harmonies that these guys produced is to be reminded of singers of the caliber of the Everly Brothers or The Beatles. It’s Pure Pop for Now People, to quote the famous wag Nick Lowe.
Of course, by Now People, I’m referring to people who appreciate music that came out close to forty years ago. Whenever I hear a pop record with sound like this, I have to ask myself “What has gone wrong with popular recordings for the last three or four decades?”
I can’t think of one recording of the last twenty years that sounds as good as this Bread album. Are there any? (more…)