Exceptionally lovely All Tube sound from 1958, with a huge, rich orchestra conducted by our man, Marty Paich. Grammy Award for Best Improvised Jazz Solo – these were the days when Ella was on top of the world.
When you are lucky enough to find a album that sounds as good as this one, full of standards from the Great American Songbook, you cannot help but recognize that this era for Ella will never be equaled, by her or anyone else.
The recording is outstanding, with huge amounts of space and the kind of midrange richness that might just take your breath away.
Skip the Mono
Like other albums from the ’50s, this one is much more common in mono than stereo, and, somewhat surprisingly, actually has two more songs per side. We found the sound of the mono pressings we played seriously wanting, with way too much compressor distortion when Marty Paich’s band gets going — or should we say tries to get going, because the constricted sound won’t let the band open up and swing the way it wants to.
We’re glad to say that this is a problem the best stereo copies did not have. The mono can be rich and full-bodied; on a mid-fi system it would probably sound just fine, because mid-fi stereos are rarely any good at projecting huge, three-dimensional, life-size images of a musical group this large.
On today’s modern stereos it leaves a lot to be desired, and for that reason, we say Skip the Mono.