One of our good customers had this to say about some Hot Stampers he purchased recently:
Just listened to the Yes album Fragile. FANTASTIC!!!!! I didn’t know Yes LPs could sound like this. Any Yes LPs I’ve ever heard were harsh sounding andafter a couple of minutes my ears would start to hurt.Thanks!
A Big As Life copy with Shootout Winning Triple Plus (A+++) grades or close to them on both sides – I’ve Seen All Good People is mindblowing on this side one
You haven’t begun to hear the power and size of Yes’s brilliant third album until you’ve played one of our Shootout Winning early domestic pressings
A Top 100 Album and the band’s best sounding record if you ask us (although Fragile can sound absolutely amazing too, just not as smooth and rich)
“Organist Tony Kaye, guitarist Steve Howe and bass player Chris Squire play as though of one mind, complementing each other’s work as a knowledgeable band should.”
Sometimes the copy with the best sound is not the copy with the quietest vinyl, as is the case on this side two. The best sounding copy is always going to win the shootout, the condition of its vinyl notwithstanding. If you can tolerate the imperfections of this pressing you are in for some amazing Yes music and sound. If for any reason you are not happy with the sound or condition of the album we are of course happy to take it back for a full refund, including the domestic return postage.
Drop the needle on this bad boy and you will find yourself on a Yes journey the likes of which you have never known. And that’s what I’m in this audiophile game for. The Heavy Vinyl crowd can have their dead-as-a-doornail, wake-me-when-it’s-over pressings that play quietly. I couldn’t sit through one with a gun to my head.
With the amazing Eddie Offord at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers who like to play their records loud.
These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it.(more…)
An amazing copy of this Prog Blockbuster, with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second – super quiet vinyl too, as quiet as any copy we have ever listed
An incredibly complex recording, with huge organs, light-speed changes and an abundance of multi-tracked parts
A recording that will push even the highest quality, most heavily tweaked stereo to its limits – if you can play this record good and loud, you can play anything
5 stars: “Close to the Edge represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years. In 1972, Close to the Edge was a flawless masterpiece.”
This vintage Atlantic pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Got my albums today, and I’m stunned, flabbergasted, and amazed. I purchased a “Hot Stamper” Yes Fragile, and immediately spun Side B. For the first two minutes, listening to “Long Distance Runaround,” I sat there with jaw slack, repeatedly shouting expletives. My son finally came downstairs to see what was going on. I simply couldn’t believe my ears. I have never, ever, heard as good a recorded rendition – and I’ve heard (and owned) numerous copies over the years.I literally heard stuff I’ve never heard before – for example, in the last chorus of “Heart of the Sunrise”, I could for the first time ever clearly hear Wakeman’s Minimoog layered on top of Anderson’s vocal. I knew it was there in the front part (“Sharp…Distance”) but never knew it was there on the “How can the wind with its arms…” part. Amazing.
I’ve been doing the audiophile thing for 20 years now – exclusively analog. And for the last many years, I’ve read your website, but remained skeptical. This is my first purchase! But it most certainly won’t be my last. My only lament is that I lack the funds to buy all of the albums that I now realize I MUST have! So, THANK YOU – for your dedication to finding and making available high quality recordings; and for bringing such incredible music into my home space!!! I look forward to doing much business with you in the future! (more…)
Insanely good Shootout Winning Triple Plus (A+++) sound from start to finish – one of the best copies to ever hit the site!
Our rare, original Plum and Orange UK original here put every other pressing to shame – some of the best High Production Value rock music of the ’70s, thanks to the band and a Mr Eddie Offord
If you’ve ever heard one of our Yes Album Hot Stampers, you’ll know what to expect here – HUGE and POWERFUL sound
“If Yes‘ debut was a prelude to their glory years as a band, Time and a Word sees them making a bold first step into the realm of prospective greatness.”
This British original pressing has the kind of Tubey Magical Midrange that modern records cannot even BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound. (more…)
Shootout Winning Triple Plus (A+++) sound on both sides and the first to hit the site in many years
This UK Original Plum and Orange pressing is by far the best way to hear the album, but finding a clean one was no walk in the park
“In an era when psychedelic meanderings were the order of the day, Yes delivered a surprisingly focused and exciting record that covered lots of bases…” – All Music
I wish I could say that this was the sonic (or musical) equivalent of Fragile of The Yes Album — or even the second album, Time and a Word — but that’s simply not the case. Still, there’s a lot to like here and it’s fun to hear the band developing their style and growing into the pop-prog behemoth they would become with their third release.
What shootout winning sides such as these have to offer is not hard to hear:
The biggest, most immediate staging in the largest acoustic space
The most Tubey Magic, without which you have almost nothing. CDs give you clean and clear. Only the best vintage vinyl pressings offer the kind of Tubey Magic that was on the tapes in 1969
Tight, note-like, rich, full-bodied bass, with the correct amount of weight down low
Natural tonality in the midrange — with all the instruments (and effects!) having the correct timbre
Transparency and resolution, critical to hearing into the three-dimensional studio space
No doubt there’s more but we hope that should do for now. Playing the record is of course the only way to hear all of the above.(more…)
An outstanding copy with solid Double Plus (A++) grades on both sides – the sound is huge and powerful
Plenty of Prog Rock Power is on display here – Eddie Offord’s engineering is Hard To Fault throughout
A Top 100 Album and the band’s best sounding record – quiet too, Mint Minus to Mint Minus Minus
“It was the addition of Steve Howe’s guitar pyrotechnics that finally allowed Yes to find their true identity. The Yes Album is a giant leap forward.”
At its best, this album is a Big Speaker Prog-Rock opus with tremendous power and dynamic range, but it takes a special pressing like this one to really bring it to life.
These guys — and by that I mean this particular iteration of the band, the actual players that were involved in the making of this album — came together for the first time and created the sound of Yes on this very album, rather aptly titled when you think about it.
With the amazing EDDIE OFFORD at the board, as well as the best batch of songs ever to appear on a single Yes album, they produced both their sonic and musical masterpiece — good news for audiophiles with Big Speakers!(more…)
This shootout taught us that track one is not as well recorded as the rest of side one. On copy after copy, and there were well over a dozen, it was the other big track on side one, South Side of the Sky, that had consistently better sound. You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first.
You really hear it in the choruses, where the voices are so full-bodied, powerful, rich and energetic on that fourth track, and less of all of these qualities on the first. We play both songs, but we play them in reverse order, knowing that the mind-boggling sound is really going to be on South Side, not so much Roundabout.
This record should give any record you own a run for its money. It’s as BIG and as BOLD a statement about raising the bar for rock recordings as any I know. Without a doubt one of the Best Rock Recordings of all time.
EDDIE OFFORD took charge of Yes’s engineering starting with Time and a Word (1970) and we are very lucky that he did. Although his masterpiece is surely ELP’s first album, both The Yes Album and Fragile are so amazingly well recorded they clearly belong at the top of any list of All Time Great Sounding Rock Albums.